the collector's folio

Paul Signac Most Popular Paintings

The 25 artworks by Paul Signac our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Paul Signac · 1863 – 1935

The Pine Tree at St. Tropez

1909 · Pushkin State Museum, Moscow · original 92 x 72 cm

Discover Paul Signac’s "The Pine Tree at St. Tropez," a vibrant Neo-Impressionist masterpiece! Explore Pointillism, Mediterranean beauty & timeless appeal. Perfect for art lovers & collectors.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Same size as the original$35292 × 72 cm Commission at original size

Breakfast (The Dining Room)

1887 · Kröller-Müller Museum, Otterlo · original 89 x 115 cm

Discover Paul Signac’s ‘Breakfast (The Dining Room)’ – a vibrant Neo-Impressionist masterpiece! Explore Pointillism, Belle Époque charm & timeless beauty. Perfect for art collectors.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$23136 × 27 cm Commission this artwork

Same size as the original$511115 × 89 cm Commission at original size

Boulevard de Clichy 1886

1886 · original 18 x 25 cm

Experience Paul Signac’s "Boulevard de Clichy 1886" – a serene Pointillist winter scene in Paris. Admire its cool palette & timeless beauty. High-quality reproductions available.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$28137 × 27 cm Commission this artwork

Two Cypresses, Mistral, Opus 241

1893 · Kröller-Müller Museum, Otterlo

Experience Paul Signac’s vibrant ‘Two Cypresses, Mistral,’ a cornerstone of Neo-Impressionism featuring Pointillist technique and powerful cypress trees against the Provence wind – discover this iconic artwork.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18128 × 35 cm Commission this artwork

The dining room, Opus 152

1887 · Kröller-Müller Museum, Otterlo · original 16 x 89 cm

Paul Signac's "The Dining Room" (1887) is a pivotal Pointillist masterpiece. Explore its vibrant color contrasts, symbolic figures, and the artist’s critique of bourgeois society through this iconic work.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Same size as the original$19489 × 16 cm Commission at original size

Capo de Noli

1898 · Wallraf-Richartz-Museum, Cologne

Paul Signac’s ‘Capo di Noli,’ a stunning Neo-Impressionist masterpiece from 1898, captures coastal serenity through its revolutionary Pointillism technique. Explore the luminous beauty of this iconic artwork and bring it into your collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18128 × 35 cm Commission this artwork

Notre-Dame-de-la-Garde (La Bonne-Mere), Marseilles

1906 · Metropolitan Museum of Art, new york

Paul Victor Jules Signac (1863-1935) was a pivotal figure in modern art, deeply involved in the development of Neo-Impressionism. He collaborated with Georges Seurat to pioneer Pointillism, a technique based on applying tiny dots of pure color to create optical mixing and evoke the effects of light and atmosphere.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Riverbank, Les Andelys

1886 · Musée d'Orsay, Paris

Experience Paul Signac’s ‘Riverbank, Les Andelys,’ a stunning Post-Impressionist landscape brimming with vibrant color and Pointillism. This iconic 1886 artwork captures a serene river scene, perfect for art lovers seeking a timeless masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Portrait of Felix Feneon, Opus 217

1890 · MOMA - Museum of Modern Art, New York City

Paul Signac’s vibrant Portrait of Felix Feneon embodies Neo-Impressionism's revolutionary approach to color and light, capturing a sophisticated gentleman amidst a meticulously detailed scene with symbolic birds and a classic timepiece. Explore this masterpiece and bring Signac’s harmonious vision home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

The Papal Palace, Avignon, 1909

1900 · Musée d'Orsay, Paris · original 74 x 93 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Same size as the original$36093 × 74 cm Commission at original size

The Demolisher

1899 · Musée d'Orsay, Paris

Paul Signac's "The Demolisher" is a vibrant Pointillist masterpiece depicting urban transformation. Explore the artist’s systematic color application and its reflection of late 19th-century France. A captivating study in labor, time, and modern art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18124 × 42 cm Commission this artwork

