period

movement

1. Non-Objective Composition (Suprematism) — Olga Rozanova, 1916
2. Suprematist Composition — Kazimir Malevich, 1916
3. Flight of an Aeroplane — Olga Rozanova, 1916
4. suprematism state russian museum, st. petersb — Kazimir Malevich, 1915
5. Color construction — Aleksandra Ekster, 1912
6. suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917
7. Suprematism (17) — Kazimir Malevich, 1916
8. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevich

vibe

topics

1. Suprematism — Kazimir Malevich, 1916
2. Suprematism (17) — Kazimir Malevich, 1916
3. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevich
4. Color construction — Aleksandra Ekster, 1912
5. Suprematism — Kazimir Malevich, 1920
6. On White II — Wassily Wassilyevich Kandinsky, 1923

keywords

1. Non-Objective Composition (Suprematism) — Olga Rozanova, 1916
2. Suprematism — Kazimir Malevich, 1920
3. suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917
4. Magnetic Suprematism — Kazimir Malevich, 1917
5. Suprematist Composition — Kazimir Malevich, 1916
6. suprematism state russian museum, st. petersb — Kazimir Malevich, 1915
7. Suprematism (17) — Kazimir Malevich, 1916
8. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevich

tone

main color

1. Suprematism Painterly Realism of a Football Player. Color Masses in the fourth Dimension — Kazimir Malevich
2. Suprematism — Kazimir Malevich, 1916
3. Suprematist Composition — Kazimir Malevich, 1916
4. Suprematism (Supremus No.58) State Russian Mu — Kazimir Malevich, 1916
5. Suprematic Painting — Kazimir Malevich, 1918
6. On White II — Wassily Wassilyevich Kandinsky, 1923
7. Suprematism (17) — Kazimir Malevich, 1916
8. suprematism fine arts museum, krasnodar — Kazimir Malevich, 1917
9. Magnetic Suprematism — Kazimir Malevich, 1917
10. Suprematism (11) — Kazimir Malevich, 1915
11. The terrace — Fernand Léger
12. Non-Objective Composition (Suprematism) — Olga Rozanova, 1916

other

1. Composition — Fernand Léger, 1919
2. Non-objective Composition — Olga Rozanova, 1917
3. The City — Fernand Léger, 1919
4. Suprematism — Kazimir Malevich, 1928
5. Factories — Fernand Léger, 1918
6. The disks in the city — Fernand Léger
7. Machine elements — Fernand Léger, 1919
8. Painting — Arshile Gorky, 1937