Tom Wesselmann, 1931 – 2004

The 71 Most Famous Paintings by Tom Wesselmann

The painting that made Tom Wesselmann famous is Still life no. 20. Still life and Great American Nude No. 99, 1968 (oil on canvas) (1968) follow it in the hearts of collectors and museum visitors. Of the 71 works by Tom Wesselmann in our catalogue, these 71 are the most admired, each presented with its date, its museum and what sets it apart.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026.

Portrait of Tom Wesselmann
Tom Wesselmann · 1931 – 2004
Born · died
1931 – 2004, Cincinnati
Movement
Pop art
Works in our catalogue
71
Most famous
Still life no. 20
Most works at
Chrysler Museum of Art

Tom Wesselmann: the ten masterpieces

Still life no. 20 by Tom Wesselmann
1

Still life no. 20

Acrylic On Canvas

A Window into Post-War American Life: Tom Wesselmann’s *Still Life No. 20*** Tom Wesselmann's *Still Life No. 20* (1962) stands as a pivotal work within the Pop Art movement, offering a vibrant and meticulously constructed commentary on consumer culture and domesticity in post-war America. More than just a depiction of everyday objects, it’s a sophisticated exploration of representation itself – blurring boundaries between high art and popular imagery. Subject &…

Still life by Tom Wesselmann
2

Still life

Oil On Canvas

Subject and Composition This captivating artwork presents a layered and eclectic still life that seamlessly blends elements of pop art, realism, and surrealism. At its core, a detailed portrait of Abraham Lincoln commands attention, symbolizing American history and leadership. Surrounding Lincoln are a vibrant array of domestic objects, political symbols, and cultural references—such as a large red star, vintage television, ornate beer bottles, and lush fruits—creating a rich tapestry of…

Great American Nude No. 99, 1968 (oil on canvas) (1968) by Tom Wesselmann
3

Great American Nude No. 99, 1968 (oil on canvas)

1968 · Oil On Canvas

In the vibrant landscape of late 1960s American art, few works command attention with such unapologetic vitality as Tom Wesselmann’s Great American Nude No. 99. Created in 1968, this oil on canvas masterpiece serves as a quintessential window into the Pop Art movement, where the boundaries between high art and commercial imagery dissolve into a singular, striking vision. The painting presents a woman reclining in a moment of profound ease,…

Still life -30 by Tom Wesselmann
4

Still life -30

Mixed Media

In this 1963 mixed media composition, the mundane reality of a kitchen is reconfigured into something far more deliberate. We find ourselves looking at a pink refrigerator, its surface adorned with a small picture, positioned beside a sink where a single bowl rests. The arrangement feels both casual and meticulously constructed, as if the artist has paused time within a private, lived-in space. Bottles are scattered across the surfaces, some…

More Tom Wesselmann masterpieces, 11 to 71

Drawing for Bedroom Painting No. 15 (1968) by Tom Wesselmann
#15

Drawing for Bedroom Painting No. 15

1968 · Chrysler Museum of Art

The artwork presents a monochromatic still life arrangement rendered in graphite pencil on paper. A large, rounded form dominates the foreground, its surface defined by dense hatching and…

Bedroom Painting No. 15 by Tom Wesselmann
#20

Bedroom Painting No. 15

Chrysler Museum of Art

A Celebration of Sensuality: Decoding Tom Wesselmann’s Bedroom Painting No. 15 Tom Wesselmann's Bedroom Painting No. 15 isn’t merely a depiction of domestic objects; it’s an audacious exploration…

Self-Portrait for Bedroom Painting No. 15 by Tom Wesselmann
#70

Self-Portrait for Bedroom Painting No. 15

Chrysler Museum of Art

A Celebration of the Everyday: Decoding Tom Wesselmann’s Bedroom Painting No. 15 Tom Wesselmann's "Drawing for Bedroom Painting No. 15" stands as an emblem of Pop Art’s fascination…

