Auguste Couder, 1789 – 1873

The 32 Most Famous Paintings by Auguste Couder

The painting that made Auguste Couder famous is Death of Masaccio (1817); it hangs in the Hermitage Museum, Saint Petersburg. FERDINAND IV, ROI DES DEUX SICILES (1751 1825) and Study Head of a Young Man (1805) follow it in the hearts of collectors and museum visitors. Of the 32 works by Auguste Couder in our catalogue, these 32 are the most admired, each presented with its date, its museum and what sets it apart.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Auguste Couder
Auguste Couder · 1789 – 1873
Born · died
1789 – 1873, London
Movement
Neoclassicism
Works in our catalogue
32
Most famous
Death of Masaccio (1817)
Most works at
The Louvre

Auguste Couder: the ten masterpieces

Death of Masaccio (1817) by Auguste Couder
1

Death of Masaccio

1817 · Oil On Canvas · Hermitage Museum, Saint Petersburg

A Neoclassical Reverie on Martyrdom: Exploring Couder’s ‘Death of Masaccio’ Louis-Charles-Auguste Couder's “Death of Masaccio” stands as a testament to the enduring influence of classical ideals within 19th-century French art. Executed in 1817, this canvas reproduction captures a poignant scene from religious history—the martyrdom of Saint Denis—rendered with meticulous detail and imbued with an emotional depth that speaks volumes about its era. More than just a depiction of biblical narrative,…

FERDINAND IV, ROI DES DEUX SICILES (1751 1825) by Auguste Couder
2

FERDINAND IV, ROI DES DEUX SICILES (1751 1825)

Oil On Canvas

The gaze of Ferdinand IV, Roi des Deux Siciles (1751 1825), meets the viewer with a quiet, commanding presence. In this oil portrait by Auguste Couder, the King of the Two Sicilies appears at half length, his figure anchored within the frame. He wears a military uniform, a garment that speaks to his station and the weight of his rule. The fabric of his attire carries the dignity of his…

More Auguste Couder masterpieces, 11 to 32

The subjects Auguste Couder painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Auguste Couder's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Auguste Couder Paintings from this list
The Louvre, ParisThe Louvre Paris 4 L'EAU.ACHILLE PRES D'ETRE ENGLOUTI PAR LE XANTHE ET LE SIMOIS, IRRITES DU CARNAGE QU'IL A FAIT DES TROYENS, LE FEU.VENUS RECEVANT DES MAINS DE VULCAIN LES ARMES QU'IL A FORGEES POUR ENEE, LA TERRE.COMBAT D'HERCULE ET D'ANTEE
Opera House, VersaillesOpera House Versailles 3 Nicolas, Baron de Luckner, Marshal of France, Séance d'ouverture de l'Assemblée des états généraux, 5 mai 1789, SERMENT DU JEU DE PAUME.20 JUIN 1789
Galerie des Batailles, VersaillesGalerie des Batailles Versailles 2 Siege of Yorktown, BATAILLE DE LAWFELD.2 JUILLET 1747
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 1 Death of Masaccio
Musee Baron Martin, GrayMusee Baron Martin Gray 1 Study Head of a Young Man
Musee des Beaux-Arts, OrléansMusee des Beaux-Arts Orléans 1 Fredegund and Chilperic
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Scenes Taken from Notre-Dame de Paris
Petit Palais, ParisPetit Palais Paris 1 Sketch for the church Notre-Dame-de-Lorette: The Martyrdom of Saint Stephen

Auguste Couder, decade by decade: the defining painting of each

  1. 1800s
  2. 1810s
    Death of Masaccio (1817) by Auguste Couder
    Rank 1 / 32

    Death of Masaccio

    Age 21 – 30 · Hermitage Museum

    A Neoclassical Reverie on Martyrdom: Exploring Couder’s ‘Death of Masaccio’ Louis-Charles-Auguste Couder's “Death of Masaccio” stands as a testament to the enduring influence of classical ideals within 19th-century…

  3. 1820s
  4. 1830s
  5. 1850s
    Adam and Eve (1850) by Auguste Couder
    #10 of 32

    Adam and Eve

    Age 61 – 70 · Musée de la Piscine
  6. 1860s
    Leo von Klenze (1862) by Auguste Couder
    #12 of 32

    Leo von Klenze

    Age 71 – 80 · Bavarian State Painting Collections

Auguste Couder's masterpieces: questions and answers

Which painting is Auguste Couder best known for?Show the answer

Death of Masaccio (1817), Hermitage Museum, Saint Petersburg. Next come FERDINAND IV, ROI DES DEUX SICILES (1751 1825) and Study Head of a Young Man (1805).

How old was Auguste Couder when painting Death of Masaccio?Show the answer

28 years old: Death of Masaccio dates from 1817 and Auguste Couder was born in 1789.

What are Auguste Couder's ten greatest paintings?Show the answer

Death of Masaccio, FERDINAND IV, ROI DES DEUX SICILES (1751 1825), Study Head of a Young Man, The Levite of Ephraim, Water, or the Fight of Achilles against Scamander and Simoeis, Fredegund and Chilperic, Scenes Taken from Notre-Dame de Paris, Sketch for the church Notre-Dame-de-Lorette: The Martyrdom of Saint Stephen, Nicolas, Baron de Luckner, Marshal of France and Adam and Eve. The ranking above gives the year and the museum of each.

How many works did Auguste Couder paint?Show the answer

Our catalogue lists 32 works by Auguste Couder, dated from 1801 to 1862.

In which museums can I see Auguste Couder's masterpieces?Show the answer

Most of them are in The Louvre (Paris), Opera House (Versailles) and Galerie des Batailles (Versailles). The table above lists the museums one by one.

