Bernardo Strozzi, 1581 – 1644

The 100 Most Famous Paintings by Bernardo Strozzi

The painting that made Bernardo Strozzi famous is Sleeping Child; it hangs in the Residenzgalerie, Salzburg. Banquet at the House of Simon (detail) (1630) and David with the Head of Goliath (1635) follow it in the hearts of collectors and museum visitors. Of the 118 works by Bernardo Strozzi in our catalogue, these 100 are the most admired, each presented with its date, its museum and what sets it apart.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Bernardo Strozzi
Bernardo Strozzi · 1581 – 1644
Born · died
1581 – 1644, Campo Ligure
Movement
Baroque
Works in our catalogue
118
Most famous
Sleeping Child
Most works at
Gallerie dell'Accademia di Venezia

Bernardo Strozzi: the ten masterpieces

Sleeping Child by Bernardo Strozzi
1

Sleeping Child

Oil On Canvas · Residenzgalerie, Salzburg

A Serene Masterpiece: Capturing Innocence in "Sleeping Child" The Subject: A Moment of Pure Tranquility Bernardo Strozzi's "Sleeping Child" is a poignant portrayal of an infant in peaceful slumber. The artwork captures the essence of innocence and vulnerability, offering viewers a moment of quiet reflection. The child's serene expression and relaxed posture evoke a sense of calm, making this piece a timeless representation of childhood purity. Style and Technique: Baroque…

Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
2

Banquet at the House of Simon (detail)

1630 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venice

To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas does more than merely depict a meal; it captures an entire atmosphere—a moment suspended in rich color and human connection. The air seems thick with the scent of exotic spices, spilled wine, and lively conversation. Strozzi masterfully orchestrates a scene of pure…

David with the Head of Goliath (1635) by Bernardo Strozzi
3

David with the Head of Goliath

1635 · Oil On Canvas · Hermitage Museum, Saint Petersburg

To stand before Bernardo Strozzi's depiction of David with the Head of Goliath is to confront a moment suspended between brutal conflict and sublime victory. This painting, executed in 1635, does more than merely record a biblical episode; it captures the very essence of human courage pitted against overwhelming odds. The composition immediately draws the eye to the central figure—David—whose bearing suggests not just physical prowess, but an unshakeable moral…

Allegory of Arts (1640) by Bernardo Strozzi
4

Allegory of Arts

1640 · Oil On Canvas · Hermitage Museum, Saint Petersburg

To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures more than just three figures; it encapsulates a profound celebration of human creativity and the enduring power of female genius. The composition draws the eye immediately to the interplay between the three elegantly draped women, their poses suggesting a moment suspended in…

Saint Catherine of Alexandria (1615) by Bernardo Strozzi
5

Saint Catherine of Alexandria

1615 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal arrangement, her presence commanding the space with a quiet, regal strength. She does not look at the viewer; instead, her eyes are turned upward, caught in a moment of spiritual ecstasy or perhaps a silent communion with the divine. Her skin possesses…

St Maurice and the Angel (1640) by Bernardo Strozzi
6

St Maurice and the Angel

1640 · Oil On Canvas · Hermitage Museum, Saint Petersburg

Bernardo Strozzi’s “St Maurice and the Angel,” painted in 1635, stands as a testament to the flourishing artistic spirit of Venice during its Golden Age. This monumental canvas embodies the baroque style's dramatic flair and masterful use of color—a visual feast that continues to captivate viewers centuries later.

St Francis of Assisi adoring the Crucifix (1615) by Bernardo Strozzi
7

St Francis of Assisi adoring the Crucifix

1615 · Oil On Canvas · Art Gallery of South Australia, Adelaide

The air in the room feels heavy, thick with the scent of old wood and the weight of silent devotion. St. Francis of Assisi leans upward, his body a vessel for a sudden, overwhelming surge of religious ecstasy. His gaze is fixed upon the figure of Christ on the cross, eyes wide and upturned as if searching for a connection that transcends the physical realm. The light does not merely…

St. Gerardo Sagredo, Bishop of Csanád (1630) by Bernardo Strozzi
8

St. Gerardo Sagredo, Bishop of Csanád

1630 · Oil On Canvas · Art Institute of Chicago, Chicago

To stand before this portrait is to encounter a figure emerging from an immense, dark void. The Bishop of Csanád does not demand attention through movement, but rather through a quiet, heavy stillness. There is a profound sense of weight here, found in the way the light catches the textured folds of his white alb and the stiff, embroidered edges of his liturgical vestments. The background remains indeterminate, a deep…

