Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. ( Lülita trükkitoodetele
Ülemineku digitaalse pildi müügi kanalisse)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et teos sobiks teie raamile või seinale. Kuna tegu on käsipainatud teosega, siis erineva kujuga suuruse korral võib kunstnik jätta pildi ümber veidi rohkem marginaali või lõigata osa ära — valik on teie. Enne maali alustamist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kajasta tegelikku tulemust — seda näitab ainult näidisprojekttsioon.
Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (24 oktoober). Kvaliteedis kompromisse ei tehta.
Skulls
Reproduktsiooni mõõtmed
Marlene Dumas’s paintings stand apart in contemporary art—not merely for their aesthetic qualities but for the profound emotional resonance they evoke. Born in Cape Town, South Africa, in 1953, Dumas’s artistic vision is inextricably linked to her formative experiences amidst the turbulent landscape of apartheid, an encounter that instilled within her a deep understanding of social injustice and the complexities inherent in human identity.
Her upbringing on her father’s vineyard offered glimpses into both beauty and hardship—a duality that would permeate her oeuvre. Observing firsthand the divisions and inequalities shaping South African society during those years fueled her desire to explore themes of race, sexuality, and vulnerability through art. Dumas honed her skills at the University of Cape Town before relocating to Amsterdam, where she pursued studies in painting and psychology simultaneously.
This dual pursuit provided a crucial foundation for her artistic practice, fostering an intellectual curiosity that complemented her intuitive sensitivity to visual form. Dumas’s method is characterized by a deliberate rejection of traditional techniques—she eschews meticulous detail, favoring instead loose brushstrokes and washes of pigment that prioritize atmosphere and emotion over precise representation.
Her subjects are drawn from a private archive of photographs, encompassing an astonishing array of figures: children, pornographic nudes, corpses, torture victims, and terrorists. This selection reflects Dumas’s unwavering commitment to confronting uncomfortable truths about human experience—a boldness that aligns her work with the broader trajectory of the Pictures Generation and photography's expanding influence on artistic expression.
Crucially, Dumas doesn’t merely reproduce images; she transforms them, reclaiming corporeality from their photographic origins. Her paintings disrupt the source material they derive from, mirroring the fragmented nature of memory and perception. The resulting compositions often explore eroticism—ranging from explicit depictions of sexual acts to lyrical evocations of desire—demonstrating a willingness to grapple with taboo subjects.
Despite portraying scenes of death or brutality, Dumas’s intention isn't to shock but rather to reveal—to expose the vulnerability inherent in human existence and to challenge viewers to confront their own biases. Her recent works delve into pressing social issues, addressing legacies of apartheid and responding to pivotal historical moments like September 11th.
“Skulls,” created in 2015, exemplifies Dumas’s distinctive style—a series of portraits rendered in muted tones against stark white backgrounds. The skulls themselves are presented as individual objects on a wall, emphasizing their materiality and confronting viewers with the inevitability of mortality. The painting's simplicity underscores its emotional impact, inviting contemplation about loss, remembrance, and the enduring presence of death.
Currently housed at la Biennale di Venezia (Venice, Italy), “Skulls” stands as a testament to Dumas’s ability to distill complex ideas into visually arresting compositions. Its understated elegance speaks volumes about her artistic philosophy—a dedication to capturing fleeting moments of human emotion with unwavering honesty and sensitivity.
Explore the captivating beauty and poignant reflection of Marlene Dumas’s “Skulls” – a masterpiece that embodies her signature style and confronts viewers with profound questions about life, death, and human experience.
Teostest „Skulls“, autor Marlene Dumas eelvaade on saadaval teose Eelvaade lehel.
Teose "Skulls" trükised on saadaval vormis kunstiprint puuvillalõikel}}^{\text{canvas}}$ või arhiveeritaval kangaspaberil. Tellimusi saab esitada selle Kõlblik kunstutrüki kvaliteetne trükis lehel, oma soovitud suuruses.
Marlene Dumas dokumenteeritud teemade — photography, emotion, death, gender bias, sept 11 legacy — seas eeldab teos "Skulls" erilist tähelepanu teemadel skull, portrait, human form, photography, emotion, death, nakedness.
1953 - , Lõuna-Aafrika