When did Auguste Couder paint the masterpieces?Show the answer

In 1830s: 5 of the 32 works on this page date from then, among them Scenes Taken from Notre-Dame de Paris.

What are the first and last famous paintings of Auguste Couder?Show the answer

The earliest on this page is Still life with flowers (1801), the latest Leo von Klenze (1862).

What were Auguste Couder's favourite subjects?Show the answer

French history (3), Classical art (2) and Neoclassical (2), among the 32 works on this page.

Which technique did Auguste Couder favour?Show the answer

Oil On Canvas: 2 of the 32 works on this page.

What art movement is Auguste Couder part of?Show the answer

Neoclassicism, as the paintings on this page show.

Which masterpieces by Auguste Couder hang at the The Louvre?Show the answer

L'EAU.ACHILLE PRES D'ETRE ENGLOUTI PAR LE XANTHE ET LE SIMOIS, IRRITES DU CARNAGE QU'IL A FAIT DES TROYENS, LE FEU.VENUS RECEVANT DES MAINS DE VULCAIN LES ARMES QU'IL A FORGEES POUR ENEE and LA TERRE.COMBAT D'HERCULE ET D'ANTEE are among the 4 works on this page held by the The Louvre, Paris.

Can I own a reproduction of a Auguste Couder masterpiece?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

The life of Auguste Couder

A Life Painted in History: The World of Louis-Charles-Auguste Couder

Born amidst the burgeoning artistic energy of London in 1789, Louis-Charles-Auguste Couder would become a significant voice in 19th-century French historical painting. Though perhaps not as celebrated today as some of his contemporaries, Couder’s canvases offer a compelling window into an era defined by revolution, empire, and the enduring power of classical ideals. His journey began with formative training under two titans of the French art world: Jean-Baptiste Regnault and Jacques-Louis David. This dual mentorship profoundly shaped his artistic sensibilities, instilling in him both a rigorous academic approach and a keen understanding of dramatic narrative. David’s influence is particularly evident in Couder's early works – a precision of draftsmanship, balanced compositions, and an unwavering commitment to historical accuracy characterize these initial explorations. Yet, Regnault’s contribution was equally vital, fostering Couder’s ability to imbue his scenes with emotional intensity and compelling storytelling. He wasn’t merely recreating history; he was breathing life into it.

Blending Influences: The Development of a Unique Style

Couder skillfully synthesized the contrasting strengths of his mentors, forging a style that resonated with the artistic currents of his time. The Neoclassical foundation laid by David provided the structural backbone for his compositions, while Regnault’s emphasis on dramatic effect infused them with a palpable sense of energy and emotion. This synthesis wasn't simply technical; it was conceptual. Couder didn’t just want to depict historical events; he wanted viewers to *feel* their weight and significance. His canvases became stages for heroism, sacrifice, and the grandeur of past civilizations. He frequently turned to classical mythology and history as sources of inspiration, themes that allowed him to explore universal human experiences through a lens of timeless elegance. This period saw Couder honing his skills in portraiture too, demonstrating an exceptional ability to capture not only physical likeness but also the inner character of his subjects. The result was a body of work marked by both intellectual rigor and emotional depth – paintings that were visually stunning and intellectually stimulating.

Moments Frozen in Time: Major Works and Themes

Several works stand as testaments to Couder’s artistic prowess and historical insight. Perhaps his most renowned painting is the Siege of Yorktown (1781), a vivid depiction of a pivotal moment in the American Revolutionary War. This wasn't merely a battle scene; it was a carefully constructed narrative, showcasing the complex interplay of forces that determined the outcome of the conflict. Closely related is Washington, Rochambeau, La Fayette et leur état major à Yorktown, which focuses on the key figures orchestrating the siege, offering an intimate glimpse into the strategic minds behind the victory. Beyond his depictions of American history, Couder demonstrated a remarkable ability to capture significant political events closer to home with works like Installation du conseil d'Etat au palais du Petit Luxembourg (1799). These paintings weren’t simply historical records; they were carefully crafted statements about power, authority, and the unfolding drama of French politics. His painting “PRISE DE LA VILLE DE LERIDA.13 OCTOBRE 1707” is a magnificent example of his dramatic style. The artwork "TANNEGUY DUCHATEL" showcases Couder’s mastery of chiaroscuro lighting, dynamic composition and rich textures.

Recognition and Legacy: A Place in the French Art World

Couder's talent didn't go unnoticed by his peers. In 1839, he was inducted into the prestigious Académie des Beaux-Arts, a recognition of his artistic merit and standing within the French art world. This honor solidified his position as a leading historical painter of his time. Further acknowledging his contributions to French society, he was appointed an officer of the Légion d'honneur – a distinction reserved for individuals who had made exceptional achievements in their respective fields. His paintings were regularly exhibited in prominent salons and galleries, earning him critical acclaim and establishing a loyal following among collectors and connoisseurs. Couder’s personal life also reflected his connection to the artistic community; he married Cornélie Stouf, daughter of the celebrated sculptor Jean-Baptiste Stouf. He was laid to rest in the renowned Père Lachaise Cemetery in Paris, a final resting place shared by many other prominent figures in French art and culture. While perhaps not as widely recognized today as some of his contemporaries, Couder’s contributions to historical painting remain significant. His work provides valuable insights into the artistic tastes and historical perspectives of 19th-century France, offering a unique European perspective on pivotal events like the American Revolution. His legacy endures in the carefully rendered details, dramatic compositions, and enduring emotional power of his paintings – testaments to a life dedicated to capturing moments frozen in time.

All 32 works by Auguste Couder →