Portrait of Nikola Kuchi (1637) by Bernardo Strozzi
10

Portrait of Nikola Kuchi

1637 · Oil On Canvas · National Gallery of Armenia, Yerevan

An elderly man gazes toward the viewer's right, his eyes meeting the observer with a steady, dignified presence. He is rendered in three-quarter length, positioned slightly off-center against an atmospheric background of deep browns and blacks. A strong light source strikes the side of his face and the front of his heavy red cloak, leaving the remainder of his figure to recede into deep shadow. This dramatic use of light…

More Bernardo Strozzi masterpieces, 11 to 100

Old Coquette (1625) by Bernardo Strozzi
#12

Old Coquette

1625

A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

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Joseph as Interpreter of Dreams (Fragment) (1612) by Bernardo Strozzi
#13

Joseph as Interpreter of Dreams (Fragment)

1612 · Bavarian State Painting Collections

In this fragment, we find ourselves in an intimate, shadowed space, witnessing a moment of profound psychological weight. The subject, Joseph, is captured in a dynamic, leaning posture,…

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Bishop Alvise Grimani (1633) by Bernardo Strozzi
#14

Bishop Alvise Grimani

1633 · National Gallery of Art

The portrait presents a three-quarter length view of Bishop Alvise Grimani, positioned against a dark, indeterminate background. Directional light enters from the upper left, carving the subject's features…

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Saint Francis (1612) by Bernardo Strozzi
#17

Saint Francis

1612 · Museum Boijmans Van Beuningen

The oil on canvas before us presents Saint Francis, a figure caught in a moment of profound spiritual weight. This portrait of the saint emerges from the shadows,…

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Doge Francesco Erizzo (1566-1646) (1631) by Bernardo Strozzi
#18

Doge Francesco Erizzo (1566-1646)

1631 · Kunsthistorisches Museum

A three-quarter length portrait presents an elderly man, identified as Doge Francesco Erizzo, positioned centrally against a dark, indeterminate background. The subject possesses a prominent white beard and…

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St Cecilia (1620) by Bernardo Strozzi
#19

St Cecilia

1620 · Nelson-Atkins Museum of Art

In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted around 1620,…

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David with Goliaths Head (1635) by Bernardo Strozzi
#20

David with Goliaths Head

1635 · Museum Boijmans Van Beuningen

The artwork titled David with Goliaths Head is a painting by the artist Bernardo Strozzi. Created in 1635, this work depicts a specific biblical scene involving the figures…

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Berenice (1640) by Bernardo Strozzi
#44

Berenice

1640 · El Paso Museum of Art

In this intimate portrait of Berenice by Bernardo Strozzi, the composition is tightly framed, focusing our attention on the subject’s face and upper body. The artist employs a…

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Adoration of the Shepherds (1616) by Bernardo Strozzi
#47

Adoration of the Shepherds

1616 · Walters Art Museum

The painting depicts a religious scene centered on Mary, who holds the baby Jesus in her arms. She is surrounded by a group of people, including a man…

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Gamba Player (1635) by Bernardo Strozzi
#49

Gamba Player

1635 · Gemäldegalerie

Bernardo Strozzi’s captivating portrait, *Gamba Player*, transports us directly into the vibrant, emotionally charged atmosphere of 17th-century Italian life. At its heart stands a woman, poised with an…

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The Madonna of Justice (1620) by Bernardo Strozzi
#51

The Madonna of Justice

1620 · The Louvre

To stand before Bernardo Strozzi's "The Madonna of Justice" is to be enveloped in the dramatic fervor of the Baroque age. This magnificent oil on canvas, dating from…

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The Annunciation (1643) by Bernardo Strozzi
#54

The Annunciation

1643 · Szépművészeti Múzeum

To stand before this depiction of The Annunciation is to step across the threshold into a moment suspended between the earthly and the divine. Bernardo Strozzi, master of…

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The Cook (1640) by Bernardo Strozzi
#55

The Cook

1640 · Scottish National Gallery

In the soft, amber glow of a domestic afternoon, Bernardo Strozzi captures a scene of profound, unassuming stillness. The Cook is not merely a portrait of a woman…

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Old Woman at the Mirror (1615) by Bernardo Strozzi
#56

