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          • Richard Read Sr.
          • Most Popular Paintings
          the collector's folio

          Richard Read Sr. Most Popular Paintings

          The 2 artworks by Richard Read Sr. our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

          Edition 2026 · 2 artworks Each artwork painted to order
          Linen canvas · Certificate of authenticity · Delivered worldwide Richard Read Sr. · 1765 – 1829

          Portrait of Elizabeth Isabella Broughton, about seven years old, 1814

          View the most popular artwork of Richard Read Sr. ranked #1: Portrait of Elizabeth Isabella Broughton, about seven years old, 1814
          1814 · National Library of Australia, Canberra
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Popularity
          No. 1 of 2 artworks by Richard Read Sr.
          Delivery
          Worldwide, about 5 weeks
          from$18129 × 34 cm Commission this artwork

          Continuation of view from Bunkers Hill (Sydney Cove/The Rocks) including Dawes Point Battery, Fort Lachlan & South Head (aka Macquarie) Lighthouse

          View the most popular artwork of Richard Read Sr. ranked #2: Continuation of view from Bunkers Hill (Sydney Cove/The Rocks) including Dawes Point Battery, Fort Lachlan & South Head (aka Macquarie) Lighthouse
          1820 · original 35 x 68 cm
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Popularity
          No. 2 of 2 artworks by Richard Read Sr.
          Delivery
          Worldwide, about 5 weeks
          from$18140 × 25 cm Commission this artwork
          Same size as the original$22368 × 35 cm Commission at original size
          The artist

          Richard Read Sr.

          1765 – 1829

          Portrait of Richard Read Sr.
          Quick facts
          • Art periodEarly Modern
          • Top 3 worksPortrait of Elizabeth Isabella Broughton, about seven years old, 1814, Continuation of view from Bunkers Hill (Sydney Cove/The Rocks) including Dawes Point Battery, Fort Lachlan & South Head (aka Macquarie) Lighthouse
          • Works on APS2
          • Museums on APSNational Library of Australia
          • Top-ranked workPortrait of Elizabeth Isabella Broughton, about seven years old, 1814
          • NationalityUnited Kingdom
          Biography

          A Convict's Brushstrokes: The Resilience of Richard Read Senior

          The history of Australian art is often written in the shadows of colonial struggle, and few figures embody this duality as poignantly as Richard Read Senior. Born in London around 1765, Read’s early life remains partially veiled by the mists of time, yet his presence in the annals of art is undeniable. Before his life was irrevocably altered by the hand of the law, he was a man of recognized skill in London, appearing in business directories as an animal painter. However, the trajectory of his destiny took a dramatic turn in July 1812, when he was sentenced to fourteen years of transportation for the possession of forged banknotes. Arriving in the penal colony of New South Wales aboard the Earl Spencer in 1813, Read brought with him not just the heavy burden of a convict, but a refined artistic sensibility that would eventually help capture the burgeoning soul of a new continent.

          Upon his arrival, Read demonstrated an extraordinary ability to navigate the harsh realities of colonial life through his creative talent. Within mere weeks of landing, he had secured a ticket of leave, and by 1814, he had established a drawing school at 37 Pitt Street in Sydney. This period of his life was marked by a remarkable entrepreneurial spirit; he did not merely paint, but also sold embroideries and drawings, carving out a niche for himself in a landscape that was still largely untamed. While he famously claimed to have been tutored by the legendary Sir Joshua Reynolds, much of this remains unverified, yet the sophistication of his work suggests a foundation of classical training that set him apart from the rougher edges of colonial life.

          Mastery of Light and the Australian Landscape

          Read Senior’s artistic legacy is most profoundly felt in his command of watercolor, a medium that allowed him to translate the ethereal atmosphere of the Australian bush into something tangible and emotive. Eschewing the heavy, dramatic shadows of traditional chiaroscuro, he embraced subtle tonal gradations and delicate washes. His technique was perfectly attuned to the unique light of the Southern Hemisphere, capturing the way moisture and heat interact with the rugged terrain. This approach aligned him with the sensibilities of the Romantic movement, where the goal was not merely topographical accuracy, but the evocation of a sublime emotional response from the viewer.

          His most celebrated achievement remains the breathtaking panoramic work, “Continuation of View from Bunkers Hill (Sydney Cove/The Rocks) including Dawes Point Battery, Fort Lachlan & South Head (aka Macquarie) Lighthouse.” In this masterpiece, one can witness his ability to distill the vastness of Sydney Harbour into a single, cohesive frame. The painting serves as a historical window, showcasing the iconic Macquarie Lighthouse and the architectural strength of the batteries. Through his brush, the scene is imbued with a sense of profound tranquility, yet it remains charged with the geological power of the landscape, reflecting a deep, personal connection to the wilderness that he had been forced to inhabit.

          Legacy and Historical Significance

          The life of Richard Read Senior is a testament to the transformative power of art. Beyond his landscapes, his career was bolstered by the patronage of Governor Lachlan Macquarie, one of the most influential figures in early New South Wales. This connection allowed Read to produce significant portraiture, including works of the Governor himself, which helped cement his status within the colonial social fabric. His ability to transition from a convict transported for forgery to a respected educator and painter remains one of the most compelling narratives in Australian art history.

          Though his relationship with his son—a fellow painter who arrived as a free settler—was marked by estrangement, the elder Read’s impact on the visual record of Australia is permanent. His works serve as vital historical documents, capturing a moment in time when the landscape was being first interpreted through a European lens, yet infused with the unique spirit of the Australian continent. Today, his paintings are cherished not only for their technical merit but as symbols of resilience, reminding us that even from the depths of exile, a profound and lasting beauty can be cultivated.

          Questions & Answers

          Where are Richard Read Sr.'s artworks grouped by art movement?

          Richard Read Sr.'s works can be browsed by movement on the artist's All Movements page.

          In which historical period did Richard Read Sr. work?

          Richard Read Sr. worked in the Early-Modern period. The period situates the artist's activity in history.

          What are the birth city and country of Richard Read Sr.?

          Richard Read Sr. was born in London, in United Kingdom.

          By the WahooArt.com Editorial Team Updated Oct. 10, 2026
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