Woman with Parasol, Opus 243 (also known as Portrait of Berthe Signac)

1893 · Musée d'Orsay, Paris

Inspired by Claude Monet and Georges Seurat, Signac pioneered Pointillism – a technique utilizing tiny dots of pure color to achieve optical blending.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18128 × 35 cm Commission this artwork

Evening, Avignon (Château des Papes)

1909 · Musée d'Orsay, Paris

Experience Paul Signac’s ‘Evening, Avignon’ – a stunning Post-Impressionist oil painting capturing the city's sunset charm with vibrant color and meticulous detail. Discover this iconic work and its scientific approach to art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

The Bonaventure Pine

1893 · original 81 x 65 cm

Paul Signac’s ‘The Bonaventure Pine,’ a vibrant Neo-Impressionist masterpiece from 1893, captures the iconic cypress tree with dazzling pointillist brushstrokes and stunning natural detail, inviting you to own this timeless work.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Same size as the original$31181 × 65 cm Commission at original size

The Town Beach, Collioure, Opus 165

1887 · Metropolitan Museum of Art, new york

Experience Signac's 'The Town Beach, Collioure,' a vibrant Neo-Impressionist masterpiece from 1887! Explore Pointillism & coastal beauty – now available as a hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Blessing of the Tuna Fleet at Groix

1923 · Minneapolis Institute of Art, Minneapolis

Paul Signac’s luminous Neo-Impressionist masterpiece captures the vibrant Breton harbor at Groix, utilizing Pointillisme—a revolutionary technique blending pure color dots to evoke breathtaking light and atmosphere. Explore this iconic artwork and bring its serene beauty into your home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 29 cm Commission this artwork

The Gas Tanks at Clichy

1886 · National Gallery of Victoria, Melbourne

Experience Paul Signac's 'The Gas Tanks at Clichy'! This Post-Impressionist masterpiece, featuring pointillism and serene village scenes, is now available as a stunning hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Sardine Fishing, Concarneau, Opus 221 (Adagio)

1891 · MOMA - Museum of Modern Art, New York City

Paul Signac's "Sardine Fishing" captures a serene Breton sunset with Pointillism’s vibrant dots. Witness the beauty of Concarneau’s harbor in this iconic 1891 masterpiece – available as a stunning hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Plane Trees, Place des Lices, Saint-Tropez, Opus 242

1893

Experience the tranquility of Saint-Tropez with Paul Signac's 'Plane Trees, Place des Lices.' This Post-Impressionist masterpiece captures serene beauty through vibrant brushstrokes and light.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Sunset, Herblay, Opus 206

1889 · Glasgow Art Gallery and Museum, Glasgow

Paul Signac’s ‘Sunset, Herblay,’ Opus 206 (1889) exemplifies Neo-Impressionist technique with meticulous dots of color blending optically to create luminous hues. Executed in Arles, Italy, and Genoa, this painting showcases Signac's mastery of light and color theory.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18140 × 25 cm Commission this artwork

Port of Saint-Cast

1890 · Museum of Fine Arts, Boston · original 82 x 66 cm

Discover Paul Signac’s ‘Port of Saint-Cast,’ a vibrant Neo-Impressionist masterpiece! Explore Pointillism's beauty & technique in this Brittany coastal scene. #art #signac #neoimpressionism

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Same size as the original$31682 × 66 cm Commission at original size

Le Pont des Arts

Museum Folkwang, Essen

Discover Paul Signac’s "Le Pont des Arts," a stunning Pointillist cityscape of Paris. Explore vibrant colors & architectural detail in this iconic 1912 masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

Houses in the Port, Saint-Tropez, Opus 237

1892 · original 47 x 55 cm

Experience the tranquil beauty of Saint-Tropez through Paul Signac’s luminous Neo-Impressionist masterpiece—a vibrant harbor scene rendered in dazzling dots of color and capturing the harmonious vision of Impressionism's groundbreaking artist.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18134 × 29 cm Commission this artwork

Same size as the original$23055 × 47 cm Commission at original size

The River Bank, Petit-Andely (also known as Riverbank, Les Andelys) - Paul Signac

2026

Discover Paul Signac’s Neo‑Impressionist masterpiece, The River Bank, Petit‑Andely – a vibrant acrylic landscape of rural serenity. Own this timeless art today.

