Tiles (1945) teoksen Thomas Jorge Farkas käsinmaalattu öljyvärimaalausreprosentti mestaritaiteilijalta
Esikatselu Esikatsele AR-tilassa Vaihda tulosteeseen Siirry digitaaliseen kuvaan Jaa teos
Tiedot Opas Lisää suosikkeihin Lataa kuva Samanlaisia kohteita Röntgenkuvaus Diaesitys Kysymykset ja vastaukset Lataa esitys Tilastot

Tiles Käsinmaalattu öljyvärimaalausreproduktio

Discover "Tiles" by Thomas Jorge Farkas – a captivating black & white photographic painting of intricate circle patterns. Explore Brazilian art history.

Brazilian photographer Thomas Jorge Farkas documented Brazilian life & architecture from the 1960s onward. Explore his iconic images of Brasília, São Paulo, & daily scenes.

Tällä sivulla esitettyä taideteosta suojaa tekijänoikeuslaki, mikä tarkoittaa, ettemme voi laillisesti luoda tai myydä täsmälleen samanlaista jäljennöstä. Tämä suoja toteutetaan kansainvälisten sopimusten, kuten esimerkiksi Berne-konventio ja kansallisilla laeilla, mukaan lukien niillä määritellyt Yhdysvaltain tekijänoikeuslaki – Luku 17. Kaikki oikeudet pidätetään. Luvaton kopiointi tai jäljittely on kielletty.

Kunnioittavana ja laillisena vaihtoehtona tarjoamme alkuperäisestä inspiroituneita, yksilöllisiä ja käsinmaalattuja taideteoksia. Taitavat ja ammattimaiset taiteilijamme tutkivat huolellisesti alkuperäisen teoksen tyyliä, tunnelmaa ja taiteellista ydintä luodakseen uuden, ainutlaatuisen teoksen, joka herättää saman tunteen – säilyttäen samalla oman itsenäisen alkuperäisyytensä.

Tämä menetelmä noudattaa täysin tekijänoikeussäännöksiä, sillä se ei sisällä suojatun taideteoksen kopioimista tai jäljentämistä. Sen sijaan kyseessä on luova uudelleentulkinta – uusi maalaus, joka ammentaa vaikutteita alkuperäisestä, mutta ei ole sen identtinen kopio.

Käsinmaalattu öljyvärinen jäljennös

Käsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta. ( Vaihda tulosteeseen Siirry digitaaliseen kuvaan)

Corner sample of the P118B picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: valettu polystyreeni, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: valettu polystyreeni, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: valettu polystyreeni, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: valettu polystyreeni, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: massiivipuu, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: massiivipuu, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: massiivipuu, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: massiivipuu, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: massiivipuu, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: massiivipuu, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: massiivipuu, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: massiivipuu, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: massiivipuu, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: massiivipuu, 6 cm wide and 3.5 cm thick
W953PJ €8

Vakiokoko
räätälöity
CM
INCH

Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.

leveys
korkeus

Kirjoita tarvitsemasi leveys ja korkeus, jotta teos sopii kehyksiisi tai seinällesi. Koska kyseessä on käsinmaalattu teos, taiteilija voi maalata hieman enemmän kuvan ympärille tai rajata sitä hieman, jos haluat eri muotoisen koon — valinta on sinun. Lähetämme sinulle digitaalisen mallikuvan hyväksyttäväksi ennen kuin maalaus alkaa. Tällä sivulla näkyvä kuva ei vastaa lopullista tulosta — vain mallikuva näyttää sen.

Esimerkkejä muokattavista asioista: Vaihda kasvot asiakkaan omaan valokuvaan; Lisää lemmikki (esim. korvaa kissa koiralla); Lisää taustalle piilotettu viesti; Muuta taustan maisemaa tai elementtejä.
Tilauksen jälkeen WahooArt.com -tiimi lähettää asiakkaalle sähköpostitse ohjeet ja esikatselukuvan

Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (9 marraskuu). Laadusta ei tingitä.

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100 päivän palautusoikeus (vain valmistusvirheet)
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Määräalennus tarjolla

Kokonaishinta

€ 243

Tiles

Reproduktiotekniikka

Replikaatin koko

-

Kokonaishinta

€ 243

Pikaista tietoa

  • Notable elements or techniques: Repeating circular motifs, hand-drawn lines
  • Year: 1945
  • Medium: Oil painting on canvas
  • Artistic style: Abstract Expressionism
  • Title: Tiles

Taidevisat

Jokaisessa kysymyksessä on vain yksi oikea vastaus.

Kysymys 1:
What is the primary shape used throughout the composition of 'Tiles'?
Kysymys 2:
Which color palette is used in this artwork?
Kysymys 3:
What medium was the original painting 'Tiles' created with?
Kysymys 4:
In which year was the artwork 'Tiles' created?
Kysymys 5:
The style of the painting leans towards which art movement?

A Rhythmic Dance of Form and Shadow

In the mesmerizing abstract composition titled Tiles, the viewer is invited into a world where geometry meets spontaneity. Created in 1945 by the visionary Thomas Jorge Farkas, this work transcends simple pattern-making to become a profound exploration of rhythm and repetition. The piece is dominated by an array of circular motifs that march across the canvas in horizontal rows, yet they refuse to adhere to a rigid, mechanical uniformity. Instead, each circle possesses its own unique character, varying slightly in size, orientation, and spacing. This subtle irregularity breathes life into the composition, transforming what could have been a static design into a dynamic, pulsing arrangement that feels as though it is in constant, quiet motion.

