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Nataša Bošković

1930 Bronze bust of Nataša Bošković by Sreten Stojanović. A neoclassical portrait exploring plasticity & the dancer's persona. Fine art sculpture, Serbian modernism.

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Sreten Stojanović (1898-1960) was a Serbian sculptor & art critic known for his unique, expressive portraits in diverse materials. A pioneer of modern sculpture in Serbia, influencing artists with his individuality and attention to detail.

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Between the two world wars, Stojanović repeatedly recorded the images of persons from the world of theatre: Dobrica Milutinović, Vela Nigrinova, Branislav Nušić, Žanka Stokić. He modeled the portrait of the prima ballerina of the National Theatre in Belgrade under the title Mrs. N. B. B. (Nataša Bošković Bradna) in 1930. That was the year of her triumph in the role of Odette in Tchaikovsky’s “Swan Lake”, in which she performed from 1925 to 1941, first in the role of a court lady, then as Odile and she finally shone out in the leading role. Present on the recently-formed Belgrade ballet scene from 1921, Bošković debut was as Coppélia and grew into a veritable star by the end of the decade, and at the beginning of the following decade she went to Paris and London for further education. It was there that she was noticed by ballet impresarios, which led to her engagement in the Russian Ballet international ballet company (1934–1935), with which she performed as prima ballerina on a tour of Africa, Asia and Australia. Upon returning to Belgrade, her travels took her, during and after the war, via Vienna, Munich, Paris to New York, where she worked as a ballet teacher until her death (1973). Compared to the rest of Stojanović’s opus, this work was created as a finale of a series of portraits stylized in the spirit of ancient-world archaism, and at the same time as one of the first steps towards the realism from the beginning of the 1930s. By contrasting the naturalist finish with the absent, almost blank facial expression, Stojanović wanted to emphasize the difference between the real person and the multitude of characters she played as a ballerina. On the creative level, such a solution is a reflection of the prominence he gave to the problem of plasticity in order to achieve a balance, as he himself said, between “pure decorative quality and naturalism [which] always signifies a decline in portrait art.”

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Kunstniku biograafia

Early Life and Background

Name: Sreten Stojanović
Born: February 2, 1898, in Prijedor, Bosnia and Herzegovina
Died: October 29, 1960
Origin: Serbian, from a family of Orthodox priests.
Early life was marked by involvement in the "Young Bosnia" movement, leading to imprisonment for revolutionary activities.
His upbringing instilled strong moral principles and a connection to Russian culture.

Artistic Training and Development

Studied sculpture in Vienna at the beginning of 1918.
Moved to Paris to further his studies, where he was significantly influenced by the artistic environment.
Attended Antoine Bourdelle's private school in Paris, gaining valuable mentorship and developing a unique style.
Bourdelle encouraged him to retain the "highlander" quality in his work, emphasizing its wildness and strength.
Developed a distinctive approach that blended modern techniques with Balkan sensibilities.

Artistic Style and Major Works

Style: Known for individuality, expressive portraits, and use of diverse materials (bronze, wood, etc.). Pioneer of modern sculpture in Serbia.
Portraits: His most notable works are his portraits, capturing the essence and personality of subjects with remarkable skill.
Notable Works:
- Nataša Bošković (1930): A bronze bust showcasing plasticity and the dancer's persona.
- Portraits of various individuals reflecting his unique artistic vision.
His sculptures often conveyed a sense of monumentality, particularly in works commemorating national figures.

Influence and Legacy

Influenced by artists like Rodin and Bourdelle.
Inspired Pablo Picasso with his unique approach to sculpture.
Significant influence on Serbian art, introducing modern techniques and styles.
Served as a professor at the Art Academy in Belgrade, shaping future generations of artists.
Became a member of the Serbian Academy of Arts and Sciences, solidifying his position within the artistic community.
His work continues to be exhibited and admired for its originality and cultural significance.

Critical Reception and Historical Significance

Recognized as a significant figure in Serbian modern art.
Praised for capturing the "internal strength of the Balkan human" in his sculptures.
His work reflects a blend of European artistic trends and Serbian cultural identity.
Stojanović's legacy lies in his contribution to the development of modern sculpture in Serbia and his lasting impact on subsequent generations of artists.

sreten stojanović

1898 - 1960 , Bosnia and Herzegovina

Kiired faktid

Artistic Movement Or Style: Modern sculpture
Artists Who Influenced This Artist:
- Gian Lorenzo Bernini
- Pablo Picasso
Date Of Birth: February 2, 1898
Date Of Death: October 29, 1960
Full Name: Sreten Stojanović
Nationality: Serbian
Notable Artworks:
- Portrait of Madame Récamier
- Landscape with the rest on the flight
- Herm of St Stephen, King of Hungary
- Nataša Bošković
Place Of Birth: Prijedor, Bosnia and Herzegovina