periodo

movimento

atmosfera

argomenti

1. Two Men Crouching — Arthur B. Davies
2. Three men — Daniel Maclise
3. Two men- Nose to Nose — George Benjamin Luks
4. Robert Macaire agents d'affaires, lithographie Robert Macaire business men, lithographs — Honoré Daumier
5. Two men riding, seen from behind — Thomas Rowlandson
6. Twelve Men — Arthur B. Davies
7. Five studies of naked men, turned to the left — Paolo Veronese
8. Men's head in a straw hat — Arkhip Ivanovich Kuindzhi
9. Three Seated Men Conversing; Two Recumbent Children; Back of an Athlete; Seated Male Figure — Thomas Sully
10. Seated Figure, Three Men in Group, Kneeling Woman from Rear, Kneeling Woman from Rear — Thomas Sully
11. Women Being Abducted by Two Men with Fallen Figure Beneath — Thomas Sully
12. Two Architectural Sketches; Three Men Seated at Table; Child Holding Pet in Landscape; Figure Appearing Behind Corner; Scene from Julius Ceasar — Thomas Sully
13. Study of Clouds; Two Female Nudes (after Michelangelo; Two Half-length Female Portraits; Equestrian Figure with Two Men — Thomas Sully
14. Two Men Drinking Tea — Katsushika Hokusai
15. Quattro Uomini su una Strada con Pini — vincent willem van gogh, 1890
16. Nude Man Leaning Over Rock; Seated Female Figure; Seated Nude Female Figure with Hands to Face; Two Men Carrying Dead Body — Thomas Sully
17. Interior of an Inn with Three Men and a Boy — Adriaen van Ostade, 1656

parole chiave

tonalità

colore principale

1. Study for Men without Women — Stuart Davis
2. Interior of an Inn with Three Men and a Boy — Adriaen van Ostade, 1656
3. Paper Mill, Men and Paper Bales — prunella clough
4. Two Men Drinking Tea — Katsushika Hokusai
5. Carne per uomini selvaggi — Charles Marion Russell, 1924

altro

1. Autobus trainato a cavalli a Parigi, tre uomini seduti sulla sommità — Paula Modersohn-Becker, 1905
2. The Three Wise Men (also known as Halt of the Wise Men) — John La Farge, 1878
3. Due uomini nella conversazione — Rembrandt van Rijn, 1641
4. Mural (Radio City Men's Lounge Mural Men without Women) — Stuart Davis, 1932