This page shows how many people visit the pages of Adam Albrecht on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Over the past twelve months the most-viewed canvas by Adam Albrecht on WahooArt.com was Eugène de Beauharnais and Napoleon in Russia: 200 visits, or 22% of the attention paid to the artist's work. It is followed by Countess Caroline of Waldbott-Bassenheim and Napoleon i. The artist attracted 1,300 visits in all: 400 to the artist page and 900 to the pages of individual canvases. Interest receded by 100% from Aug 2026 to Sep 2026. The peak came in Jul 2026, with 1,100 visits. Visitors gravitate towards Statement (Contrast): 78% of the visits, though such canvases form 43% of the artist's catalog.
Ranked by actual visits over the last twelve months, these are the 8 works by Adam Albrecht that collectors open most often on WahooArt.com.
1
Eugène de Beauharnais and Napoleon in Russia, 1835
200 visits · 22.2%
2
Countess Caroline of Waldbott-Bassenheim
100 visits · 11.1%
3
Napoleon i
100 visits · 11.1%
4
King william i.
100 visits · 11.1%
5
King Vittorio Emanuele Ii Meeting Joseph Radetsky Von Radetz At Vignale, 1766
100 visits · 11.1%
6
Napoleon And His Troops At Beshenkovichi, 24th July
100 visits · 11.1%
7
Napoleon I. Vor Regensburg
100 visits · 11.1%
8
French cuirassiers charge into the Great Redoubt during the Battle of Borodino
100 visits · 11.1%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 200 | 900 |
| Aug 2026 | 200 | 0 |
| Sep 2026 | 0 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 9.5% | 0.0% |
| Soft Shadow | 23.8% | 0.0% |
| Gentle Luminance | 33.3% | 55.6% |
| Bright Balance | 33.3% | 44.4% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 14.3% | 33.3% |
| Subtle Color | 42.9% | 33.3% |
| Balanced Soft | 38.1% | 33.3% |
| Clear Color Presence | 4.8% | 0.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Palette | Artworks of the artist | Visits |
|---|---|---|
| Neutrals | 45.0% | 66.7% |
| Earthy | 50.0% | 33.3% |
| Dark | 5.0% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 19.1% | 33.3% |
| Balanced | 71.4% | 55.6% |
| Vivid | 9.5% | 11.1% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 4.8% | 0.0% |
| Gentle | 14.3% | 0.0% |
| Balanced | 4.8% | 0.0% |
| Bold | 33.3% | 22.2% |
| Statement | 42.9% | 77.8% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 14.3% | 22.2% |
| Softly Mixed Palette | 4.8% | 0.0% |
| Balanced Harmony | 14.3% | 33.3% |
| Strong Color Unity | 42.9% | 22.2% |
| Unified Palette | 23.8% | 22.2% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Horses at the Porch | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| English mare with her foals | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Eugène de Beauharnais and N… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| Countess Caroline of Waldbo… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| The Stable Yard | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Two Noble Horses Are Demons… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Horses by the Porch | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ownerless Horse On The Batt… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lieutenant theodor | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Rest of the peasants at fie… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Fri 18 Sep | 0 |
| Sat 19 Sep | 0 |
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 0 |
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct (forecast) | 0 |
| Sat 10 Oct (forecast) | 0 |
| Sun 11 Oct (forecast) | 0 |
| Mon 12 Oct (forecast) | 0 |
| Tue 13 Oct (forecast) | 0 |
| Wed 14 Oct (forecast) | 0 |
| Thu 15 Oct (forecast) | 0 |
| Fri 16 Oct (forecast) | 0 |
| Sat 17 Oct (forecast) | 0 |
| Sun 18 Oct (forecast) | 0 |
| Mon 19 Oct (forecast) | 0 |
| Tue 20 Oct (forecast) | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 0 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 0 |