View the artwork

Saint-Tropez

1901 · National Museum of Western Art, Tokyo

Experience Paul Signac's iconic 'Saint-Tropez' (1901), a vibrant Post-Impressionist masterpiece capturing the bustling harbor of France. Hand-painted reproductions available now.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 405 artworks by Paul Signac
Delivery: Worldwide, about 5 weeks

from$18135 × 28 cm Commission this artwork

The artist

Paul Signac

1863 – 1935

Quick facts

Gift suitabilityanniversary
Best occasionsaccent
Emotional tonetranquil
Lifespan72 years
Born1863, Paris, France
Art period19th Century
Museums on APSMusée d'Orsay, National Gallery of Victoria, Art Institute of Chicago, Minneapolis Institute of Art, Toledo Museum of Art
Vibeserene

Biography

The Life and Identity of Paul Signac

Born in Paris on 11 November 1863, Paul Signac entered a world that was beginning to shift under the weight of new visual ideas. He was the son of Jules Jean-Baptiste Signac and Héloïse Anaïs-Eugénie Deudon, a family that provided the foundation for a life dedicated to the pursuit of light. While his parents once envisioned a different path for him, the pull of the canvas proved stronger than any other calling. He would eventually become a central figure in the Neo-Impressionist movement, a man whose very identity was tied to the way color and light interacted upon a surface.

His existence was marked by a deep connection to the sea and the shifting colors of the coast. He was a sailor at heart, a man who found his true rhythm amidst the waves and the sun-drenched harbors of the Mediterranean. This love for the water was not merely a hobby but a way of seeing the world, one that he translated into his paintings through a disciplined, almost scientific application of pigment. He sought to find order within the chaos of light, using his brushes to reconstruct the world through a meticulous, rhythmic method.

By the time he passed away in 1935 at the age of 72, he had left behind a body of work that challenged the traditional boundaries of how we perceive color. His life was a long, steady pursuit of a specific kind of harmony, one that sought to marry the precision of science with the deep feelings of the artist. He lived through a period of immense change, remaining a steadfast advocate for his chosen methods until his final days in Paris.

Early Life, Family and Training

Born in Paris, the young Signac grew up in a household shaped by the commerce of the city. His father managed a shop on the Rue Frochot, where he sold luxury horse saddles and harnesses to a discerning clientele. This environment of craftsmanship and material detail provided a backdrop to a childhood that would soon shift toward the artistic heart of the capital. As his family moved into the Montmartre area, the boy found himself immersed in an urban center teeming with creative energy and the evolving spirit of the age.

His early education was marked by a structured interest in form and construction. He spent his time studying architecture at the Collège Rollin in Montmartre until 1880. This training in the logic of space and structure would linger in his mind long after he turned his attention toward the canvas. By 1882, his path led him to the École des Arts-Décoratifs in Paris, where he sought to refine his technical abilities. It was during these formative years that the pull of the Seine and the light of the outdoors began to compete with the rigid lines of his architectural studies.

The Development of Neo-Impressionism

The seeds of Signac's transformation were sown during a visit to an exhibition in 1880, where the works of Claude Monet left a lasting impression upon him. This encounter stirred a curiosity that would eventually lead him away from the fleeting impressions of his youth toward a more structured way of seeing. By 1884, his path crossed with Georges Seurat, a meeting that would alter the course of his life and the history of painting. Together, they sought to move beyond the spontaneous brushwork of their predecessors, looking instead toward a method that combined art with the logic of light.

