This page shows how many people visit the pages of Georgina Moutray Kyle on this website. A visit means one person opened a page. Each chart below has its own short explanation.
The Incoming Tide stands first among the works of Georgina Moutray Kyle: 300 visits in twelve months, 21% of the total attention. Slight Sketch in a Study of Étaples Harbour, France (quick study) and Beauty and the Beasts follow. Georgina Moutray Kyle received 2,300 visits: 900 on the artist page, 1,400 on the canvases. The curve dipped: 100% fewer visits in Sep 2026 than in Aug 2026. The most visited month was Jul 2026 (2,000 visits). One preference is clear: Gentle (Contrast) collects 64% of the visits for only 30% of the catalog.
This ranking counts visits, not catalog scores: the 10 works of Georgina Moutray Kyle most consulted on WahooArt.com in the last twelve months.
1
The Incoming Tide, 1937
300 visits · 21.4%
2
Slight Sketch in a Study of Étaples Harbour, France (quick study)
200 visits · 14.3%
3
Beauty and the Beasts, 1927
100 visits · 7.1%
4
At the Market at Belfast, 1927
100 visits · 7.1%
5
Harbour Scene, Belgium
100 visits · 7.1%
6
The Girls of the Fishery
100 visits · 7.1%
7
The Lifting of the Fog at the Gasworks, Belfast, 1926
100 visits · 7.1%
8
Gleams of Sunshine, Belfast Harbour, 1938
100 visits · 7.1%
9
Girls and Gulls at Ardglass, 1920
100 visits · 7.1%
10
Boats and Buoys after a Storm
100 visits · 7.1%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 600 | 1,400 |
| Aug 2026 | 300 | 0 |
| Sep 2026 | 0 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 0.0% | 0.0% |
| Soft Shadow | 16.7% | 28.6% |
| Gentle Luminance | 40.0% | 57.1% |
| Bright Balance | 43.3% | 14.3% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 43.3% | 64.3% |
| Subtle Color | 33.3% | 21.4% |
| Balanced Soft | 16.7% | 14.3% |
| Clear Color Presence | 6.7% | 0.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Neutrals | 73.9% | 77.8% |
| Earthy | 21.7% | 22.2% |
| Dark | 4.3% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 33.3% | 50.0% |
| Balanced | 53.3% | 50.0% |
| Vivid | 13.3% | 0.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 16.7% | 7.1% |
| Gentle | 30.0% | 64.3% |
| Balanced | 20.0% | 0.0% |
| Bold | 16.7% | 14.3% |
| Statement | 16.7% | 14.3% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 10.0% | 14.3% |
| Softly Mixed Palette | 26.7% | 28.6% |
| Balanced Harmony | 6.7% | 7.1% |
| Strong Color Unity | 36.7% | 35.7% |
| Unified Palette | 20.0% | 14.3% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Boat at Dock, Belgium | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Coming Storm, Volendam,… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| At the Market at Belfast | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| The Herring Boats and Buoys… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Beauty and the Beasts | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Study for 'Girls and Gulls… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Fruit and Vegetable Markets… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Incoming Tide | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 300 | 0 | 0 |
| Street Scene, Belgium | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Le marché dans la rue, Conc… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct | 0 |
| Sat 10 Oct | 0 |
| Sun 11 Oct | 0 |
| Mon 12 Oct | 0 |
| Tue 13 Oct | 0 |
| Wed 14 Oct | 0 |
| Thu 15 Oct | 0 |
| Fri 16 Oct | 0 |
| Sat 17 Oct | 0 |
| Sun 18 Oct (forecast) | 0 |
| Mon 19 Oct (forecast) | 0 |
| Tue 20 Oct (forecast) | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 0 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 0 |
| Fri 30 Oct (forecast) | 0 |
| Sat 31 Oct (forecast) | 0 |
| Sun 1 Nov (forecast) | 0 |
| Mon 2 Nov (forecast) | 0 |
| Tue 3 Nov (forecast) | 0 |
| Wed 4 Nov (forecast) | 0 |
| Thu 5 Nov (forecast) | 0 |
| Fri 6 Nov (forecast) | 0 |
| Sat 7 Nov (forecast) | 0 |