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Brooch

Exquisite Victorian brooch by A.W.N. Pugin, part of a Gothic parure inspired by medieval design. Featuring gold, gemstones & intricate details – a stunning example of artistic craftsmanship.

Augustus Charles Pugin (1762-1832) was a French-born British artist, draughtsman & writer known for his detailed architectural illustrations and Gothic designs. He influenced the Gothic Revival movement through works like 'Specimens of Gothic Archite

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Corner sample of the P118B picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: valettu polystyreeni, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: valettu polystyreeni, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: valettu polystyreeni, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: valettu polystyreeni, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: massiivipuu, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: massiivipuu, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: massiivipuu, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: massiivipuu, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: massiivipuu, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: massiivipuu, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: massiivipuu, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: massiivipuu, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: massiivipuu, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: massiivipuu, 6 cm wide and 3.5 cm thick
W953PJ €8

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Kokonaishinta

€ 60

Brooch

Giclée- ja taideprintit

Replikaatin koko

-

Kokonaishinta

€ 60

Pikaista tietoa

  • Notable elements: Ruby, garnets, pearls
  • Artistic style: Victorian Jewellery
  • Influences: Medieval decoration
  • Artist: A.W.N. Pugin
  • Title: Brooch
  • Movement: Gothic Revival

Taidevisat

Jokaisessa kysymyksessä on vain yksi oikea vastaus.

Kysymys 1:
What is the primary artistic style reflected in the design of the ‘Brooch’?
Kysymys 2:
Who designed the ‘Brooch’ described in the text?
Kysymys 3:
The ‘Brooch’ was originally intended as part of what larger collection?
Kysymys 4:
In what year was the ‘Brooch’ created, according to the provided information?
Kysymys 5:
The ‘Brooch’ features several gemstones. Which of the following best describes a prominent gemstone used in its design?

A Glimpse of Gothic Grace: The Pugin Brooch

The English architect and designer Augustus Charles Pugin’s work is often associated with the grandeur of the Palace of Westminster, but within his lesser-known realm of jewelry lies a captivating testament to his artistic vision – the “Brooch,” a piece that whispers of medieval splendor and personal devotion. Crafted in 1848, this brooch isn't merely an ornament; it’s a miniature embodiment of Pugin’s fervent belief in the restorative power of Gothic design, a philosophy he championed alongside his friend John Ruskin.

The piece itself is a study in restrained elegance. Constructed from meticulously enamelled gold, its surface shimmers with a subtle depth achieved through layers of translucent color. At the brooch's heart rests a vibrant green gemstone – likely emerald or malachite – surrounded by a constellation of smaller blue gems, perhaps sapphires or lapis lazuli. A delicate, stylized heart shape is subtly integrated into the design, echoing the romantic ideals that fueled Pugin’s life and work. The intricate patterns swirling around this central motif are deeply rooted in medieval ecclesiastical decoration, drawing inspiration from the rich symbolism found within Gothic cathedrals – a deliberate nod to the spiritual values he sought to revive.

A Personal Parure: Context and Provenance

This brooch is part of a larger “parure,” a set of jewelry designed by Pugin for a woman he hoped to marry, his third wife. The story behind this particular piece is poignant; the marriage never materialized, and instead of being discarded, the parure was gifted to Jane Knill, Pugin’s second wife, in 1848. This intimate connection imbues the brooch with a layer of personal history—a testament to unfulfilled dreams and enduring affection. The complete parure, showcased at the Great Exhibition of 1851 as part of the “Medieval Court,” offered a glimpse into Pugin’s artistic world for a wider audience, solidifying his reputation as a leading figure in the Gothic Revival movement.

The Language of Gothic: Symbolism and Design

Pugin's design philosophy extended far beyond mere aesthetics; he believed that every element within a building or object should carry symbolic weight. The heart shape, for instance, represents love and devotion – a potent symbol considering the circumstances surrounding its creation. The swirling patterns, reminiscent of tracery found in Gothic windows, evoke a sense of spiritual aspiration and connection to the divine. The use of vibrant colors—the deep greens and blues—were carefully chosen not only for their beauty but also for their association with sacredness and royalty within medieval iconography. This brooch is therefore more than just jewelry; it’s a visual meditation on faith, love, and artistic revival.

