Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. ( Lülita trükkitoodetele
Ülemineku digitaalse pildi müügi kanalisse)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et teos sobiks teie raamile või seinale. Kuna tegu on käsipainatud teosega, siis erineva kujuga suuruse korral võib kunstnik jätta pildi ümber veidi rohkem marginaali või lõigata osa ära — valik on teie. Enne maali alustamist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kajasta tegelikku tulemust — seda näitab ainult näidisprojekttsioon.
Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (22 oktoober). Kvaliteedis kompromisse ei tehta.
Three-Meter Tree
Reproduktsiooni mõõtmed
Teose „Three-Meter Tree“, autor Giuseppe Penone domineeriv toon on Ochre to Sepia. See toon on paleti alusvärv.
Teose "Three-Meter Tree" värvid moodustavad Pastels paleti. See klassifikatsioon kirjeldab domineerivaid värvigruppe.
Teose „Three-Meter Tree“, autor Giuseppe Penone domineeriv värv on White (#ebede9).
In the quiet, verdant landscapes of Garessio, Italy, where the shadows of the Maritime Alps stretch across ancient forests, the artistic soul of Giuseppe Penone found its first profound dialogue. Born on April 3, 1947, Penone did not merely observe nature; he began to perceive it as a living archive of memory and time. His early years, steeped in the sensory richness of the Italian wilderness, laid the foundation for a career that would eventually redefine the boundaries between the human hand and the organic world. As a student at the Accademia Albertina in Turin, Penone moved beyond the traditional confines of sculpture, seeking instead to capture the very essence of growth and transformation. This pursuit led him to become a central figure in the Arte Povera movement, a revolutionary period in contemporary art that rejected polished, industrial aesthetics in favor of raw, elemental materials.
Penone’s work is characterized by an extraordinary intimacy with the material world. He does not simply sculpt wood or stone; he engages in a process of de-barking and revelation, as seen in his iconic Alberi (Trees) series. In these works, he carves into the timber to uncover the hidden branches that were once present within the trunk, allowing the tree’s own history of growth to re-emerge through human intervention. This technique serves as a powerful metaphor for the interconnectedness of all living things, suggesting that our touch can peel back the layers of time to reveal a primordial truth. By utilizing unconventional substances such as volcanic ash, beeswax, weathered leather, and even lead, Penone creates a tactile language that speaks to the geological and biological forces that shape our planet.
To encounter a Penone installation is to enter a space where the distinction between subject and object dissolves. His practice is an ongoing exploration of how life leaves its mark upon the earth and how, in turn, we leave ours. In masterpieces like gesto vegetale, he orchestrates a complex choreography of life, using vibrant greenery and the delicate presence of birds to create a breathing ecosystem within the gallery space. This approach transcends mere visual representation; it is an invitation to experience the scent of resin, the roughness of bark, and the cool weight of stone. His art functions as a sensory bridge, connecting the modern, hurried human consciousness to the slow, rhythmic expansion of the natural world.
The significance of Penone’s contribution to art history lies in his ability to transform the act of creation into an act of assimilation. He does not impose a foreign form upon his materials but rather listens to their inherent inclinations. This philosophy has earned him immense respect within the global art community, marked by prestigious accolades such as the Praemium Imperiale in 2014. His influence extends through generations of artists, including those who have studied under his mentorship to explore ecological consciousness and material transformation. Through his hands, the tree becomes a repository of memory, and the sculpture becomes a living testament to the enduring cycle of life, making Giuseppe Penone one of the most vital voices in the ongoing narrative of contemporary sculpture.
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