This page shows how many people visit the pages of Terrick John Williams on this website. A visit means one person opened a page. Each chart below has its own short explanation.
The most admired work of Terrick John Williams on WahooArt.com is Festa notturna, Venice, opened 200 times in twelve months, 15% of all views. Next in line: The Rebuilding of St Mary Redcliffe by William Canynges in 1452 and The Rebuilding of St Mary Redcliffe. Altogether 1,300 visits, 100 to the page of the artist and 1,200 to the works. Attention eased by 100% from Aug 2026 to Sep 2026. Jul 2026 drew the largest audience: 1,000 visits. Visitors favour Earthy (Color Palette): 71% of their visits, where the catalog holds 46%.
Each rank below reflects the visits received on WahooArt.com in the last twelve months; number 1 is the most visited work of Terrick John Williams.
1
Festa notturna, Venice, 1926
200 visits · 15.4%
2
The Rebuilding of St Mary Redcliffe by William Canynges in 1452, 1922
100 visits · 7.7%
3
The Rebuilding of St Mary Redcliffe, 1920
100 visits · 7.7%
4
Fruit Market, Tangier, 1905
100 visits · 7.7%
5
Ribbons and Laces, 1907
100 visits · 7.7%
6
Quiet Twilight, Honfleur, 1922
100 visits · 7.7%
7
Eastern Bazaar Scene, 1905
100 visits · 7.7%
8
Golden Evening, Martigues, France
100 visits · 7.7%
9
Amiens
100 visits · 7.7%
10
Mining, 1925
100 visits · 7.7%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 100 | 900 |
| Aug 2026 | 0 | 300 |
| Sep 2026 | 0 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 0.0% | 0.0% |
| Soft Shadow | 23.5% | 30.8% |
| Gentle Luminance | 52.9% | 53.8% |
| Bright Balance | 23.5% | 15.4% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 32.4% | 38.5% |
| Subtle Color | 23.5% | 0.0% |
| Balanced Soft | 35.3% | 46.2% |
| Clear Color Presence | 8.8% | 15.4% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Earthy | 45.8% | 71.4% |
| Neutrals | 45.8% | 14.3% |
| Dark | 8.3% | 14.3% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 23.5% | 38.5% |
| Balanced | 55.9% | 30.8% |
| Vivid | 20.6% | 30.8% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 20.6% | 0.0% |
| Gentle | 20.6% | 30.8% |
| Balanced | 20.6% | 30.8% |
| Bold | 29.4% | 30.8% |
| Statement | 8.8% | 7.7% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 14.7% | 15.4% |
| Softly Mixed Palette | 8.8% | 7.7% |
| Balanced Harmony | 14.7% | 15.4% |
| Strong Color Unity | 44.1% | 30.8% |
| Unified Palette | 17.6% | 30.8% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Fruit Market, Tangier | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Sunset Glow, St Ives | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Evening, Concarneau | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Rebuilding of St Mary R… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Festa notturna, Venice | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 100 | 0 |
| The Restless Sea | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Rebuilding of St Mary R… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Golden Evening, Martigues,… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Quiet Twilight, Honfleur | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Evening Mousehole, Cornwall | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 0 |
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct | 0 |
| Sat 10 Oct | 0 |
| Sun 11 Oct (forecast) | 0 |
| Mon 12 Oct (forecast) | 0 |
| Tue 13 Oct (forecast) | 0 |
| Wed 14 Oct (forecast) | 0 |
| Thu 15 Oct (forecast) | 0 |
| Fri 16 Oct (forecast) | 0 |
| Sat 17 Oct (forecast) | 0 |
| Sun 18 Oct (forecast) | 0 |
| Mon 19 Oct (forecast) | 0 |
| Tue 20 Oct (forecast) | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 0 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 0 |
| Fri 30 Oct (forecast) | 0 |
| Sat 31 Oct (forecast) | 0 |