A Legacy in Miniature: Reproduction and Appreciation

Today, reproductions of the Pugin Brooch offer art lovers and interior designers alike an opportunity to experience the beauty and sophistication of this remarkable piece. When selecting a reproduction, it’s crucial to choose one that faithfully captures the original's intricate details – the delicate enamelling, the precise gemstone settings, and the subtle interplay of color. A well-crafted reproduction allows us to appreciate Pugin’s genius not just as an architect but as a master craftsman and a visionary artist who sought to bring the elegance and spiritual depth of the Gothic era back to life.

Kysymykset ja vastaukset

Mikä väri erottuu eniten teoksessa "Brooch"?

Black (#030303) on Augustus Charles Pugin:n "Brooch" -teoksen hallitseva väri.

Miten teoksen Augustus Charles Pugin:n "Brooch" tunnelma on kuvattu?

"Brooch"-teoksessa on Elegant tunnelma.

Mitkä värit hallitsevat teosta Augustus Charles Pugin:n "Brooch"?

Augustus Charles Pugin:n "Brooch"-teoksen väri-identiteetti: Earthy paletti, jota hallitsee Black (#030303).


Taiteilijan elämäkerta

The Architect of Shadows: The Life and Legacy of Augustus Charles Pugin

In the grand tapestry of nineteenth-century design, few threads are as intricate or as influential as those woven by Augustus Charles Pugin. A figure whose work bridged the gap between meticulous scientific observation and the romanticized grandeur of the past, Pugin emerged as a pivotal force in the Gothic Revival movement. Though his name may not always command the immediate recognition of the great masters of oil painting, his impact on the very fabric of British architecture and decorative arts remains profound. Born into an era of rapid industrial transformation, he dedicated his life to capturing the soul of the Gothic style, ensuring that the elegance of medieval craftsmanship was not lost to the encroaching shadows of modernity.

Pugin’s journey was one defined by a deep, scholarly devotion to the structural and ornamental nuances of history. As a French-born British artist, draughtsman, and writer, he possessed a unique dual perspective—the precision of a continental trained eye paired with an intense passion for the English architectural heritage. His early mastery of the draughtsman’s craft allowed him to document the complexities of stone, wood, and glass with an accuracy that was both artistic and educational. Through his detailed illustrations, he did more than merely record buildings; he breathed life into their forgotten details, inviting a new generation to rediscover the spiritual and aesthetic power of the Gothic form.

A Visionary of the Gothic Revival

The true significance of Pugin’s contribution lies in his ability to translate historical motifs into a functional language for contemporary design. He was not merely a nostalgic observer but a visionary who understood that for an architectural style to survive, it must be documented, studied, and then re-applied to the living world. His seminal work, Specimens of Gothic Architecture, serves as a testament to this dedication. In these pages, his pen traced the delicate tracery of windows, the strength of pointed arches, and the intricate patterns of medieval ornamentation, providing a blueprint for the architects who would follow in his footsteps.

His influence extended far beyond the printed page, permeating the realms of:

  • Architectural Illustration: Creating highly detailed records that served as essential references for the reconstruction and preservation of historic structures.
  • Decorative Arts: Designing patterns and motifs that could be integrated into everything from furniture to metalwork, ensuring a cohesive Gothic aesthetic across various media.
  • Design Theory: Promoting the idea that beauty in design is inextricably linked to structural honesty and historical continuity.

Through his tireless work as a designer and writer, Pugin helped shape the visual identity of an era. His ability to blend the technical rigor of a draughtsman with the poetic sensibility of an artist allowed him to influence not just the way buildings looked, but the way people perceived the relationship between history, art, and the built environment. He remains a cornerstone figure for anyone seeking to understand the resurgence of medievalism in the nineteenth century, leaving behind a legacy of intricate beauty that continues to inspire awe and reverence.

Augustus Charles Pugin

Augustus Charles Pugin

1812 - 1852 , France

Pähkinänkuoressa

  • Full Name: Edward Lear
  • Nationality: English
  • Date Of Birth: 1812
  • Date Of Death: 1852
  • Place Of Birth: Paris, France
  • Notable Artworks:
    • The Fortress of San George
    • Limner's Book of Nonsense
  • Artistic Movement Or Style: Literary nonsense; Illustration
  • Artists Who Influenced This Artist:
    • William Blake
    • John Tenniel
  • Artists Or Movements Influenced By This Artist:
    • Lewis Carroll
    • Victorian Illustration