The visual language of Tiles is strictly monochromatic, relying entirely on the evocative interplay between black and white. This lack of color strips away any potential distraction, forcing the eye to focus solely on the structural elegance of the lines and the depth created by overlapping shapes. The technique suggests a hand-drawn quality, where thin, slightly irregular lines define each orb, hinting at the artist's direct, physical engagement with the medium. There is an undeniable charm in these imperfections; they suggest a sense of human touch within an abstract framework, bridging the gap between calculated design and Abstract Expressionist freedom.

The Architecture of Abstraction

Beyond its surface beauty, Tiles offers a meditative experience for the observer. The repetitive nature of the circular elements can evoke a sense of profound order and tranquility, much like the rhythmic patterns found in nature or the architectural cadences of a modern cityscape. Yet, there is also an underlying tension within the work—a subtle complexity born from the way the circles overlap and intersect, creating new, unexpected shapes within the monochrome field. This duality makes the piece particularly captivating for collectors and interior designers alike; it functions as both a calming anchor in a room and a sophisticated focal point that invites deep, prolonged contemplation.

For those seeking to integrate this masterpiece into a curated space, Tiles serves as a timeless testament to the power of minimalism. Its ability to harmonize with diverse environments—from the sleek lines of contemporary galleries to the textured warmth of a classic study—is unparalleled. As a reproduction of an oil painting, the work retains a sense of tactile depth, where the interplay of light and shadow across the black and white planes creates a perceived dimension that transcends its flat plane. It is not merely a decoration, but a window into a mid-century exploration of form, capturing a moment in history where the boundaries of abstraction were being beautifully redefined.

Kysymykset ja vastaukset

Onko teoksella Thomas Jorge Farkas:n "Tiles" pysty- vai vaakasuuntainen orientaatio?

Thomas Jorge Farkas:n "Tiles" on Landscape-muotoinen sommitelma. Suhteet kannattaa tarkistaa ennen tulostekoon valitsemista.

Milloin teos Thomas Jorge Farkas:n "Tiles" on luotu?

"Tiles" on peräisin vuodelta 1945. Teoksen valmistumisajankohta sijoittaa sen Thomas Jorge Farkas uran ja aikakauden kontekstiin.

Onko teoksesta "Tiles" saatavilla latausversiota?

Teoksen Thomas Jorge Farkas:n "Tiles" kuvan voi ladata teoksen Lataa digitaalinen kuva -sivulta: korkearesoluutioinen digitaalinen kuvalataus.


Taiteilijan elämäkerta

The Lens of a Nation: The Life and Legacy of Thomas Jorge Farkas

Born amidst the historical weight of Budapest, Hungary, in 1924, Thomas Jorge Farkas would eventually become one of the most vital visual chroniclers of the Brazilian soul. His journey from the landscapes of Europe to the vibrant, pulsating energy of São Paulo shaped a perspective that was both an outsider’s keen observation and an insider’s profound empathy. Though his academic beginnings were rooted in the structured world of engineering at the University of São Paulo, the call of the visual narrative proved irresistible. This transition from the precision of mathematics to the fluid storytelling of photography allowed him to develop a unique eye—one capable of capturing the structural grandeur of Brazil's burgeoning architecture alongside the delicate, fleeting nuances of its people.

Farkas’s artistic evolution was deeply intertwined with the socio-political currents of mid-century Brazil. As a prominent member of the Foto Cine Clube Bandeirante, he found himself at the heart of a movement that used the camera as a tool for both art and social commentary. During the challenging years of Brazil's authoritarian regime between 1964 and 1985, his work took on a layer of quiet resistance. Through his lens, the struggle for identity and the realities of daily life were documented with a journalistic integrity that refused to look away. His mastery of black and white photography became his primary language, utilizing light and shadow to create compositions that felt both timeless and urgently contemporary.

A Visionary Architect of Brazilian Photographic Culture

The significance of Farkas extends far beyond the borders of his individual frames; he was a foundational architect of the Brazilian photographic community. His 1968 expedition across the vast expanse of Brazil served as a transformative pilgrimage, providing him with the raw material for a lifetime of documentation. This journey culminated in the establishment of the São Paulo Foto Galeria in 1979, a sanctuary for visual expression that provided a much-needed platform for emerging talents and helped solidify photography as a respected fine art within the country. His commitment to the medium was matched by his dedication to education, as he spent years nurturing the next generation of artists at the University of São Paulo's School of Communications and Arts.

The technical brilliance of his work lies in its seamless blend of the monumental and the mundane. He possessed a rare ability to capture the sweeping, modernist lines of Brasília with the same reverence he applied to a candid street scene in the bustling heart of São Paulo. His style is defined by:

  • Humanist Observation: A profound empathy that prioritized the dignity of his subjects, capturing the essence of the Brazilian spirit through unposed, authentic moments.
  • Masterful Monochrome: An expert command over the grayscale spectrum, using contrast to evoke mood and texture in both urban landscapes and natural scenery.
  • Architectural Precision: A keen eye for the geometric beauty of Brazil's mid-century modernism, documenting a period of rapid national transformation.

Ultimately, the work of Thomas Jorge Farkas remains an indispensable archive of a nation in flux. His images do not merely record history; they breathe life into it, offering a window into an era of profound change. Through his meticulous attention to detail and his unwavering commitment to truth, he ensured that the faces, the streets, and the very atmosphere of 20th-century Brazil would be preserved with an enduring, poetic grace.

Thomas Jorge Farkas

Thomas Jorge Farkas

1924 - 2011 , Hungary

Pähkinänkuoressa

  • Full Name: Thomas Jorge Farkas
  • Nationality: Brazilian
  • Date Of Birth: 1924
  • Date Of Death: 2011
  • Place Of Birth: Budapest, Hungary
  • Notable Artworks:
    • Copacabana beach.
    • Tiles.
    • Pampulha Casino marquise
  • Artistic Movement Or Style: Documentary Photography