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Micro-mini dancer

Tutustu David Dixon Porteriin (1813-1891), merkittävään Yhdysvaltain merivoimiin! Selvitä hänen vaikuttavat maalauksensa – konsertikuoret, miehistöportraitit ja tapahtumakuvat. Ainutlaatuinen yhdistelmä merihistoriaa ja taiteellista ilmaisuvoimaa.

Käsinmaalattu öljykopio

Käsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta.

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Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.

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korkeus

Voit syöttää omat mitat sopimaan tiettyyn kehykseen tai tilaan. Jos valitsemasi koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme taideteoksen tai jatkamme maalausta käsin maalatuilla elementeillä. Digitaalinen esikatselu lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomioithan, että näytöllä oleva esikatselu ei vastaa todellista rajausta tai jatkamista. Vain digitaalinen mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka mittatilaustyöt ovat mahdollisia, suosittelemme valitsemaan mitan ennalta määritetystä listasta alkuperäisten mittasuhteiden säilyttämiseksi.

Esimerkkejä muutettavissa olevista asioista: Vaihda kasvot asiakkaan omaan valokuvaan; Lisää lemmikki (esim. korvaa kissa koiralla); Lisää piilotettu viesti taustaan; Muuta taustan maisemaa tai elementtejä.
Tilauksen jälkeen WahooArt.com -tiimi lähettää asiakkaalle ohjeet ja esikatselukuvan.

Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (6 heinäkuu). Laadusta ei tingitä.

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Kokonaishinta

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reproduction

Micro-mini dancer

Reproduktiotekniikka

Replikaatin koko

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Kokonaishinta

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Teoksen kuvaus

In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

Samankaltaisia teoksia


Taiteilijan elämäkerta

David Dixon Porter – A Sailor’s Vision Beyond the Waves

David Dixon Porter (1813-1891) stands as a singular figure in American naval history, embodying both unwavering dedication to duty and an unexpected passion for artistic expression. Born in Chester, Pennsylvania, he inherited his father's legacy of maritime excellence – Commodore David Porter, a celebrated hero of the War of 1812 – shaping him into a man inextricably linked to the sea’s rhythms and demands. From the tender age of ten, Porter embarked on voyages alongside his father, immersing himself in the discipline and strategy that would define his entire career. This formative experience instilled within him not merely nautical knowledge but also an appreciation for meticulous observation and artistic interpretation – qualities that would ultimately illuminate his remarkable life story. Early Naval Service and Mexican War Adventures Porter’s naval journey commenced formally in 1829 when he received a commission in the U.S. Navy, continuing his father's tradition of service. He quickly gained experience aboard vessels like the frigates *Constellation* and *United States*, participating in Mediterranean expeditions that broadened his horizons and honed his skills between 1829 and 1834. These voyages fostered a deep understanding of international relations and naval tactics, equipping him for future command roles. Notably, Porter’s involvement in the Mexican War showcased his proactive spirit; commanding the frigate *Libertad* during the siege of Vera Cruz, he demonstrated courage and determination amidst challenging circumstances. This early exposure to conflict solidified his commitment to upholding national interests and preparing himself for leadership responsibilities. The Crucible of Civil War Leadership The outbreak of the American Civil War catapulted Porter into the spotlight as a pivotal naval commander. Recognizing the strategic importance of controlling Mississippi River access, he spearheaded an audacious initiative to reinforce Fort Pickens – a move that sparked controversy but underscored his unwavering loyalty to the Union cause. Despite initial disapproval from Secretary of the Navy Gideon Welles, Porter’s boldness proved decisive in securing New Orleans on April 29, 1862, marking a turning point in the war's western theater. His subsequent command of the Mississippi River Squadron alongside Ulysses S. Grant was instrumental in achieving Vicksburg’s surrender in July 1863 – a triumph that cemented Porter’s reputation as a resourceful strategist and bolstered Union morale. Furthermore, his leadership during the Red River Campaign tested his resilience under pressure, highlighting his adaptability and unwavering resolve amidst logistical difficulties. Innovations in Naval Warfare and Artistic Pursuits Porter's contributions extended beyond battlefield command; he championed naval reform alongside like-minded officers, advocating for improvements to training and bolstering the Navy’s capabilities. However, Porter’s legacy transcends military achievements into a surprisingly artistic realm—a facet of his personality that reveals a keen eye for detail and an ability to translate moments in time into compelling visual narratives. He pursued photography with fervor, creating concert photographs, band portraits, and event scenes that offer a unique glimpse into 1860s American society. These images aren’t merely historical documents; they are vibrant snapshots capturing the energy and atmosphere of social gatherings and musical performances—a testament to Porter's multifaceted interests and artistic sensibilities. His photographic work stands as an enduring reminder that even within the confines of military duty, creativity can flourish. A Lasting Legacy: Admiral, Reformer, Artist David Dixon Porter’s impact on American naval history is undeniable – his leadership during the Civil War secured vital Union victories, particularly on the Mississippi River, effectively splitting the Confederacy and controlling a crucial artery of commerce. He championed reforms at the Naval Academy that laid the groundwork for modern naval education, producing generations of skilled officers dedicated to upholding national values. As Superintendent of the U.S. Naval Academy from 1865 to 1869, Porter revitalized the institution’s curriculum and instilled a commitment to excellence among its students. Beyond his military accomplishments, Porter's artistic endeavors—particularly his photographs—provide invaluable insight into the era he inhabited, blending naval history with artistic expression. His legacy continues to inspire admiration for both service and creativity – a singular testament to the enduring power of human potential.
David Dixon Porter

David Dixon Porter

1813 - 1891 , Yhdysvallat

Pikatiedot

  • Artistic Movement Or Style: Valokuvaus
  • Artists Or Movements Influenced By This Artist: ['David G. Farragut']
  • Artists Who Influenced This Artist: ['David G. Farragut']
  • Date Of Birth: 6 kesäkuuta 1813
  • Date Of Death: 13 helmikuuta 1891
  • Full Name: David Dixon Porter
  • Nationality: Amerikkalainen
  • Notable Artworks:
    • Konsertin kuvat
    • Kokoonpanojen kuvat
  • Place Of Birth: Chester, Pennsylvania