1911
In the Park is a work by Anton Jasusch (1882–1965). It dates from 1911. It is kept at Vychodoslovenské Galéria in Košice, Slovak Republic. It measures 128 × 92 cm.
Košice, Slovak Republic
A Window into Eastern Slovakia’s Artistic Soul Nestled in the vibrant heart of Košice, the Východoslovenské Galéria (East Slovak Museum) stands as a profound testament to the enduring artistic legacy of the region. Since its inception in 1872, this institution has evolved from a modest local history archive into a multidisciplinary sanctuary for culture, acting as a gateway through which one can understand the very spirit of Eastern Slovakia. To wander through its halls is to embark on a journey across centuries, where the whispers of medieval craftsmanship meet the bold, experimental strokes of contemporary visionaries.
Anton Jasusch, In the Park (1911), Vychodoslovenské Galéria.
"In the Park" by Anton Jasusch can be viewed as a slideshow on the artwork's Diaporama page.
In terms of perceived brightness, "In the Park" by Anton Jasusch is deep_shadow.
The author of "In the Park" is Anton Jasusch, and the work is dated 1911.
A preview of "In the Park" by Anton Jasusch is available on the artwork's Preview page.
"In the Park" by Anton Jasusch was created in 1911.
"In the Park" by Anton Jasusch is on display at the Vychodoslovenské Galéria, Košice, Slovak Republic. The museum listing refers to the original work, not to reproductions.
The copyright status of "In the Park" - still protected by copyright - follows from the artist's death in 1965.
"In the Park" was created by Anton Jasusch. The information on this page describes Anton Jasusch's original work.
"In the Park" by Anton Jasusch is still protected by copyright. This status governs how the image of the work may be reproduced.
1882–1965, Slovakia
A Slovak Visionary: The Life and Art of Anton Jaszusch Anton Jaszusch, a name resonating within the annals of Slovak modern art, was born in Košice in 1882 and remained deeply connected to his homeland throughout his life, passing away in the same city in 1965. His journey as an artist spanned over half a century, marked by a restless exploration of form, color, and the human condition. Jaszusch wasn’t merely a painter; he was a chronicler of existential questions, a visionary who translated his inner world onto canvas with a unique and compelling voice. He received his formal artistic training in Budapest, Munich, and Paris – centers of burgeoning modernism that undoubtedly shaped his early aesthetic sensibilities.
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