periodo

movimento

  1. Still Life of a Lobster, Vegetables, Fruit, and Game — Adriaen van Utrecht, 1645
  2. Cutting The Feather — Adriaen van Ostade
  3. Smoking Men — Adriaen Brouwer, 1637
  4. Santi Pietro e Paolo — Reni Guido (Le Guide)
  5. Interior Of A Tavern — Adriaen van Ostade
  6. Cook with Food — Frans Snyders, 1630
  7. Due Giovani Uomini Che Mangiano Ad Un Tavolo Modesto — Diego Rodríguez de Silva y Velázquez, 1622
  8. Bathsheba Bathing — Francesco Solimena, 1725
  9. Paesaggio con Tre Uomini — Nicolas Poussin

atmosfera

temi

  1. Breakfast Of A Young Man — Pieter Cornelisz Van Slingelandt
  2. Smoking Men — Adriaen Brouwer, 1637

parole chiave

tono

colore principale

  1. Cook with Food — Frans Snyders, 1630
  2. Smoking Men — Adriaen Brouwer, 1637
  3. Still Life of a Lobster, Vegetables, Fruit, and Game — Adriaen van Utrecht, 1645
  4. Cutting The Feather — Adriaen van Ostade
  5. Peasant Woman in an Interior — Carel de Moor
  6. Still-Life with Oysters — Alexander Adriaenssen, 1630
  7. Santi Pietro e Paolo — Reni Guido (Le Guide)
  8. The last drop — Erskine Nicol
  9. Il Sogno di Asclepio — Sebastiano Ricci, 1710
  10. Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 1674 — Antonio Zanchi, 1674
  11. Due Giovani Uomini Che Mangiano Ad Un Tavolo Modesto — Diego Rodríguez de Silva y Velázquez, 1622
  12. Utilizing a Spare Moment — Seymour Joseph Guy
  13. Interior Of A Tavern — Adriaen van Ostade
  14. Breakfast Of A Young Man — Pieter Cornelisz Van Slingelandt
  15. The Apple of His Eye — Hugo Wilhelm Kauffmann
  16. Paesaggio con Tre Uomini — Nicolas Poussin
  17. The New Wine — Eduard Charlemont
  18. Soup in a bread — London News Agency Photos, Ltd
  19. A Good Beer — Hugo Wilhelm Kauffmann

altro

  1. The Village Cooper — john cranch, 1791
  2. Uomo Che Si Accende La Pipa In Un'osteria — Reyer Van Blommendael
  3. The Three Wise Men (also known as Halt of the Wise Men) — John La Farge, 1878
  4. The Christ Child, Saint John and the Lamb — Peter Paul Rubens, 1620