The painting that made August Splitgerber famous is Sunshine in the Forest (1890); it hangs in the Bavarian State Painting Collections, Munich. Starnberg (1900) and Jurassical Landscape (1900) follow it in the hearts of collectors and museum visitors. Of the 6 works by August Splitgerber in our catalogue, these 6 are the most admired, each presented with its date, its museum and what sets it apart.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by August Splitgerber | Paintings from this list |
|---|---|---|---|
 Bavarian State Painting Collections |
Munich | 4 | Sunshine in the Forest, Starnberg, Jurassical Landscape |
A decade of painting, 1890 to 1900, was all August Splitgerber needed: here are its masterpieces, year by year.
Sunshine in the Forest (1890), Bavarian State Painting Collections, Munich. Next come Starnberg (1900) and Jurassical Landscape (1900).
46 years old: Sunshine in the Forest dates from 1890 and August Splitgerber was born in 1844.
Our catalogue lists 6 works by August Splitgerber, dated from 1890 to 1900.
Most of them are in Bavarian State Painting Collections (Munich). The table above lists the museums one by one.
In 1900: 2 of the 6 works on this page date from then, among them Starnberg.
The earliest on this page is Sunshine in the Forest (1890), the latest Starnberg (1900).
Sunshine in the Forest, Starnberg and Jurassical Landscape are among the 4 works on this page held by the Bavarian State Painting Collections, Munich.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
In the golden era of maritime painting, few names evoke the salt-sprayed romance of the high seas as vividly as August Splitgerber. Born in 1844, this master of the brush possessed a rare ability to capture not just the physical presence of vessels, but the very soul of the ocean itself. His life’s work serves as a window into a bygone era of sail and wind, where the relationship between man and the untamed elements was one of profound respect and constant peril. Through his eyes, we do not merely observe ships; we feel the rhythmic heave of the swells and hear the creaking of timber under the weight of a gale.
< nocode >Splitgerber’s technical prowess lay in his meticulous attention to the nuances of maritime atmosphere. He was a painter who understood that light is the true protagonist in any seascape. Whether it was the soft, diffused glow of a misty morning breaking over a calm harbor or the dramatic, chiaroscuro intensity of a storm approaching from the horizon, his work utilized light to create depth and emotional resonance. His brushwork, while precise enough to render the intricate rigging and weathered hulls of merchant vessels with startling accuracy, never lost the fluid, painterly quality that allowed the sea to appear in constant motion.
The artist’s development was marked by an increasing sophistication in his handling of texture and color. He mastered the subtle gradations of blue, grey, and emerald that define the shifting moods of the water. By layering pigments, he could simulate the translucency of a breaking wave or the heavy, opaque density of a fog-laden sky. This dedication to realism was not merely about documentation; it was an attempt to translate the sensory experience of seafaring into a visual language that could stir the imagination of those who had never stepped foot on a deck.
The historical significance of August Splitgerber resides in his role as a chronicler of maritime tradition. During a period when the industrial revolution was beginning to transform global shipping, his paintings preserved the romantic grandeur of the age of sail. His works stand as a testament to the bravery of sailors and the enduring majesty of the ocean's vastness. Today, his pieces are cherished not only for their aesthetic beauty but as vital historical records of naval architecture and maritime culture.
To study Splitgerber is to embark on a voyage through time. His achievements continue to inspire collectors and art enthusiasts who seek to reconnect with the elemental power of nature. Through his enduring legacy, the spirit of the great explorers and the quiet dignity of the merchant fleets remain eternally preserved in oil and canvas.