Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.
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Kust saan osta teose „Surface 213“, autor Giuseppe Capogrossi digitaalse pildi?
Teose "Surface 213" digitaalset versiooni saab tellida kui kõrge resolutsiooniga digitaalse pildi allalaadimine, ostedes seda otse sellelt lehelt Digitaalne pilt.
Kust saan näha teose "Surface 213" eelvaadet?
Teavet lehel Eelvaade teose "Surface 213" kohta võimaldab teil teost enne tellimist eelvaatata.
Kas teose "Surface 213" värvid on tugevad või pehmed?
Teose „Surface 213“, autor Giuseppe Capogrossi värvid on Vivid intensiivsusega.
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