The Materiality of Form Born in Castelgomberto in 1932, Giuseppe Castagna developed a practice defined by the physical limits of his medium. His early years were shaped by the traditions of restoration, working as an apprentice on frescoes and stained glass. This foundational contact with …
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.