This page shows how many people visit the pages of Tony Robert-Fleury on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Over the past twelve months the most-viewed canvas by Tony Robert-Fleury on WahooArt.com was The Last Day of Corinth: 700 visits, or 33% of the attention paid to the artist's work. It is followed by Philippe Pinel At Salpetriere and Pinel Freeing The Insane From Their Chains. The artist attracted 2,200 visits in all: 400 to the artist page and 1,800 to the pages of individual canvases. Interest is rising: visits increased by 50% from Aug 2026 to Sep 2026. The peak came in Jul 2026, with 1,200 visits. Visitors gravitate towards Gentle Luminance (Luminance): 43% of the visits, though such canvases form 23% of the artist's catalog.
Ranked by actual visits over the last twelve months, these are the 10 works by Tony Robert-Fleury that collectors open most often on WahooArt.com.
1
The Last Day of Corinth
700 visits · 33.3%
2
Philippe Pinel At Salpetriere
300 visits · 14.3%
3
Pinel Freeing The Insane From Their Chains, 1870
300 visits · 14.3%
4
Carmella
100 visits · 4.8%
5
Portrait Of A Ship's Captain
100 visits · 4.8%
6
Winter Landscape With A Watermill
100 visits · 4.8%
7
Warsaw On 8 April, 1861
100 visits · 4.8%
8
L'architecture
100 visits · 4.8%
9
Portrait Of A Woman In A Kimono
100 visits · 4.8%
10
JOSEPH NICOLAS ROBERT FLEURY (1797 1890)
100 visits · 4.8%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 200 | 1,000 |
| Aug 2026 | 100 | 300 |
| Sep 2026 | 100 | 500 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 26.7% | 19.1% |
| Soft Shadow | 40.0% | 38.1% |
| Gentle Luminance | 23.3% | 42.9% |
| Bright Balance | 10.0% | 0.0% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 30.0% | 28.6% |
| Subtle Color | 46.7% | 57.1% |
| Balanced Soft | 20.0% | 9.5% |
| Clear Color Presence | 3.3% | 4.8% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Earthy | 79.2% | 87.5% |
| Neutrals | 16.7% | 6.2% |
| Dark | 4.2% | 6.2% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 43.3% | 42.9% |
| Balanced | 50.0% | 57.1% |
| Vivid | 6.7% | 0.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 10.0% | 14.3% |
| Gentle | 23.3% | 9.5% |
| Balanced | 10.0% | 9.5% |
| Bold | 30.0% | 28.6% |
| Statement | 26.7% | 38.1% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 13.3% | 23.8% |
| Softly Mixed Palette | 16.7% | 33.3% |
| Balanced Harmony | 6.7% | 0.0% |
| Strong Color Unity | 43.3% | 23.8% |
| Unified Palette | 20.0% | 19.1% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Alix Appearing In The Mask | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lesbia And The Sparrow | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Coriolan | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Philippe Pinel At Salpetrie… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 100 |
| The Cardinal's Recital | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait Of A Ship's Captain | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait Of An Elegant Woman | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Girl Reading | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Carmella | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Woman Peeking Thru Window | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
| Language | Visits | Share |
|---|---|---|
| Italian | 100 | 100.0% |
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Thu 17 Sep | 0 |
| Fri 18 Sep | 0 |
| Sat 19 Sep | 100 |
| Sun 20 Sep | 0 |
| Mon 21 Sep | 100 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 100 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 300 |
| Sun 27 Sep | 100 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 100 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 100 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 200 |
| Wed 7 Oct | 0 |
| Thu 8 Oct (forecast) | 0 |
| Fri 9 Oct (forecast) | 0 |
| Sat 10 Oct (forecast) | 200 |
| Sun 11 Oct (forecast) | 100 |
| Mon 12 Oct (forecast) | 0 |
| Tue 13 Oct (forecast) | 100 |
| Wed 14 Oct (forecast) | 0 |
| Thu 15 Oct (forecast) | 100 |
| Fri 16 Oct (forecast) | 100 |
| Sat 17 Oct (forecast) | 200 |
| Sun 18 Oct (forecast) | 100 |
| Mon 19 Oct (forecast) | 100 |
| Tue 20 Oct (forecast) | 100 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 100 |
| Fri 23 Oct (forecast) | 100 |
| Sat 24 Oct (forecast) | 200 |
| Sun 25 Oct (forecast) | 100 |
| Mon 26 Oct (forecast) | 100 |
| Tue 27 Oct (forecast) | 100 |
| Wed 28 Oct (forecast) | 0 |