periodo

1. Sappho on the Leucadian Cliff — Pierre Narcisse Guérin, 1800
2. Hylas e le Ninfe — John William Waterhouse, 1896
3. Automedon with the Horses of Achilles — Henri Regnault, 1868
4. Andromeda — Eugène Delacroix, 1852
5. Philemon and Baucis — Orest Adamovič Kiprenskij, 1802

movimento

atmosfera

1. Sappho on the Leucadian Cliff — Pierre Narcisse Guérin, 1800
2. Winter - Juno and Aeolus — Eugène Delacroix, 1856
3. Greek Maidens Adorning a Sleeping Cupid with Flowers — Joseph-Marie Vien, 1773
4. Sappho a Leukate — Antoine-Jean Gros, 1801
5. Andromeda — Eugène Delacroix, 1852
6. Philemon and Baucis — Orest Adamovič Kiprenskij, 1802

argomenti

parole chiave

tinta

1. Sappho on the Leucadian Cliff — Pierre Narcisse Guérin, 1800
2. Sappho a Leukate — Antoine-Jean Gros, 1801
3. Andromeda — Eugène Delacroix, 1852

colore principale

1. Giovane Bacco che Dorme — Luca Giordano, 1681
2. The Flood — Philip James de Loutherbourg
3. Philemon and Baucis — Orest Adamovič Kiprenskij, 1802
4. The Fall of the Rebel Angels — Charles Le Brun
5. Hylas e le Ninfe — John William Waterhouse, 1896
6. Sappho a Leukate — Antoine-Jean Gros, 1801
7. The Sacrifice of Isaac — Juan de Valdés Leal, 1657
8. Automedon with the Horses of Achilles — Henri Regnault, 1868
9. Prokne and Itys. — alcamenes
10. Insurgente greco — karl pavlovich bryullov
11. Death Of Hercules — Jean Baptiste Deshayes De Colleville
12. Sappho on the Leucadian Cliff — Pierre Narcisse Guérin, 1800
13. Andromeda — Eugène Delacroix, 1852
14. La dispute de Minerve et de Mars dit autrefois, Combat de Minerve contre Mars — Joseph-Benoît Suvée
15. Winter - Juno and Aeolus — Eugène Delacroix, 1856
16. allegory of Asia — Luca Giordano
17. The Denunciation of Adam and Eve — George Frederic Watts, 1898
18. Venere presenta le braccia ad Enea — Nicolas Poussin, 1639

altro

1. Zeus and Danae — alecos fassianos
2. Adam and Eve — George Frederic Watts
3. Giove e Antiope — Sir Anthony van Dyck
4. Adam and Eve c.1865 — George Frederic Watts
5. Zeus and Athens — Konstantinos Papamichalopoulos, 2019