Smoker by Tom Wesselmann
#71

Smoker

A Moment of Intimate Luxury: Tom Wesselmann's "Smoker" This captivating artwork by Pop Art luminary Tom Wesselmann presents a close-up study of hands delicately holding what appears to…

Tom Wesselmann's paintings by period

The subjects Tom Wesselmann painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Tom Wesselmann's paintings

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Tom Wesselmann Paintings from this list
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 3 Drawing for Bedroom Painting No. 15, Bedroom Painting No. 15, Self-Portrait for Bedroom Painting No. 15
Israel Museum, JerusalemIsrael Museum Jerusalem 1 Nude Banner
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Still Life #12

Tom Wesselmann, year by year: the defining paintings

From 1962 to 1978, 17 years of Tom Wesselmann's art, year by year, through its finest paintings.

  1. 1962
    Still Life #12 (1962) by Tom Wesselmann
    No. 29 of 71

    Still Life #12

    Age 31 · Smithsonian American Art Museum
  2. 1967
  3. 1968
    Great American Nude No. 99, 1968 (oil on canvas) (1968) by Tom Wesselmann
    No. 3 of 71

    Great American Nude No. 99, 1968 (oil on canvas)

    Age 37

    In the vibrant landscape of late 1960s American art, few works command attention with such unapologetic vitality as Tom Wesselmann’s Great American Nude No. 99. Created in 1968,…

  4. 1968
    Drawing for Bedroom Painting No. 15 (1968) by Tom Wesselmann
    Rank 15 / 71

    Drawing for Bedroom Painting No. 15

    Age 37 · Chrysler Museum of Art

    The artwork presents a monochromatic still life arrangement rendered in graphite pencil on paper. A large, rounded form dominates the foreground, its surface defined by dense hatching and…

  5. 1969
  6. 1969
  7. 1978

Tom Wesselmann's masterpieces: questions and answers

Which painting is Tom Wesselmann best known for?Show the answer

Still life no. 20. Next come Still life and Great American Nude No. 99, 1968 (oil on canvas) (1968).

What are Tom Wesselmann's ten greatest paintings?Show the answer

Still life no. 20, Still life, Great American Nude No. 99, 1968 (oil on canvas), Still life -30, Carol Nude, Nude with black collar for bedroom, Landscape no. 2, Still Life, Great American Nude and Great American Nude (10). The ranking above gives the year and the museum of each.

How many works did Tom Wesselmann paint?Show the answer

Our catalogue lists 71 works by Tom Wesselmann, dated from 1962 to 1978.

In which museums can I see Tom Wesselmann's masterpieces?Show the answer

Most of them are in Chrysler Museum of Art (Norfolk), Israel Museum (Jerusalem) and Smithsonian American Art Museum (Washington, D.C.). The table above lists the museums one by one.

When did Tom Wesselmann paint the masterpieces?Show the answer

In 1968: 2 of the 71 works on this page date from then, among them Great American Nude No. 99, 1968 (oil on canvas).

What are the first and last famous paintings of Tom Wesselmann?Show the answer

The earliest on this page is Still Life #12 (1962), the latest Bedroom Painting -38 (1978).

What were Tom Wesselmann's favourite subjects?Show the answer

Nudes (22), Body (15) and Residence (15), among the 71 works on this page.

Which technique did Tom Wesselmann favour?Show the answer

Acrylic On Canvas: 3 of the 71 works on this page.

What art movement is Tom Wesselmann part of?Show the answer

Pop art, as the paintings on this page show.

Which masterpieces by Tom Wesselmann hang at the Chrysler Museum of Art?Show the answer

Drawing for Bedroom Painting No. 15, Bedroom Painting No. 15 and Self-Portrait for Bedroom Painting No. 15 are among the 3 works on this page held by the Chrysler Museum of Art, Norfolk.

