Max Klinger, 1857 – 1920

The 100 Most Famous Paintings by Max Klinger

The painting that made Max Klinger famous is The death peeing. The Isle of the Dead and Presa follow it in the hearts of collectors and museum visitors. Of the 281 works by Max Klinger in our catalogue, these 100 are the most admired, each presented with its date, its museum and what sets it apart.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Max Klinger
Max Klinger · 1857 – 1920
Born · died
1857 – 1920, Leipzig
Movement
Symbolism
Works in our catalogue
281
Most famous
The death peeing
Most works at
Bavarian State Painting Collections

Max Klinger: the ten masterpieces

The death peeing by Max Klinger
1

The death peeing

Painting

The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

The Isle of the Dead by Max Klinger
2

The Isle of the Dead

Painting

The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

Presa by Max Klinger
3

Presa

Lithograph

The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

Y sin embargo! by Max Klinger
4

Y sin embargo!

Graphite

Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

More Max Klinger masterpieces, 11 to 100

Max Klinger's paintings by period

The subjects Max Klinger painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Max Klinger's paintings

The 4 museums that hold the most of the paintings on this page.

Museum City Works by Max Klinger Paintings from this list
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 2 At the Beach, Seaside Idyl
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
National Gallery Prague, PragueNational Gallery Prague Prague 1 Evening
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

Max Klinger, decade by decade: the defining painting of each

  1. 1870s
    Evening (1879) by Max Klinger
    #9 of 100

    Evening

    Age 13 – 22 · National Gallery Prague
  2. 1880s
  3. 1890s
    At the Beach (1890) by Max Klinger
    Rank 11 / 100

    At the Beach

    Age 33 – 42 · Bavarian State Painting Collections
  4. 1910s

Max Klinger's masterpieces: questions and answers

Which painting is Max Klinger best known for?Show the answer

The death peeing. Next come The Isle of the Dead and Presa.

What are Max Klinger's ten greatest paintings?Show the answer

The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening and Play in the meadow. The ranking above gives the year and the museum of each.

How many works did Max Klinger paint?Show the answer

Our catalogue lists 281 works by Max Klinger, dated from 1879 to 1912.

In which museums can I see Max Klinger's masterpieces?Show the answer

Most of them are in Bavarian State Painting Collections (Munich), Alte Nationalgalerie (Berlin) and National Gallery Prague (Prague). The table above lists the museums one by one.

When did Max Klinger paint the masterpieces?Show the answer

In 1880s: 3 of the 100 works on this page date from then, among them Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz.

What are the first and last famous paintings of Max Klinger?Show the answer

The earliest on this page is Evening (1879), the latest Bathing Women (1912).

What were Max Klinger's favourite subjects?Show the answer

Gods (7), Symbolic imagery (6) and Landscape (4), among the 100 works on this page.

Which technique did Max Klinger favour?Show the answer

Painting: 2 of the 100 works on this page.

What art movement is Max Klinger part of?Show the answer

Symbolism, as the paintings on this page show.

Which masterpieces by Max Klinger hang at the Bavarian State Painting Collections?Show the answer

At the Beach and Seaside Idyl are among the 2 works on this page held by the Bavarian State Painting Collections, Munich.

Can I own a reproduction of a Max Klinger masterpiece?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

The life of Max Klinger

The Shadowed World of Max Klinger: A Pioneer of Symbolism

Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

From Realism's Embrace to Symbolic Depths

Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level.

Sculpture, Printmaking and the Exploration of Myth

Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

Legacy and Influence: A Bridge to Modernity

Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte. Even in more recent times, Klinger's ideas continue to inspire contemporary artists. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

Notable Works & Continued Relevance

Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes—anxiety, alienation, and the search for meaning—continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.

All 281 works by Max Klinger →