This page shows how many people visit the pages of Edward Halliday on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Over the past twelve months the most-viewed canvas by Edward Halliday on WahooArt.com was St Paul Meeting Lydia of Thyatira: 700 visits, or 35% of the attention paid to the artist's work. It is followed by Conversation Piece Worcester College, Oxford and Athena and Arachne. The artist attracted 1,600 visits in all: 400 to the artist page and 1,200 to the pages of individual canvases. Interest receded by 100% from Sep 2026 to Oct 2026. The peak came in Jul 2026, with 700 visits. Visitors gravitate towards Vivid (Color Intensity): 70% of the visits, though such canvases form 12% of the artist's catalog.
Ranked by actual visits over the last twelve months, these are the 8 works by Edward Halliday that collectors open most often on WahooArt.com.
1
St Paul Meeting Lydia of Thyatira
700 visits · 35.0%
2
Conversation Piece Worcester College, Oxford, 1937
600 visits · 30.0%
3
Athena and Arachne, 1929
200 visits · 10.0%
4
Edward VIII (1894–1972), Arriving at Westminster for the State Opening of Parliament
100 visits · 5.0%
5
The Contest between Athena and Poseidon for the Patronage of Athens
100 visits · 5.0%
6
Christian and Hopeful Arrive before the Celestial City, 1926
100 visits · 5.0%
7
Thomas Benjamin Sands Johnson (1910–1989)
100 visits · 5.0%
8
Hillary of Poitiers, 1931
100 visits · 5.0%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 100 | 0 |
| Jul 2026 | 300 | 400 |
| Aug 2026 | 0 | 100 |
| Sep 2026 | 0 | 700 |
| Oct 2026 | 0 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 34.4% | 5.0% |
| Soft Shadow | 34.4% | 15.0% |
| Gentle Luminance | 28.1% | 80.0% |
| Bright Balance | 3.1% | 0.0% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 53.1% | 25.0% |
| Subtle Color | 28.1% | 5.0% |
| Balanced Soft | 15.6% | 65.0% |
| Clear Color Presence | 3.1% | 5.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Earthy | 79.0% | 50.0% |
| Dark | 10.5% | 50.0% |
| Neutrals | 10.5% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 59.4% | 30.0% |
| Balanced | 28.1% | 0.0% |
| Vivid | 12.5% | 70.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 15.6% | 10.0% |
| Gentle | 28.1% | 40.0% |
| Balanced | 12.5% | 5.0% |
| Bold | 28.1% | 40.0% |
| Statement | 15.6% | 5.0% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 40.6% | 15.0% |
| Softly Mixed Palette | 12.5% | 10.0% |
| Balanced Harmony | 18.8% | 5.0% |
| Strong Color Unity | 28.1% | 70.0% |
| Unified Palette | 0.0% | 0.0% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 | Oct 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Conversation Piece Worceste… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 500 | 0 |
| Hillary of Poitiers | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Evelyn Fitzmaurice (1870–19… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Story of Marsyas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Henry Gow (1861–1938) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Christian and Hopeful Arriv… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 | 0 |
| Athena and Arachne | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dr William Brogden Paterson… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Thomas William Allen (1862–… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Frederick Edge (1863–1937) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Mon 19 Oct | 0 |
| Tue 20 Oct | 0 |
| Wed 21 Oct | 0 |
| Thu 22 Oct | 0 |
| Fri 23 Oct | 200 |
| Sat 24 Oct | 0 |
| Sun 25 Oct | 0 |
| Mon 26 Oct | 0 |
| Tue 27 Oct | 0 |
| Wed 28 Oct | 100 |
| Thu 29 Oct | 0 |
| Fri 30 Oct | 0 |
| Sat 31 Oct | 0 |
| Sun 1 Nov | 0 |
| Mon 2 Nov | 100 |
| Tue 3 Nov | 0 |
| Wed 4 Nov | 0 |
| Thu 5 Nov | 0 |
| Fri 6 Nov | 0 |
| Sat 7 Nov | 0 |
| Sun 8 Nov | 0 |
| Mon 9 Nov (forecast) | 0 |
| Tue 10 Nov (forecast) | 0 |
| Wed 11 Nov (forecast) | 0 |
| Thu 12 Nov (forecast) | 0 |
| Fri 13 Nov (forecast) | 0 |
| Sat 14 Nov (forecast) | 0 |
| Sun 15 Nov (forecast) | 0 |
| Mon 16 Nov (forecast) | 0 |
| Tue 17 Nov (forecast) | 0 |
| Wed 18 Nov (forecast) | 0 |
| Thu 19 Nov (forecast) | 0 |
| Fri 20 Nov (forecast) | 0 |
| Sat 21 Nov (forecast) | 0 |
| Sun 22 Nov (forecast) | 0 |
| Mon 23 Nov (forecast) | 0 |
| Tue 24 Nov (forecast) | 0 |
| Wed 25 Nov (forecast) | 0 |
| Thu 26 Nov (forecast) | 0 |
| Fri 27 Nov (forecast) | 0 |
| Sat 28 Nov (forecast) | 0 |
| Sun 29 Nov (forecast) | 0 |