This page shows how many people visit the pages of Kano Tan'Yū on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Landscapes of the Four Seasons stands first among the works of Kano Tan'Yū: 200 visits in twelve months, 18% of the total attention. 月夜山水図 Landscape in Moonlight and Shennong (Jiu Nō), Legendary Emperor of China follow. Kano Tan'Yū received 1,900 visits: 800 on the artist page, 1,100 on the canvases. The most visited month was Jul 2026 (1,700 visits). One preference is clear: Vivid (Color Intensity) collects 91% of the visits for only 34% of the catalog.
This ranking counts visits, not catalog scores: the 8 works of Kano Tan'Yū most consulted on WahooArt.com in the last twelve months.
1
Landscapes of the Four Seasons, 1630
200 visits · 18.2%
2
月夜山水図 Landscape in Moonlight, 1662
200 visits · 18.2%
3
Shennong (Jiu Nō), Legendary Emperor of China
200 visits · 18.2%
4
Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen), 1670
100 visits · 9.1%
5
Landscape in Moonlight, 1662
100 visits · 9.1%
6
Portrait of Emperor Shennong, 1665
100 visits · 9.1%
7
Sketch for a Painting of Mi Fu Inscribing a Poem on a Rock, 1666
100 visits · 9.1%
8
Sparrow and Bamboo
100 visits · 9.1%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 100 |
| Jul 2026 | 800 | 900 |
| Aug 2026 | 0 | 0 |
| Sep 2026 | 0 | 100 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 2.0% | 0.0% |
| Soft Shadow | 12.0% | 0.0% |
| Gentle Luminance | 48.0% | 72.7% |
| Bright Balance | 20.0% | 27.3% |
| Luminous | 18.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 28.0% | 9.1% |
| Subtle Color | 24.0% | 0.0% |
| Balanced Soft | 38.0% | 72.7% |
| Clear Color Presence | 10.0% | 18.2% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Earthy | 42.5% | 36.4% |
| Neutrals | 27.7% | 54.5% |
| Monochrome | 23.4% | 0.0% |
| Dark | 6.4% | 9.1% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 16.0% | 9.1% |
| Balanced | 50.0% | 0.0% |
| Vivid | 34.0% | 90.9% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 56.0% | 54.5% |
| Gentle | 6.0% | 9.1% |
| Balanced | 6.0% | 0.0% |
| Bold | 16.0% | 27.3% |
| Statement | 16.0% | 9.1% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 4.0% | 0.0% |
| Softly Mixed Palette | 0.0% | 0.0% |
| Balanced Harmony | 2.0% | 0.0% |
| Strong Color Unity | 8.0% | 9.1% |
| Unified Palette | 86.0% | 90.9% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Connoisseur's Sketchbook by… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Connoisseur's Sketchbook by… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jizō Bosatsu Playing a Flute | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sketch for a Painting of Sc… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Connoisseur's Sketchbook by… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Birds and Flowers | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sakyamuni Emerging from the… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Landscape of the Four Seaso… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Flowering Peonies and Desce… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Sixth Patriarch of Zen… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
| Language | Visits | Share |
|---|---|---|
| English | 100 | 100.0% |
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct | 0 |
| Sat 10 Oct | 0 |
| Sun 11 Oct | 0 |
| Mon 12 Oct | 0 |
| Tue 13 Oct | 0 |
| Wed 14 Oct | 0 |
| Thu 15 Oct | 0 |
| Fri 16 Oct | 0 |
| Sat 17 Oct | 100 |
| Sun 18 Oct | 100 |
| Mon 19 Oct | 0 |
| Tue 20 Oct | 0 |
| Wed 21 Oct | 0 |
| Thu 22 Oct | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 100 |
| Sun 25 Oct (forecast) | 100 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 0 |
| Fri 30 Oct (forecast) | 0 |
| Sat 31 Oct (forecast) | 200 |
| Sun 1 Nov (forecast) | 200 |
| Mon 2 Nov (forecast) | 0 |
| Tue 3 Nov (forecast) | 0 |
| Wed 4 Nov (forecast) | 0 |
| Thu 5 Nov (forecast) | 0 |
| Fri 6 Nov (forecast) | 0 |
| Sat 7 Nov (forecast) | 200 |
| Sun 8 Nov (forecast) | 200 |
| Mon 9 Nov (forecast) | 0 |
| Tue 10 Nov (forecast) | 0 |
| Wed 11 Nov (forecast) | 0 |
| Thu 12 Nov (forecast) | 0 |