periodo

movimento

1. Macready as Werner — Daniel Maclise, 1850
2. Il regno di Re Riccardo III — Daniel Maclise
3. Blue Belle — John Atkinson Grimshaw, 1877
4. The Opening of the Casket — Washington Allston
5. Francis I And Diane Of Poitiers — Daniel Maclise

atmosfera

temi

1. Macready as Werner — Daniel Maclise, 1850

parole chiave

1. Macready as Werner — Daniel Maclise, 1850
2. Francis I And Diane Of Poitiers — Daniel Maclise
3. Il regno di Re Riccardo III — Daniel Maclise

tono

colore principale

1. A Scene from 'Undine' — Daniel Maclise, 1843
2. Young Man with Bow and large Quiver and his Companion with a Shield, formerly entitled Telemachus and Mentor, Giovanni Battista Tiepolo, 1730 - 1750 — Giambattista Tiepolo, 1750
3. James Hamilton, 1st Duke of Hamilton, Royalist — Sir Anthony van Dyck
4. Francis I And Diane Of Poitiers — Daniel Maclise
5. Davide e Gionata — Rembrandt van Rijn, 1642
6. Il regno di Re Riccardo III — Daniel Maclise
7. Macready as Werner — Daniel Maclise, 1850
8. Claudia Margherita Scaglia di Verrua marchesa del Maro e Ludovica Maria S. Martino d — Bartolomeo Caravoglia, 1663
9. Rembrandt's 'Biblical Scene' showcases his mastery of light and shadow, depicting a poignant moment from the Bible with profound emotion and detail. — Rembrandt van Rijn
10. The Loving Cup — Daniel Maclise, 1859
11. Male Figures beneath a Pillared Arch — george sheffield senior, 1850
12. Robert Rich (1587–1658), Secondo Earl di Warwick — Sir Anthony van Dyck, 1632
13. ADRIEN MAURICE, DUC DE NOAILLES, MARECHAL DE FRANCE (1678 1766) — eloi firmin feron
14. Blue Belle — John Atkinson Grimshaw, 1877

altro

1. Portrait of Samuel Taylor Coleridge, poet — Daniel Maclise
2. Charles Molloy Westmacott — Daniel Maclise
3. Lady morgan — Daniel Maclise
4. Paesaggio, Surrey — Daniel Maclise
5. Illustration for Dicken's 'Chimes' — Daniel Maclise
6. La morte di Nelson — Daniel Maclise, 1864
7. Portrait of David Wilkie — Daniel Maclise
8. A group portrait of three children — Daniel Maclise
9. A Man in Armour — Rembrandt Peale, 1655