The light of Rosenheim and Berlin Anton Kerschbaumer began his training at the School of Applied Arts in Munich, studying under Maximilian Dasio and Julius Exter between 1901 and 1908. His early years were shaped by the technical discipline of drawing, a skill that led him to pass exams as a teacher. By 1908, he had moved to Berlin, where his path crossed with Lovis Corinth. This period in the city brought him into contact with new ways of seeing. He looked closely at the works of Paul Cézanne, Vincent van Gogh, and Henri Matisse. While these Post-Impressionist painters left their mark on hi…
A chart of Anton Kerschbaumer's corpus mapped not by date but by subject. Spokes are what they painted; rings are when; and the threads between stars reveal the patrons and places that secretly connect them.
Each arm of the atlas gathers works by what they depict: portraits, sacred scenes, mythologies, and the scientific studies. Click a spoke to swing that cluster to the top.
Distance from the center marks time. The innermost ring is the earliest period; the outermost, the final years. Style matures as you move outward.
Coloured lines link works bound by the same patron, commission, or theme. Trace a context to watch related clusters light up across subjects.