Is Bean Vine under copyright?

No, this artwork is in the public domain.

What is the thematic context of Bean Vine?

chinese poetic influence, zen buddhism symbolism, cao zhi's literary tale, nature's duality theme, greengrocer's iconography, jakuchu's signature style, vegetable-based motifs, scroll painting tradition

Tilaa vedos teoksesta Bean Vine

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Itō Jakuchū, son of a greengrocer, used vegetables and plants as a personal iconography that almost always included a moral or religious meaning. This handsome sketch of a bean plant, paired with a poem by Ōbaku Zen monk Musen Jōzen (Tangai), refers to a story about the Chinese poet Cao Zhi (192–232), whose tyrannical brother, Cao Pei (Emperor Wen), once commanded him to compose a poem before he took seven steps, threatening him with execution if he failed. Tangai’s verse makes an erudite reference to Cao Zhi’s original poem comparing himself and his brother to the parts of a bean plant, while also alluding to the Zen philosophy of nonduality. The green vine puts forth blossoms, and its pods are like half-formed swords. The bean and stalk are inseparable; both were born from the same roots. —Trans. John T. Carpenter

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Taiteilijan elämäkerta

Ito Jakuchū: Kyoto’s Eccentric Master – A Pioneer of Color and Perception

Ito Jakuchū (1716-1800) stands as one of Japan's most singular artistic voices during the Edo period, a time when Japan largely retreated from international engagement. Unlike many of his contemporaries who adhered to established artistic lineages—primarily those rooted in the Kano school—Jakuchu forged his own path, driven by an unwavering devotion to Zen Buddhist principles and a profound fascination with capturing the essence of nature through brush and ink.

Early Life & Family Background: Born into a prosperous Kyoto merchant family, Jakuchū’s upbringing instilled in him both artistic inclination and practical awareness. His father, Ito Genzaemon, operated Masuya, a prominent wholesaler situated in Nishiki Market—a vibrant hub of commerce and culture that would profoundly shape Jakuchu's worldview.
Zen Influence & Artistic Training: Recognizing the importance of spiritual grounding, Jakuchū became a lay brother at Shokoku-ji temple, immersing himself in Zen meditation and absorbing the teachings of his master Daiten Kenjo. This formative experience instilled a detachment from worldly concerns and fostered an acute sensitivity to visual perception—characteristics that would permeate his artistic endeavors.
Breaking Tradition: Style & Subject Matter Jakuchū’s distinctive style defied conventional categorization, marking him as a pivotal figure within the “Lineage of Eccentrics,” championed by Nobuo Tsuji's influential book *Kisō no Keifu*. He eschewed human figures in favor of meticulously rendered depictions of birds and flowers—subjects imbued with symbolic significance rooted in Zen philosophy.
Notable Works & Techniques: Among Jakuchū’s masterpieces are “Five Hundred Arhats,” a monumental achievement showcasing his unparalleled skill and dedication to detail, and “Hanshan and Shide,” which exemplifies the Kano school's stylistic conventions while simultaneously incorporating Jakuchu’s innovative approach to perspective. His masterful polychrome renderings—particularly those of chickens—demonstrate an extraordinary attention to color and texture.
Legacy & Rediscovery: Despite relative obscurity during his lifetime, Jakuchū experienced a resurgence in recognition following Tsuji's groundbreaking scholarship in 1970. Scholars and exhibitions subsequently celebrated him as Japan’s foremost painter of the Edo period—a testament to his enduring influence on Japanese art history and a symbol of artistic originality that continues to inspire artists today.

Jakuchū’s unwavering commitment to Zen Buddhism profoundly shaped his artistic vision, fostering a contemplative gaze attuned to the subtle nuances of the natural world. His rejection of human representation—a deliberate choice reflecting Zen's emphasis on emptiness and transcendence—established him as an artist who prioritized capturing the spirit of his time with unparalleled sincerity.

His meticulous technique—characterized by layering pigments onto paper in a revolutionary method known as “doshoku sai-e”—transformed traditional bird and flower painting, elevating it to new heights of artistic expression. Jakuchū’s legacy extends beyond his individual artworks; he fundamentally altered perceptions of beauty and challenged established conventions—solidifying his place as one of Japan's most transformative artists.

Ito Jakuchu

1716 - 1800 , Japani

Pikatiedot

Artistic Movement Or Style: Zen ink maalaisuus
Artists Or Movements Influenced By This Artist: ['Kano koulun tyyli']
Artists Who Influenced This Artist: ['Ōoka Shunboku']
Date Of Birth: 2 marraskuu 1716
Date Of Death: 27 lokakuu 1800
Full Name: Ito Jakuchū
Nationality: Japani
Notable Artworks:
- Kanzan ja Shide
- Viisi sataa arhatta
Place Of Birth: Kyoto, Japani

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Ephemeral Expressions: Exploring the Nuances of Ink on Paper Through History & Contemporary Art

Ito Jakuchu: Koko kokoelma

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Ito Jakuchū: Kyoto’s Eccentric Master – A Pioneer of Color and Perception

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