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Descripción de la obra

Khalil Rabah has created a set of sculptures that reference an instrument invented in the 11th century CE to measure latitude. The Khwarizmi scholar Al-Biruni described this instrument as a machine that does not require calculation tables. Operators of the machine use only sunlight and the three objects that constitute the instrument to draw diagrams that reveal the latitude of their location.Rabah deconstructs the tool and enlarges its elements to create a playful arena on a white marble platform, with an engraved diagram indicating the latitude of the Expo 2020 site. In this work, the artist explores the aesthetic aspects of this historical tool by revealing its constituent elements, setting its orbits into motion and inviting the audience to recognise their position on the planet.

Biografía del artista

Khalil Rabah: Rewriting History Through Mimicry and Imagination

Born in Jerusalem, Palestine, in 1961, Khalil Rabah’s artistic trajectory is inextricably linked to the profound narratives woven into the fabric of his homeland—a heritage that serves as a constant catalyst for conceptual exploration. His formative years were spent pursuing architectural studies at the University of Texas at Arlington alongside intensive engagement with fine arts, equipping him with foundational understanding of spatial organization and artistic expression before embarking on a transatlantic journey dedicated to broadening creative horizons. This exposure to global art discourse instilled within him a determination to disrupt established conventions and challenge accepted interpretations of artistic practice itself. Rabah’s central preoccupation revolves around dismantling the illusion of certainty—investigating processes of removal, erasure, and displacement—themes that resonate powerfully with Palestinian experience and transcend geographical limitations. Rather than striving for literal representation, he seeks to destabilize viewers' perceptions of reality through performative actions mirroring prominent art-world institutions: biennials, museums, and auctions. These ‘imaginary’ spaces aren’t mere simulations; they represent deliberate critiques of power dynamics and the mechanisms by which histories are constructed and disseminated. Rabah meticulously recreates these frameworks—often subtly altering their rules or protocols—to expose vulnerabilities within them and provoke contemplation on how past events are remembered and interpreted. His artistic methodology draws inspiration from thinkers like Jacques Derrida and Giorgio Agamben, harnessing concepts of deconstruction and simulacra to dismantle entrenched truths and delve into the significance of representation in shaping our comprehension of history. Rabah’s fascination with the notion that reality is mediated through images and symbols—a preoccupation evident in his recurring use of architectural forms and spatial arrangements—underscores a broader intellectual tradition questioning dominant narratives. This stylistic choice isn't accidental; it reflects a deliberate effort to convey complex ideas about identity, memory, and social critique through visual language. Rabah’s artistic journey has been marked by significant achievements and collaborations that have solidified his position as a prominent figure within the contemporary art scene. Exhibitions spanning continents—from solo presentations at Galerie Neu Ulm and Kunsthalle Düsseldorf to participation in group shows alongside artists from across the globe—have garnered critical acclaim for their conceptual rigor and provocative engagement with pressing social issues. Notably, Rabah’s artworks reside in collections held by esteemed institutions such as Tate Modern and Stedelijk Museum Amsterdam, affirming his enduring legacy as a voice advocating for artistic innovation and challenging conventional perspectives on cultural heritage. Currently based in Sharjah, UAE, Rabah continues to push boundaries of artistic expression while maintaining an unwavering commitment to exploring themes of displacement and erasure—a testament to the transformative power of art as a tool for confronting historical realities.

Notable Exhibitions: Galerie Neu Ulm, Kunsthalle Düsseldorf, Tate Modern, Stedelijk Museum Amsterdam
Collaborations: Qatar Museums
Artistic Influences: Jacques Derrida, Giorgio Agamben

Khalil Rabah

1961 - , Palestina

Datos clave

Artistic Movement Or Style: Conceptual art
Date Of Birth: 1961
Full Name: Khalil Rabah
Nationality: Palestinian
Notable Artworks: ['A Point in Time']
Place Of Birth: Jerusalem, Palestine

Khalil Rabah: Colección completa

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A point in time

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White $1

Blurside $1

Extended $1

P118B $10

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P968JZ $12

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W500HY $15

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W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

Framed

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Producción acelerada

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Envío exprés gratuito a todo el mundo

Lienzo de lino de alta calidad

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Política de devolución de 60 días (solo por defectos)

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