Osta jäljennös teoksesta The cleansing

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Scott Chaseling initially studied sculpture at art school but in the 1980s he was drawn to the medium of glass and undertook a traineeship in glass-blowing at the Jam Factory in Adelaide. He subsequently worked with glass artists in Australia and the United States of America, and in 1991 completed post-graduate studies in glass at the ANU School of Art. Chaseling has a strong international reputation in hot glass for his technical expertise and innovation and his conceptual freshness. His work has been included in many solo and group exhibitions in Australia and overseas, and he has been the recipient of a number of prestigious glass awards, including the 2002 Gold Medal at the Bavarian State Prize in Munich, Germany and the 2004 Ranamok Glass Prize, the major Australian award for the medium. Chaseling’s favoured form is a large open vase carrying a combination of pattern and visual narrative, inside and outside. The artist paints images with colour glass enamels onto white glass, which is then fused with cut and tiled Bullseye colour glass, achieving a complex layered interaction of pattern and visual narrative. The fused sheets are rolled up into a cylindrical form and blown, a process requiring the expertise of several glass technicians. The surface is then ground back. The ‘roll-up’ process, a combination of fusing and blowing, was pioneered in international studio glass production by Chaseling and fellow glass artist Kirstie Rea. In his work Chaseling is essentially a storyteller whose engaging images derive from nostalgic popular culture such as comic books and boys’ own annuals. There is a dream-like quality in his snapshots of familiar, ordinary life and a nod to another time, a parallel world of memories and associations. For the artist the images exist to suggest rather than circumscribe, and their decorative setting and enigmatic texts further locate them in the spaces of the imagination. Chaseling’s vigorous style and bold palette reflect the influence of the Venetian glass tradition; paradoxically the modernity of his work and its technical bravura confirms its place within the medium’s enduring language of ornamentation and innovation.

Taiteilijan elämäkerta

Scott Chaseling: Sculptural Glass – A Journey Through Form and Light

Scott Chaseling, born in Darwin, Australia, in 1962, represents a distinctive voice within the realm of contemporary glass art—a figure whose artistic vision extends far beyond mere technical skill. Instead, he pursues an ambitious exploration of materiality, process, and crucially, the mesmerizing interplay between form and light – concepts that permeate his entire body of work. His formative years were spent at Canberra School of Art, where he cultivated a bedrock understanding of artistic principles alongside unparalleled mastery of glass casting techniques. This dedication culminated in postgraduate qualifications attained at the University of Sydney, shaping him into an artist deeply rooted in both tradition and innovation. His breakthrough arrived with the embrace of glass casting – a demanding discipline requiring meticulous precision and unwavering patience. Through this method, Chaseling transforms molten glass into monumental sculptural forms that defy gravity’s pull and captivate viewers' gaze. It’s not merely duplication; it’s an active coaxing of inherent qualities from the material itself—revealing textures and patterns born from intense heat and controlled vibration. Often mirroring geological formations or abstracted landscapes, Chaseling’s sculptures reflect his profound fascination with natural processes and their transformative impact on visual form. He seeks to capture the essence of these forces, translating them into tangible sculptural expressions. Influenced by Minimalist aesthetics and profoundly moved by Japanese ceramics – specifically Raku firing—Chasingel's artistic approach embodies a deliberate restraint that prioritizes core visual elements. This careful consideration yields sculptures imbued with an ethereal beauty, capturing fleeting moments of luminescence and prompting contemplation regarding the artist’s relationship to his chosen medium. Chaseling draws inspiration from artists such as Richard Glazier and Edmund Stoneman, recognizing their pioneering efforts in pushing the boundaries of glass art beyond decorative applications—artists who similarly champion exploration and experimentation. A significant validation of his artistic endeavors came in 2009 with the bestowal of the Ranamok Glass Prize – an accolade acknowledging his invaluable contribution to Australian glass artistry. His sculptures are proudly housed in esteemed collections including the National Gallery of Australia and the Museum of Glass in Tacoma, Washington—establishing Chaseling as a respected figure within the global artistic community. He continues to refine his craft, producing works that resonate powerfully with audiences worldwide, demonstrating the enduring allure of sculptural glass – a medium capable of conveying profound ideas about beauty, transformation, and the sublime.

Notable Exhibitions: Solo exhibitions at Peter Scott Gallery (Lancaster University), Tunbridge Wells Museum & Art Gallery, and numerous international showcases have showcased Chaseling’s distinctive vision to audiences across continents.
Education: He served as a Lecturer in Glass Art at Canberra School of Art and subsequently at the University of Sydney, nurturing future generations of artists while furthering his own artistic development.
Awards: The Ranamok Glass Prize (2009) stands as a testament to his commitment to excellence and innovation within the field of glass art.

Scott Chaseling

1962 - , Australia

Pikatiedot

Artistic Movement Or Style: Glass casting
Artists Who Influenced This Artist:
- Richard Glazier
- Edmund Stoneman
Date Of Birth: 1962
Full Name: Scott Chaseling
Nationality: Australian
Notable Artworks: ['The Cleansing']
Place Of Birth: Darwin, Australia

The cleansing

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