The life of Tom Wesselmann

A Celebration of the Everyday: The World of Tom Wesselmann

Tom Wesselmann, born in Cincinnati, Ohio, in 1931 and passing away in 2004, stands as a pivotal figure within the vibrant landscape of Pop Art. His journey began not with an immediate artistic calling, but with studies in psychology at the University of Cincinnati following a brief period at Hiram College. This early exploration of the human mind would subtly inform his later work, imbuing it with a keen awareness of perception and desire. A stint in military service from 1952 to 1954 provided an unexpected creative outlet through cartooning – a skill that honed his observational abilities and sense of visual narrative. Upon his discharge, Wesselmann dedicated himself to refining his drawing skills at the Art Academy of Cincinnati, laying the foundation for the bold aesthetic he would soon become known for. He wasn’t initially drawn to the prevailing Abstract Expressionist fervor; instead, he sought a more direct engagement with the world around him, a desire that ultimately led him to embrace the burgeoning Pop Art movement.

From Collage to Iconography: Defining a Style

Wesselmann quickly distinguished himself within Pop Art not through replication of mass-produced imagery like some of his contemporaries, but through a unique synthesis of collage techniques and representational painting. He wasn’t simply *showing* us consumer objects; he was constructing worlds around them, layering textures and perspectives to create visually arresting compositions. A crucial turning point came with the inception of the Great American Nude series in 1961. These weren't traditional nudes steeped in classical ideals; they were bold, unapologetic depictions of sensuality interwoven with patriotic motifs and the iconography of American consumer culture. The influence of Robert Motherwell’s powerful “Elegy to the Spanish Republic” is evident here – not in style, but in Wesselmann’s approach to combining disparate elements within a single canvas, creating tension and resonance. He deliberately rejected the gestural abstraction of Action Painting, opting instead for meticulous construction and a deliberate control over his visual language. His signature aesthetic blossomed into carefully arranged still lifes, intimate bedroom scenes, and striking nudes, all rendered in a palette of vibrant, often clashing colors that mirrored the energy of postwar America.

Themes of Desire and Domesticity

Wesselmann’s artistic explorations consistently revolved around core themes of consumerism, sexuality, domesticity, and the American landscape. The Great American Nude series, arguably his most celebrated work, is a potent exploration of these ideas – a playful yet provocative commentary on the intersection of desire, advertising, and national identity. His “Bedroom Paintings” offer an equally compelling glimpse into the private sphere, depicting intimate interiors filled with everyday objects like cigarettes, flowers, and hearts. These aren’t merely depictions of rooms; they are carefully curated arrangements that reveal something about the lives lived within them – a sense of longing, comfort, or perhaps even alienation. Even his still lifes, seemingly simple arrangements of fruit, bottles, and other household items, possess a dynamic energy thanks to their bold colors, simplified forms, and deliberate compositions. Repetition and pattern became hallmarks of his style, creating visually engaging surfaces that draw the viewer in and invite contemplation.

A Lasting Legacy: Influences and Impact

While Wesselmann forged his own distinct path, he acknowledged the influence of artists like Robert Motherwell on his compositional approach. He admired Willem de Kooning’s expressive brushwork but consciously sought to develop a style that was uniquely his own – one rooted in clarity, precision, and a playful engagement with popular culture. As a key member of the Pop Art movement alongside luminaries such as Andy Warhol and Roy Lichtenstein, he contributed significantly to its challenge of traditional artistic boundaries. His work expanded the possibilities of painting by embracing collage techniques and elevating everyday objects to the realm of fine art. Wesselmann’s legacy extends beyond his individual artworks; he inspired subsequent generations of artists to explore the intersection of art and life, to question conventional notions of beauty, and to find meaning in the mundane. He reflected the cultural shifts of the 1960s – increased consumerism, changing attitudes towards sexuality, and a growing fascination with mass media – offering a vibrant and often provocative commentary on the American experience. His work continues to resonate today, reminding us of the power of art to both reflect and shape our understanding of the world around us.

All 71 works by Tom Wesselmann →