Old Woman at the Mirror

1615 · Pushkin State Museum

In the quiet intimacy of Bernardo Strozzi’s Old Woman at the Mirror, we are invited to witness more than a mere moment of grooming; we are pulled into…

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St Cecilia (1623) by Bernardo Strozzi
#57

St Cecilia

1623 · Thyssen-Bornemisza Museum

In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted between 1623…

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The Tribute Money by Bernardo Strozzi
#58

The Tribute Money

Nationalmuseum

A single coin catches the light, a small metallic weight that anchors the tension of the scene. The composition centers on a figure in a crimson tunic, his…

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Portrait of a Knight (detail) (1640) by Bernardo Strozzi
#72

Portrait of a Knight (detail)

1640 · Gallerie dell'Accademia di Venezia

This work, titled Portrait of a Knight (detail), was executed by the Italian artist Bernardo Strozzi. Created around 1640, the painting offers a focused view of a nobleman.…

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The Release of St. Peter (1635) by Bernardo Strozzi
#75

The Release of St. Peter

1635 · Art Gallery of New South Wales

The Release of St. Peter is an oil on canvas work by the Italian Baroque painter Bernardo Strozzi. Created around 1635, this piece captures the moment of the…

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Lute Player (1630) by Bernardo Strozzi
#76

Lute Player

1630 · Kunsthistorisches Museum

In the heart of the Venetian Baroque era, amidst the vibrant textures and dramatic light of Italy, Bernardo Strozzi captured a moment that transcends the mere act of…

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Salome (1630) by Bernardo Strozzi
#77

Salome

1630 · Gemäldegalerie

The oil on canvas painting titled Salome was executed by the Italian Baroque painter Bernardo Strozzi. This work dates to 1630. The composition depicts a biblical scene involving…

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Berenice by Bernardo Strozzi
#79

Berenice

Bavarian State Painting Collections

Bernardo Strozzi's Berenice represents a significant subject from the first half of the 17th century. The work identifies the figure as Queen Berenice, the daughter of the King…

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Joseph Telling his Dreams (1626) by Bernardo Strozzi
#81

Joseph Telling his Dreams

1626 · Pallavicino Collection

In the evocative masterpiece Joseph Telling his Dreams, the Italian Baroque master Bernardo Strozzi invites us into a moment of profound narrative tension and domestic intimacy. Painted in…

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A Personification of Fame by Bernardo Strozzi
#93

A Personification of Fame

National Gallery

In this work, titled A Personification of Fame, the artist Bernardo Strozzi presents a nuanced interpretation of an allegorical subject. The painting, which dates to probably 1635-6, depicts…

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Portrait of a Knight (1640) by Bernardo Strozzi
#96

Portrait of a Knight

1640 · Gallerie dell'Accademia di Venezia

Bernardo Strozzi's “Portrait of the Knight Giovanni Grimani,” painted circa 1640, stands as a testament to the Venetian Baroque’s fascination with aristocratic grandeur and psychological depth. Executed in…

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Bernardo Strozzi's paintings by period

The subjects Bernardo Strozzi painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Bernardo Strozzi's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Bernardo Strozzi Paintings from this list
Gallerie dell'Accademia di Venezia, VeniceGallerie dell'Accademia di Venezia Venice 5 Banquet at the House of Simon (detail), Banquet at the House of Simon, Portrait of a Knight (detail)
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 5 Salome with the head of St John the Baptist, The Sermon of St. John the Baptist, Doge Francesco Erizzo (1566-1646)
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 5 David with the Head of Goliath, Allegory of Arts, St Maurice and the Angel
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 3 Joseph as Interpreter of Dreams (Fragment), Berenice, The Parable of the Widow's Mite
Accademia Ligustica di Belle Arti, GenovaAccademia Ligustica di Belle Arti Genova 3 St John the Baptist, Lamentation over the Dead Christ, St Augustine Washing the Feet of Christ
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 St Francis of Assisi adoring the Crucifix, Study for St Francis of Assisi adoring the cross
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Bishop Alvise Grimani, Saint Francis in Prayer
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 Saint Francis, David with Goliaths Head

Bernardo Strozzi, decade by decade: the defining painting of each

  1. 1600s
  2. 1610s
    Saint Catherine of Alexandria (1615) by Bernardo Strozzi
    Rank 5 / 100

