Still Life with Green Bowl (1935) is the most famous painting by Hermann Euler, held by the Bavarian State Painting Collections in Munich. From the 2 works of Hermann Euler in our catalogue, here are the 2 that collectors and museum visitors look at most, with the year, the museum and the story of each.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Hermann Euler | Paintings from this list |
|---|---|---|---|
 Bavarian State Painting Collections |
Munich | 2 | Still Life with Green Bowl, Strauss |
1935 is the year of every dated Hermann Euler masterpiece on this page: here they are, in order of fame.
Still Life with Green Bowl (1935).
35 years old: Still Life with Green Bowl dates from 1935 and Hermann Euler was born in 1900.
Our catalogue lists 2 works by Hermann Euler.
Most of them are in Bavarian State Painting Collections (Munich). The table above lists the museums one by one.
In 1935: 2 of the 2 works on this page date from then, among them Still Life with Green Bowl.
Still Life with Green Bowl and Strauss are among the 2 works on this page held by the Bavarian State Painting Collections, Munich.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.