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From the 1960s to the 1980s, Shigemura was active at the Shell Art Award, Japan Art Festival, The Hakone Open-Air Museum Grand Prize Exhibition, the Exhibition of the Contemporary Japanese Sculpture (UBE Biennale) and other exhibitions. His work includes designing the window displays for Wako in Ginza. Making free use of a technique named “katametaju (solidification),” in which the molds are made directly from the human body or a real object and cast in reinforced plastic, he developed expressions full of humor and satire. If you look towards the left at the front entrance of the museum, you will see a woman with long hair about to climb the emergency stairs leading to the outdoor exhibition space while casting her eyes in this direction. If you go there, you will find that this woman covered in silver gray is made so realistically from the top of her head to the tips of her toes that you might even be able to see her pores. There is another woman in a woolen cap with a knapsack on her back walking down and yet another woman sitting on the landing with her elbows on her knees. Altogether three people form this oxidized silver group made for this stairway by Mitsuo Shigemura, the “katametaju” master of solidifying things exactly like the real thing. It is just like a real scene, but if you look carefully, there is an impossible trick to it. The mysterious bare tree in the shrubbery you come across if you walk around the museum building to the right of the front entrance is another work by the same artist that you may overlook if you pass by absentmindedly. (dimensions) 168.0×45.5×48.0cm, 153.0×53.5×50.0cm, 96.0×42.0×81.5cm

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Biografía del artista

Shigemura Mitsuo: Sculptor of Geometric Simplicity

Mitsuo Shigemura, born in Tokyo in 1936, emerged as a prominent figure in Japanese sculpture during the latter half of the 20th century. His artistic journey began with formal training at the Tokyo National University of Fine Arts and Music, where he earned his degree in sculpture in 1960—a pivotal moment shaping his future creative endeavors. Recognizing the importance of broadening his horizons, Shigemura pursued further studies in France, specifically at the École des Beaux-Arts in Paris, immersing himself in the stylistic legacy of Auguste Rodin. This encounter profoundly impacted his artistic sensibilities, fostering an appreciation for expressive form and textural nuance within sculpture. Shigemura’s distinctive style quickly established itself as characterized by a deliberate embrace of abstraction and minimalism. Rejecting ornate embellishments, he skillfully employed geometric shapes—primarily cubes and spheres—combined with understated lines to convey powerful ideas. These forms weren't merely decorative; they represented a conscious effort to distill artistic concepts into their purest essence, mirroring the principles championed by Rodin’s monumental sculptures. His approach prioritized conveying emotion and contemplation through carefully considered visual elements rather than narrative storytelling. He believed that true art resided in stillness and balance—qualities he sought to embody within his sculptural creations. Throughout his prolific career, Shigemura participated in numerous solo and group exhibitions across Japan and internationally, garnering recognition for his innovative contributions to contemporary sculpture. Notably, he received several prestigious awards acknowledging the excellence of his artistic vision and craftsmanship. His sculptures gained acclaim for their ability to evoke profound responses from viewers—a testament to his mastery of form and material. He meticulously honed his technique using granite, achieving remarkable textural contrasts and sculptural depth. This dedication to precision reflected Shigemura’s unwavering belief in the transformative potential of stone itself. His oeuvre spanned decades, producing a substantial body of work that explored themes of balance, stillness, and contemplation. Among his most celebrated pieces are “Stairway,” a monumental granite sculpture reflecting Rodin's influence on his artistic vision. This artwork exemplifies Shigemura’s commitment to conveying emotion through simple geometric forms—a hallmark of his distinctive style. His sculptures stand as enduring symbols of Japanese artistic tradition while simultaneously pushing boundaries within the realm of abstract art, securing his place as one of Japan’s most influential sculptors of the modern era. Shigemura Mitsuo passed away in 2017, leaving behind a legacy of impactful sculptural works that continue to inspire artists and scholars alike. His unwavering commitment to minimalist aesthetics—rooted in Rodin’s influence and honed through years of disciplined practice—solidified his place as one of Japan's most revered figures in the art world.

Shigemura Mitsuo

1936 - 2017 , Japón

Datos clave

Artistic Movement Or Style: Escultura Minimalista
Artists Who Influenced This Artist: Auguste Rodin
Date Of Birth: 1936
Full Name: Shigemura Mitsuo
Nationality: Japonés
Notable Artworks: ['Escalineta']
Place Of Birth: Tokyo, Japón

Stairway

Descripción de la pieza

Biografía del artista

Giclée / Impresión de arte

Técnica y soporte

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White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

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Giclée / Impresión de arte

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Obras relacionadas

Biografía del artista

Shigemura Mitsuo: Sculptor of Geometric Simplicity

Shigemura Mitsuo