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A captivating pink-toned mixed media masterpiece by pioneer Shakir Hassan Al Said featuring intricate geometric circles and mystical depth from 1970 that invites you to explore the beauty of modern Iraqi art.

Shakir Hassan Al Said (1925-2004): Iraqi artist fusing modern art with Arabic calligraphy & Sufi themes. Founder of key art groups, he revolutionized regional aesthetics. Explore his legacy!

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Toimitus maailmanlaajuisesti () kahdessa viikossa tavallisen 4–5 viikon sijaan. (4 syyskuu)

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$ 68

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Taiteilijan elämäkerta

Shakir Hassan Al Said: A Pioneer of Modern Iraqi Art

Early Life and Education

  • Born: 1925 in Samawah, Iraq.
  • Shakir Hassan Al Said was a multifaceted artist – painter, sculptor, writer, philosopher, art critic, and historian.
  • He received his degree in Social Science from the Higher Institute of Teachers in Baghdad (1948).
  • Furthered his artistic training with a diploma in painting from the Institute of Fine Arts in Baghdad (1954).
  • Continued studies at the École Nationale Supérieure des Beaux-Arts in Paris until 1959, broadening his exposure to international art movements.

Artistic Development and Influences

  • Upon returning to Baghdad, Al Said immersed himself in the study of Yahya ibn Mahmud al-Wasiti’s work, a significant figure in Islamic miniature painting.
  • Sufism, with its mystical and philosophical underpinnings, profoundly influenced his artistic vision.
  • The poetry and philosophy of Mansur al-Hallaj, a controversial Sufi mystic, also played a crucial role in shaping his aesthetic sensibilities.
  • His early style was initially figurative but gradually transitioned towards an emphasis on Arabic calligraphy as a central artistic element.

Founding of Art Groups and Collaborative Efforts

  • Jama'et Baghdad lil Fann al-Hadith (The Baghdad Modern Art Group) – Co-founded in 1951, this group aimed to synthesize modern artistic approaches with Iraq’s rich cultural heritage.
  • Al Bu'd al Wahad (The One Dimension Group) – Established in 1971, this collective explored the expressive potential of Arabic script within a contemporary art context. It championed the Hurufiyya movement.

Key Artistic Contributions and Style

  • Notable Works: Include “Quaternary Rhythm” (ibrahimi collection, Amman, Jordan), demonstrating his unique blend of modernity and tradition; “Woman in Profile (turned to the left)”, showcasing stylistic experimentation.
  • Al Said’s work is characterized by a distinctive fusion of abstract forms, calligraphic elements, and symbolic imagery.
  • He often employed earthy tones and textured surfaces, evoking a sense of history and cultural depth.

Legacy and Historical Significance

  • Al Said’s theoretical writings and artistic practice charted a new course for Arabic art aesthetics.
  • He advocated for evaluating regional art through uniquely Arabic lenses, challenging Western-centric perspectives.
  • His contributions had a profound impact on the modern Iraqi art movement and continue to inspire artists today.
  • His work is held in collections such as The Museum Ruskin Library (Lancaster, United States).
  • Died in 2004, leaving behind a lasting legacy as a pivotal figure in the development of modern art in Iraq and beyond.
shakir hassan al-said

shakir hassan al-said

1925 - 2004 , Iraq

Pikatiedot

  • Birth Date: 1925
  • Birth Place: Samawah, Iraq
  • Death Date: 2004
  • Influenced By:
    • Yahya ibn Mahmud Al-Wasiti
    • Sufism
    • Mansur Al-Hallaj
  • Movement:
    • Modern Iraqi art
    • Hurufiyya movement
  • Name: Shakir Hassan Al Said
  • Nationality: Iraqi
  • Notable Works:
    • Quaternary Rhythm
    • Woman in Profile
    • Unread Writings
    • The Café