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Self-portrait
Hand-painted oil reproduction from $181 28 × 35 cm
Same size as the original $373 77 × 95 cm Order at original size →
Adèle Ferrand's most famous painting is Self-portrait (1840), in the Musée Léon-Dierx, Saint-Denis. With Portrait of Denis François Le Coat de Kerveguen (1846) and Self-portrait (1840), it completes the three works everyone recognises. Our catalogue lists 3 works by Adèle Ferrand; the 3 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Adèle Ferrand | Paintings from this list |
|---|---|---|---|
 Musée Léon-Dierx |
Saint-Denis | 3 | Self-portrait, Portrait of Denis François Le Coat de Kerveguen, Self-portrait |
Adèle Ferrand worked for only 7 years, from 1840 to 1846. Here is that short career year by year, through its most famous paintings.
Self-portrait (1840), Musée Léon-Dierx, Saint-Denis. Next come Portrait of Denis François Le Coat de Kerveguen (1846) and Self-portrait (1840).
23 years old: Self-portrait dates from 1840 and Adèle Ferrand was born in 1817.
Our catalogue lists 3 works by Adèle Ferrand, dated from 1840 to 1846.
Most of them are in Musée Léon-Dierx (Saint-Denis). The table above lists the museums one by one.
In 1840: 2 of the 3 works on this page date from then, among them Self-portrait.
The earliest on this page is Self-portrait (1840), the latest Portrait of Denis François Le Coat de Kerveguen (1846).
Self-portrait, Portrait of Denis François Le Coat de Kerveguen and Self-portrait are among the 3 works on this page held by the Musée Léon-Dierx, Saint-Denis.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
To look at the surviving works of Adèle Ferrand is to witness a career truncated by tragedy before it could reach its full maturity. Born in Nancy, she emerged as a practitioner of the Romantic school, demonstrating a technical command that earned her regular placement in the Paris Salon starting in 1837. Her presence in the French art scene was not accidental; it was built on rigorous training under figures such as Le Poittevin and the Belgian historical painter Louis Gallait. She possessed the ability to handle both genre scenes and portraits with a directness that avoided unnecessary flourish.
Her trajectory shifted in 1846 when she married Denis François Le Coat de Kerveguen. This union moved her from the artistic circles of Paris to the island of Bourbon, now known as La Réunion. The move was not merely a change in geography but a shift in subject matter. In this distant territory of the Indian Ocean, her work began to absorb local elements. Her sketches and drawings from this period reflect a specific environment, incorporating:
Ferrand’s output was concentrated into a mere twelve years of active production. While her time in Paris allowed her to master the formal requirements of the Salon, her final two years on Réunion island provided a different kind of visual data. She produced studies of her young son, Herve, and portraits commissioned by her husband's family. These works show a painter capable of adapting the Romantic style to new, colonial landscapes.
The end of her life was as abrupt as her career. At only 30 years old, she died in Saint-Pierre from typhoid fever in 1848. Because her life ended so early, much of her legacy remains tied to specific collections, notably the Musée Léon-Dierx. Her son, Herve Le Coat de Kervéguen, later bequeathed a significant portion of her estate to the museum, including 24 framed paintings and drawings alongside hundreds of other sketches. This collection allows for a clear view of her development from a student in France to an artist documenting the life of a colonial outpost.