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Marcellus Laroon II: A London Drapery and Cry of the City Marcellus Laroon, a name perhaps less familiar than those of his contemporaries Rembrandt or Van Dyck, nevertheless holds a significant place in 17th-century English art. Born in The Hague around 1653, he arrived in …
Every 2 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
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