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Quick Facts

  • Art period: Contemporary
  • Nationality: Turkey
  • Copyright status: Under copyright
  • Top 3 works:
    • Sculpture for Rainwater Harvest
    • In the rivers north of the future, 2015
  • Top-ranked work: Sculpture for Rainwater Harvest
  • More…
  • Museums on APS:
    • The Moving Museum
    • The Moving Museum
    • The Moving Museum
    • The Moving Museum
    • The Moving Museum
  • Works on APS: 2
  • Born: 1981, Turkey
  • Also known as: iz oztat

Art Quiz

There is only one correct answer for each question.

Question 1:
What is Iz Öztat’s nationality?
Question 2:
Where was Iz Öztat born?
Question 3:
Iz Öztat studied at:
Question 4:
What type of art does Iz Öztat primarily practice?
Question 5:
In which biennale did Iz Öztat participate?

Iz Öztat: Sculpting Silence Through Narrative

Iz Öztat (Istanbul, 1981) is a Turkish artist whose practice centers on exploring the enduring presence of violent narratives within seemingly tranquil landscapes and objects—a paradoxical juxtaposition that defines her artistic vision. Born in Istanbul, Öztat pursued her education at Oberlin College, earning a Master’s degree in Visual Arts & Visual Communication Design. This formative experience instilled in her a meticulous approach to research and experimentation, shaping the core tenets of her creative process. Her work consistently interrogates how history reverberates through contemporary artistic expression. Öztat doesn't merely depict events; she seeks to excavate their emotional residue—the unspoken traumas that linger beneath surfaces of beauty or stillness. This preoccupation stems from a deep fascination with the concept of “conducted in depth and projected at length,” as articulated by curator Anna Jardini, reflecting Öztat’s commitment to confronting uncomfortable truths through layered storytelling techniques. Öztat's artistic explorations extend across diverse mediums—video installation, sculptural interventions, performance art, writing, translation, and hosting—each serving as a conduit for conveying complex ideas about memory, identity, and societal impact. Her installations often utilize reclaimed materials and found objects, transforming discarded items into potent symbols of resilience and transformation. This deliberate choice underscores her belief that artistic creation can offer a pathway to confronting difficult histories and fostering dialogue about marginalized voices. Notable exhibitions showcasing Öztat’s distinctive aesthetic include Tamawuj, Sharjah Biennial 13 (2017); Land without Land, Heidelberger Kunstverein (2016); Saltwater: A Theory of Thought Forms, 14th Istanbul Biennial (2015); Conducted in Depth and Projected at Length, Heidelberger Kunstverein (2014); Rendez-vous 13, Institut d’art Contemporain, Lyon, France (2013); and Here Together Now, Matadero Madrid, Spain (2013). These engagements demonstrate Öztat's ability to engage with critical conversations surrounding art and culture within global contexts. Her residency at Oberlin College during the 2016-2017 academic year solidified her dedication to fostering artistic discourse and nurturing emerging talent. During her time there, she taught three module courses focusing on methodologies for research-based practice, archival theory, and writing as art—activities that further honed her analytical skills and deepened her understanding of the artist’s role in shaping cultural narratives. Furthermore, Öztat created an editioned print for Oberlin's rental collection, cementing her commitment to disseminating artistic ideas beyond institutional walls.
  • Key Influences: The work of Louise Bourgeois and Krzysztof Kieślowski have profoundly impacted Öztat’s artistic sensibilities.
  • Notable Achievements: Her installations have garnered critical acclaim for their conceptual rigor and evocative visual language.
Source Material:
  • Allen Memorial Art Museum
  • MutualArt Artist Profile