    Saint Catherine of Alexandria

    Age 29 – 38 · Los Angeles County Museum of Art

    The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal…

  3. 1620s
    Old Coquette (1625) by Bernardo Strozzi
    Rank 12 / 100

    Old Coquette

    Age 39 – 48

    A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

  4. 1630s
    Banquet at the House of Simon (detail) (1630) by Bernardo Strozzi
    #2 of 100

    Banquet at the House of Simon (detail)

    Age 49 – 58 · Gallerie dell'Accademia di Venezia

    To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas…

  5. 1640s
    Allegory of Arts (1640) by Bernardo Strozzi
    #4 of 100

    Allegory of Arts

    Age 59 – 63 · Hermitage Museum

    To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures…

Bernardo Strozzi's masterpieces: questions and answers

Which painting is Bernardo Strozzi best known for?Show the answer

Sleeping Child, Residenzgalerie, Salzburg. Next come Banquet at the House of Simon (detail) (1630) and David with the Head of Goliath (1635).

What are Bernardo Strozzi's ten greatest paintings?Show the answer

Sleeping Child, Banquet at the House of Simon (detail), David with the Head of Goliath, Allegory of Arts, Saint Catherine of Alexandria, St Maurice and the Angel, St Francis of Assisi adoring the Crucifix, St. Gerardo Sagredo, Bishop of Csanád, Portrait of a Genoese Nobleman and Portrait of Nikola Kuchi. The ranking above gives the year and the museum of each.

How many works did Bernardo Strozzi paint?Show the answer

Our catalogue lists 118 works by Bernardo Strozzi, dated from 1600 to 1644.

In which museums can I see Bernardo Strozzi's masterpieces?Show the answer

Most of them are in Gallerie dell'Accademia di Venezia (Venice), Kunsthistorisches Museum (Vienna) and Hermitage Museum (Saint Petersburg). The table above lists the museums one by one.

When did Bernardo Strozzi paint the masterpieces?Show the answer

In 1630s: 34 of the 100 works on this page date from then, among them Banquet at the House of Simon (detail).

What are the first and last famous paintings of Bernardo Strozzi?Show the answer

The earliest on this page is Old Man with a Pupil (1600), the latest The Sermon of St. John the Baptist (1644).

What were Bernardo Strozzi's favourite subjects?Show the answer

Man (19), Woman (10) and Dark background (9), among the 100 works on this page.

Which technique did Bernardo Strozzi favour?Show the answer

Oil On Canvas: 43 of the 100 works on this page.

What art movement is Bernardo Strozzi part of?Show the answer

Baroque, as the paintings on this page show.

Which masterpieces by Bernardo Strozzi hang at the Gallerie dell'Accademia di Venezia?Show the answer

Banquet at the House of Simon (detail), Banquet at the House of Simon and Portrait of a Knight (detail) are among the 5 works on this page held by the Gallerie dell'Accademia di Venezia, Venice.

Can I own a reproduction of a Bernardo Strozzi masterpiece?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

The life of Bernardo Strozzi

early life and training

bernardo strozzi, also known as il cappuccino and il prete genovese, was a prominent italian baroque painter and engraver born in 1581 in genoa, italy. his early training took place in the workshop of cesare corte, a minor genoese painter, under whose guidance strozzi developed his skills until 1596. he then joined the workshop of pietro sorri, an innovative sienese painter, who led strozzi towards a more naturalistic style.

artistic career

strozzi's career can be divided into two main periods: his early years in genoa and his later work in venice. in genoa, he worked on various projects, including the frescoes in the choir of the san domenico church, commissioned by members of the doria family.

influence and legacy

strozzi's powerful art, characterized by rich colors and broad brushstrokes, had a significant impact on the artistic developments in both genoa and venice. he is considered one of the principal founders of the venetian baroque style.
  • notable patrons:
  • doge francesco erizzo
  • catholic cardinal and patriarch of venice federico baldissera
  • prominent venetian artists, including claudio monteverdi and barbara strozzi

later life and death

strozzi's later years were marked by his work as an engineer. he died in venice in 1644, leaving behind a legacy as a versatile and prolific artist. view more works by bernardo strozzi on WahooArt: [https://WahooArt.com/@/bernardo-strozzi](https://WahooArt.com/@/bernardo-strozzi) explore the pinacoteca di vicenza, italy, featuring works from various periods and styles: /en/art/show/art-d3afpd-en/

All 118 works by Bernardo Strozzi →