1926

Ploughing (Will Evans, 1926)

Ploughing is a work by Will Evans (1888–1957). It dates from 1926. It measures 102 × 128 cm.

  • 1926
  • 102 × 128 cm
Ploughing by Will Evans, 1926
Ploughing by Will Evans, 1926.

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Ploughing: the essentials

Title
Ploughing
Artist
Will Evans (1888–1957)
Date
1926
Dimensions
102 × 128 cm

Ploughing in high resolution

Ploughing by Will Evans, 1926
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Will Evans, Ploughing (1926).

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Questions collectors ask about Ploughing

In what year was "Ploughing" by Will Evans created?

"Ploughing" dates from 1926. The date places the work within Will Evans's career and its era.

How big is the original "Ploughing"?

The original "Ploughing" by Will Evans measures 102 x 128 cm.

Can the image of "Ploughing" by Will Evans be freely reproduced?

"Ploughing" by Will Evans is still protected by copyright. This status governs how the image of the work may be reproduced.

Which artist is "Ploughing" attributed to?

The artist behind "Ploughing" is Will Evans. The work is catalogued under Will Evans's name.

How old was Will Evans when creating "Ploughing" in 1926?

Will Evans was 38 years old when creating "Ploughing" in 1926. The age is computed from the artist's birth year, 1888.

Is "Ploughing" by Will Evans in the public domain, and why?

"Ploughing" by Will Evans is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 1957.

The artist: Will Evans

1888–1957

Will Evans

The Luminous Legacy of Will Evans In the vast tapestry of twentieth-century landscape art, few threads possess the quiet, evocative strength found in the works of Will Evans (1888–1957). A painter whose vision was deeply rooted in the rugged textures of the British landscape, Evans possessed a rare ability to translate the ephemeral qualities of light and atmosphere into enduring visual poetry. While his name may not carry the global fanfare of the high Impressionists, his contribution to the depiction of the natural world remains a profound testament to the beauty of the local and the sublime. His life’s work serves as a bridge between traditional topographical accuracy and a more modern, emotive interpretation of the environment.

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