The Cinematic Roots of Form In the vibrant, experimental atmosphere of Vancouver during the late 1970s, Barbara Steinman began her artistic odyssey not with the weight of stone or metal, but through the flickering, temporal lens of film. As a young filmmaker, she developed a …
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
