This page shows how many people visit the pages of William Thomas Roden on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Over the past twelve months the most-viewed canvas by William Thomas Roden on WahooArt.com was Portrait of an Unknown Man in a Red Cap (said to be H. Stanier): 200 visits, or 17% of the attention paid to the artist's work. It is followed by John Henry Newman and Edwin Yates. The artist attracted 1,700 visits in all: 500 to the artist page and 1,200 to the pages of individual canvases. Interest receded by 100% from Aug 2026 to Sep 2026. The peak came in Jul 2026, with 1,500 visits. Visitors gravitate towards Subtle Color (Color Saturation): 58% of the visits, though such canvases form 45% of the artist's catalog.
Ranked by actual visits over the last twelve months, these are the 9 works by William Thomas Roden that collectors open most often on WahooArt.com.
1
Portrait of an Unknown Man in a Red Cap (said to be H. Stanier), 1851
200 visits · 16.7%
2
John Henry Newman, 1874
200 visits · 16.7%
3
Edwin Yates
200 visits · 16.7%
4
Joseph Moore (1817–1892), 1870
100 visits · 8.3%
5
James Pulling (1814–1879), Master (1850–1879)
100 visits · 8.3%
6
Cardinal Newman (1801–1890), 1879
100 visits · 8.3%
7
Samuel Timmins (1826–1902), 1880
100 visits · 8.3%
8
John Birt Davies, 1873
100 visits · 8.3%
9
Oliver Pemberton (1825–1897), 1867
100 visits · 8.3%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 100 | 0 |
| Jul 2026 | 300 | 1,200 |
| Aug 2026 | 100 | 0 |
| Sep 2026 | 0 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 100.0% | 100.0% |
| Soft Shadow | 0.0% | 0.0% |
| Gentle Luminance | 0.0% | 0.0% |
| Bright Balance | 0.0% | 0.0% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 50.0% | 25.0% |
| Subtle Color | 45.0% | 58.3% |
| Balanced Soft | 5.0% | 16.7% |
| Clear Color Presence | 0.0% | 0.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 90.0% | 83.3% |
| Balanced | 10.0% | 16.7% |
| Vivid | 0.0% | 0.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 65.0% | 58.3% |
| Gentle | 20.0% | 16.7% |
| Balanced | 0.0% | 0.0% |
| Bold | 10.0% | 16.7% |
| Statement | 5.0% | 8.3% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 5.0% | 0.0% |
| Softly Mixed Palette | 0.0% | 0.0% |
| Balanced Harmony | 15.0% | 8.3% |
| Strong Color Unity | 50.0% | 58.3% |
| Unified Palette | 30.0% | 33.3% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Portrait of an Unknown Man… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| Edwin Yates | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| A Wednesbury Cocker | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Henry John Temple (1784–186… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| James Pulling (1814–1879),… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Oliver Pemberton (1825–1897) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| William Ewart Gladstone (18… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jacob Wilson (1799–1892) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Right Honourable Joseph… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| John Henry Chamberlain (183… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Thu 17 Sep | 0 |
| Fri 18 Sep | 0 |
| Sat 19 Sep | 0 |
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 0 |
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct (forecast) | 0 |
| Fri 9 Oct (forecast) | 0 |
| Sat 10 Oct (forecast) | 0 |
| Sun 11 Oct (forecast) | 0 |
| Mon 12 Oct (forecast) | 0 |
| Tue 13 Oct (forecast) | 0 |
| Wed 14 Oct (forecast) | 0 |
| Thu 15 Oct (forecast) | 0 |
| Fri 16 Oct (forecast) | 0 |
| Sat 17 Oct (forecast) | 0 |
| Sun 18 Oct (forecast) | 0 |
| Mon 19 Oct (forecast) | 0 |
| Tue 20 Oct (forecast) | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 0 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |