periodo

movimento

1. Forgetting Machines #Kim Dongjin — Noh Suntag, 2011
2. Senza titolo (500) — Gerhard Richter
3. Untitled (106) — Gerhard Richter
4. Vermalung (Braun) — Gerhard Richter
5. Neve — Gerhard Richter, 1999
6. Firenze — Gerhard Richter, 2000
7. Paesaggio Forestale — Gerhard Richter, 2005
8. Foresta (7) — Gerhard Richter, 2005
9. Brigid Polk — Gerhard Richter, 1971

atmosfera

1. Immagine Astratta — Gerhard Richter, 1994
2. Tre studi della testa umana sinistra — Francis Bacon, 1953
3. Studio per un ritratto di un uomo d'azzurro, 1952 — Francis Bacon
4. study for self-portrait, 1973 center — Francis Bacon
5. Three Studies for a Portrait — Francis Bacon
6. Firenze — Gerhard Richter, 2000
7. Study for Head of Cardinal with Glasses — Francis Bacon
8. Dada Portrait — Man Ray

temi

1. George — Gerhard Richter, 1975

parole chiave

tono

1. Tre studi della testa umana sinistra — Francis Bacon, 1953
2. study for self-portrait, 1973 center — Francis Bacon
3. Three Studies for a Portrait — Francis Bacon
4. Neve — Gerhard Richter, 1999
5. Study for Head of Cardinal with Glasses — Francis Bacon

colore principale

1. George — Gerhard Richter, 1975
2. Le Ventriloque — Marielle Sarah Warin, 2000
3. Forgetting Machines #Kim Dongjin — Noh Suntag, 2011
4. Immagine Astratta — Gerhard Richter, 1994
5. Vermalung (Braun) — Gerhard Richter
6. Memento Nº 11 — Jair Leal
7. Foresta (7) — Gerhard Richter, 2005
8. Abstract Painting No. 809-3 — Gerhard Richter
9. Three Studies for a Portrait — Francis Bacon
10. Firenze — Gerhard Richter, 2000
11. Studio per un ritratto di un uomo d'azzurro, 1952 — Francis Bacon
12. Study for Head of Cardinal with Glasses — Francis Bacon
13. Untitled (106) — Gerhard Richter
14. Brigid Polk — Gerhard Richter, 1971
15. Senza titolo (500) — Gerhard Richter
16. Tre studi della testa umana sinistra — Francis Bacon, 1953
17. Neve — Gerhard Richter, 1999
18. Paesaggio Forestale — Gerhard Richter, 2005

altro

1. Vecchio che Conta — Paul Klee
2. Sarkozy — yang shaobin
3. Rosso Blu Giallo — Gerhard Richter, 1972