This page shows how many people visit the pages of Alan Clutton-Brock on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Still Life of Pears and Jugs stands first among the works of Alan Clutton-Brock: 200 visits in twelve months, 14% of the total attention. At the Piano and Still Life with a Laid Table in a Garden (recto) follow. Alan Clutton-Brock received 1,800 visits: 500 on the artist page, 1,300 on the canvases. The most visited month was Jul 2026 (1,600 visits). One preference is clear: Soft Shadow (Luminance) collects 43% of the visits for only 20% of the catalog.
This ranking counts visits, not catalog scores: the 10 works of Alan Clutton-Brock most consulted on WahooArt.com in the last twelve months.
1
Still Life of Pears and Jugs
200 visits · 14.3%
2
At the Piano, 1950
100 visits · 7.1%
3
Still Life with a Laid Table in a Garden (recto)
100 visits · 7.1%
4
Still Life of Apples and Bowl in Two Dishes
100 visits · 7.1%
5
An Interior with Seated Woman and a Dog
100 visits · 7.1%
6
Trees Against a Mauve Sky
100 visits · 7.1%
7
View of a Thatched and Slate Roofed Cottage
100 visits · 7.1%
8
View over a Pond to a Church in Background
100 visits · 7.1%
9
Spire of an Abbey Church (possibly in the Black Forest)
100 visits · 7.1%
10
Still Life of a Statuette, Candlesticks and a Glass of Flowers
100 visits · 7.1%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 100 |
| Jul 2026 | 400 | 1,200 |
| Aug 2026 | 0 | 0 |
| Sep 2026 | 0 | 0 |
| Oct 2026 | 100 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 4.0% | 0.0% |
| Soft Shadow | 20.0% | 42.9% |
| Gentle Luminance | 58.0% | 42.9% |
| Bright Balance | 16.0% | 14.3% |
| Luminous | 2.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 80.0% | 71.4% |
| Subtle Color | 16.0% | 21.4% |
| Balanced Soft | 0.0% | 0.0% |
| Clear Color Presence | 4.0% | 7.1% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Earthy | 50.0% | 40.0% |
| Neutrals | 41.2% | 50.0% |
| Dark | 2.9% | 10.0% |
| Monochrome | 5.9% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 76.0% | 57.1% |
| Balanced | 20.0% | 35.7% |
| Vivid | 4.0% | 7.1% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 52.0% | 42.9% |
| Gentle | 44.0% | 57.1% |
| Balanced | 0.0% | 0.0% |
| Bold | 2.0% | 0.0% |
| Statement | 2.0% | 0.0% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 84.0% | 85.7% |
| Softly Mixed Palette | 0.0% | 0.0% |
| Balanced Harmony | 6.0% | 7.1% |
| Strong Color Unity | 8.0% | 0.0% |
| Unified Palette | 2.0% | 7.1% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 | Oct 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| At the Piano | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 | 0 |
| Study of the Head of a Lady… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Head Study of an Unknown Yo… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Study of a Woman Seated, in… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Study of an Interior with S… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| A Cottage by a Mill Pond | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Study of an Unknown Woman | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 | 0 |
| Portrait of a Man Wearing a… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Village Scene in France | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| A Bridge over a River | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
| Language | Visits | Share |
|---|---|---|
| English | 100 | 100.0% |
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Sun 18 Oct | 0 |
| Mon 19 Oct | 0 |
| Tue 20 Oct | 0 |
| Wed 21 Oct | 0 |
| Thu 22 Oct | 0 |
| Fri 23 Oct | 0 |
| Sat 24 Oct | 100 |
| Sun 25 Oct | 0 |
| Mon 26 Oct | 0 |
| Tue 27 Oct | 0 |
| Wed 28 Oct | 0 |
| Thu 29 Oct | 0 |
| Fri 30 Oct | 0 |
| Sat 31 Oct | 0 |
| Sun 1 Nov | 0 |
| Mon 2 Nov | 0 |
| Tue 3 Nov | 0 |
| Wed 4 Nov | 100 |
| Thu 5 Nov | 0 |
| Fri 6 Nov | 0 |
| Sat 7 Nov | 0 |
| Sun 8 Nov (forecast) | 0 |
| Mon 9 Nov (forecast) | 0 |
| Tue 10 Nov (forecast) | 0 |
| Wed 11 Nov (forecast) | 0 |
| Thu 12 Nov (forecast) | 0 |
| Fri 13 Nov (forecast) | 0 |
| Sat 14 Nov (forecast) | 0 |
| Sun 15 Nov (forecast) | 0 |
| Mon 16 Nov (forecast) | 0 |
| Tue 17 Nov (forecast) | 0 |
| Wed 18 Nov (forecast) | 0 |
| Thu 19 Nov (forecast) | 0 |
| Fri 20 Nov (forecast) | 0 |
| Sat 21 Nov (forecast) | 0 |
| Sun 22 Nov (forecast) | 0 |
| Mon 23 Nov (forecast) | 0 |
| Tue 24 Nov (forecast) | 0 |
| Wed 25 Nov (forecast) | 0 |
| Thu 26 Nov (forecast) | 0 |
| Fri 27 Nov (forecast) | 0 |
| Sat 28 Nov (forecast) | 0 |