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The Haunting Gaze of Witness: William D. Mcpherson and M. Oliver In the tumultuous landscape of Civil War-era America, where the nation wrestled with its moral core, emerged a partnership of photographers—William D. McPherson and M. Oliver—whose work transcended mere documentation to become searing indictments …
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
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