Tällä sivulla esitettyä taideteosta suojaa tekijänoikeuslaki, mikä tarkoittaa, ettemme voi laillisesti luoda tai myydä täsmälleen samanlaista jäljennöstä. Tämä suoja toteutetaan kansainvälisten sopimusten, kuten esimerkiksi Berne-konventio ja kansallisilla laeilla, mukaan lukien niillä määritellyt Yhdysvaltain tekijänoikeuslaki – Luku 17. Kaikki oikeudet pidätetään. Luvaton kopiointi tai jäljittely on kielletty.
Tämä menetelmä noudattaa täysin tekijänoikeussäännöksiä, sillä se ei sisällä suojatun taideteoksen kopioimista tai jäljentämistä. Sen sijaan kyseessä on luova uudelleentulkinta – uusi maalaus, joka ammentaa vaikutteita alkuperäisestä, mutta ei ole sen identtinen kopio.
Museolaatuisia giclée- tai kankaitaulun tulosteita nopealla tuotannolla ja joustavilla viimeistelyvaihtoehdoilla. (
Osta käsinmaalattu taideteos Siirry digitaaliseen kuvaan)
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Syötä tarvitsemasi leveys ja korkeus, jotta tuloste sopii kehyksiisi tai seinällesi. Tulostetta voidaan vain leikata, sitä ei voida koskaan suurentaa alkuperäistä kuvaa suuremmaksi, joten eri muotoinen koko aiheuttaa osan kuvasta katoamisen. Lähetämme sinulle digitaalisen mallikuvan hyväksyttäväksi ennen kuin aloitamme tulostuksen. Tällä sivulla näkyvä kuva ei näytä lopullista rajausta — vain mallikuva näyttää sen.
Maailmanlaajuinen toimitus () 2 viikossa tavallisen 4–5 viikon sijaan. (20 marraskuu)
Self-Portrait with White Cap
Replikaatin koko
Step closer and observe the man before us. In this 1935 oil portrait, we encounter an elderly figure caught in a moment of profound stillness. He is positioned slightly off-center, his presence felt through a medium close-up that brings us face-to-face with his weathered features. A dark hat sits low upon his brow, and his gaze, framed by spectacles, suggests a mind turned inward. There is a certain dignity in his composure, even as he holds a thin cigarette, the rising wisps of smoke adding a vertical movement to an otherwise stationary scene. The background remains a pale, desaturated greenish-beige, providing a muted stage that allows the darker tones of his suit and the textures of his white beard to emerge with clarity.
The artist has moved away from precise, clinical lines in favor of a more painterly approach. You can see the physical weight of the paint here; thick, impasto strokes create a tactile surface, particularly where light catches the highlights of the face and the drifting smoke. This heavy application of pigment gives the portrait an almost sculptural quality. The lighting is soft, appearing to descend from the upper left to cast gentle shadows that define the contours of the man's cheek and the structure of his clothing. Through these earthy tones—deep browns, blacks, and grays—the work achieves a sense of weight and character. It is a study in light manipulation, where the focus remains on the emotional gravity of the subject rather than mere anatomical accuracy.
Teoksen Max Kaus:n "Self-Portrait with White Cap" värit ovat Balanced voimakkuudeltaan.
Teoksen 1935 valmistumisvuoden perusteella "Self-Portrait with White Cap" sijoittuu Max Kaus:n tuotantokaudelle Surrealist Period.
"Self-Portrait with White Cap" on valmistettu vuonna 1935 tekniikalla Oil On Canvas.
Max Kaus was a German painter, printmaker, graphic artist, and lithographer. Born in Berlin, Germany, his early training took place at the Study Institute of the Decorative Arts Museum in Berlin between 1908 and 1913. During the First World War, he served as a medical orderly and ambulance driver in western Flanders. It was during this time in Ostend that he learned to make lithograph prints, utilizing a printing press constructed from timber recovered from a destroyed railway station. Upon returning to Berlin in 1918, he acquired his own lithography equipment, which became a foundation for much of his subsequent artistic output.
His career saw significant shifts in subject matter and style. While he was widely recognized for his landscape works—drawing inspiration from travels within Germany, Austria, and northern Italy—he also worked extensively on portraiture. His post-war output was characterized by a shift where form began to dominate content. His later creative years included several distinct categories of work:
Beyond his personal practice, Kaus was an influential teacher. He held a professorship teaching landscape art at the Kunstgewerbe- und Handwerkerschule in Berlin, and later served as a professor and head of the department for "Freie Kunst" at the Hochschule für Bildende Künste in Berlin. He also served as the deputy director at the academy.
Kaus was a member of the German Artists' Association, serving on its executive board and as deputy chair. His surviving works are catalogued and indexed, with his literary estate held at the German National Arts Archive in Nuremberg.
1891 - 1977 , Germany
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