This page shows how many people visit the pages of Thomas Barber on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Over the past twelve months the most-viewed canvas by Thomas Barber on WahooArt.com was Self Portrait: 200 visits, or 12% of the attention paid to the artist's work. It is followed by The Trent at Wilford and Lady Caroline Gordon (1785–1866), Lady Chesham. The artist attracted 2,100 visits in all: 600 to the artist page and 1,500 to the pages of individual canvases. The peak came in Jul 2026, with 1,800 visits. Visitors gravitate towards Balanced Harmony (Color Harmony): 44% of the visits, though such canvases form 22% of the artist's catalog.
Ranked by actual visits over the last twelve months, these are the 10 works by Thomas Barber that collectors open most often on WahooArt.com.
1
Self Portrait, 1841
200 visits · 12.5%
2
The Trent at Wilford, 1840
200 visits · 12.5%
3
Lady Caroline Gordon (1785–1866), Lady Chesham, 1814
200 visits · 12.5%
4
David Love (1750–1827), Ballad Writer
200 visits · 12.5%
5
The Honourable Anne Margaret Anson, Countess of Rosebery, 1815
200 visits · 12.5%
6
Lady Harriet Cavendish (1785–1862), Countess Granville, 1810
100 visits · 6.2%
7
Lord Denman (1779–1854), 1833
100 visits · 6.2%
8
General Sir William Anson, 1st Bt, 1815
100 visits · 6.2%
9
Henry Kirke White, Poet
100 visits · 6.2%
10
Jonathan Dunn
100 visits · 6.2%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 100 | 100 |
| Jul 2026 | 500 | 1,300 |
| Aug 2026 | 0 | 0 |
| Sep 2026 | 0 | 100 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 80.0% | 75.0% |
| Soft Shadow | 13.3% | 12.5% |
| Gentle Luminance | 4.4% | 12.5% |
| Bright Balance | 0.0% | 0.0% |
| Luminous | 2.2% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 75.6% | 68.8% |
| Subtle Color | 17.8% | 6.2% |
| Balanced Soft | 6.7% | 25.0% |
| Clear Color Presence | 0.0% | 0.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 86.7% | 87.5% |
| Balanced | 13.3% | 12.5% |
| Vivid | 0.0% | 0.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 17.8% | 25.0% |
| Gentle | 26.7% | 25.0% |
| Balanced | 6.7% | 0.0% |
| Bold | 11.1% | 0.0% |
| Statement | 37.8% | 50.0% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 13.3% | 0.0% |
| Softly Mixed Palette | 15.6% | 6.2% |
| Balanced Harmony | 22.2% | 43.8% |
| Strong Color Unity | 42.2% | 50.0% |
| Unified Palette | 6.7% | 0.0% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Henry Kirke White, Poet | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Self Portrait | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 100 |
| Henry Kirke White (1785–180… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jonathan Dunn | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lord Denman (1779–1854) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Jonathan Dunn (1771–1857) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| David Love (1750–1827), Bal… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| The Reverend Lewis Sneyd (c… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Cecil Brooke Boothby (1813–… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charles Compton Cavendish (… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
| Language | Visits | Share |
|---|---|---|
| English | 200 | 100.0% |
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 100 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct | 0 |
| Sat 10 Oct | 0 |
| Sun 11 Oct | 100 |
| Mon 12 Oct | 100 |
| Tue 13 Oct | 0 |
| Wed 14 Oct | 0 |
| Thu 15 Oct | 0 |
| Fri 16 Oct | 0 |
| Sat 17 Oct | 0 |
| Sun 18 Oct | 0 |
| Mon 19 Oct (forecast) | 0 |
| Tue 20 Oct (forecast) | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 100 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 0 |
| Fri 30 Oct (forecast) | 0 |
| Sat 31 Oct (forecast) | 0 |
| Sun 1 Nov (forecast) | 100 |
| Mon 2 Nov (forecast) | 0 |
| Tue 3 Nov (forecast) | 0 |
| Wed 4 Nov (forecast) | 0 |
| Thu 5 Nov (forecast) | 0 |
| Fri 6 Nov (forecast) | 0 |
| Sat 7 Nov (forecast) | 0 |
| Sun 8 Nov (forecast) | 100 |