This partnership focused on the development of Pointillism, a technique where tiny, distinct dots of pure color were applied to the canvas. They believed that by placing these dots side by side, the eye of the viewer would perform the work of mixing them, creating a luminosity that traditional blending could not achieve. While Seurat provided much of the initial theoretical weight, Signac became the movement's most vital voice. Following the death of his collaborator in 1891, Signac emerged as the principal spokesman for Divisionism, ensuring that their scientific approach to color and light would endure and influence the generations that followed.

Technique and the Science of Color

Signac sought to bring a sense of order to the canvas, treating the act of painting as a rigorous investigation into how the human eye perceives light. He moved away from the traditional method of mixing pigments on a palette, which he believed could dull the true intensity of color. Instead, he adopted a technique known as Pointillism, or Divisionism, where he applied tiny, distinct dots of pure color directly onto the surface. By placing complementary colors side by side, he relied on the viewer's own eye to perform the optical blending, creating a shimmering effect that felt more alive than a pre-mixed hue. This was a disciplined, almost mathematical approach to the canvas.

His commitment to these principles was not merely a matter of habit but a deeply held intellectual conviction. He spent years studying the scientific laws of light and color, seeking to ground his art in the truths of physics. In 1899, he articulated these complex theories in his writing, From Eugène Delacroix to Neo-Impressionism. Through his work, he demonstrated that the artist could achieve a new kind of luminosity by respecting the purity of each pigment. As his career progressed, his application of these dots became more fluid and expressive, yet he never abandoned the fundamental science that governed his vision.

Artistic Activity in Paris and Asnières

The streets of Paris in the mid-1880s offered a restless energy that pulled Signac toward new ways of seeing. In 1886, he participated in the 8th Impressionist exhibition, contributing eighteen works that largely focused on city views and seascapes. His style at this time was caught in a transition, blending the loose, rapid brushstrokes of the Impressionists with the emerging, more disciplined application of color that would soon define his reputation. It was during this period of intense experimentation that he encountered Vincent van Gogh. The two men found a shared language in the light of the French landscape, and by 1887, they began to frequent Asnières-sur-Seine together. In the quietude of the riverbanks, they sought to capture the shifting atmosphere of the outskirts of the capital.

As his ideas matured, Signac moved closer to the radical theories of his contemporaries. He found himself standing alongside figures such as Degas, Pissarro, Gauguin, and Seurat during the IX Impressionist Exhibition. These gatherings were more than mere social meetings; they were the crucibles where the future of modern painting was forged. While his early years were marked by a fascination with the river landscapes of the Seine, his time in Asnières allowed him to refine the rhythmic, mosaic-like application of paint that would eventually move away from the fleeting impressions of the past toward a more structured, scientific harmony.

Coastal Life and the Mediterranean

The pull of the sea eventually drew the artist away from the urban landscapes of the north. In 1892, he sailed the Garonne River southeast through France, seeking the light of the Mediterranean Sea. He dropped anchor in Saint-Tropez aboard his yacht, the Olympia, and found there a landscape that would become a major theme across his paintings. The shimmering waters and sun-drenched harbors offered a new rhythm for his brush, far removed from the riverbanks of the Seine.

He found such deep inspiration in this southern light that he established a home in Saint-Tropez. This coastal retreat became a sanctuary where he could observe the interplay of color and tide. His technique began to change as he moved through these maritime settings; the strict, meticulous dots of his earlier years gradually gave way to a more fluid and expressive application of paint. The movement of the waves and the brightness of the Mediterranean air encouraged a broader palette and a more spontaneous touch.

The Red Buoy, Saint-Tropez (1895)
The Pine Tree at St. Tropez (1909)

Key Works of the Artist

In the early years of his experimentation, Signac sought to capture the pulse of the city through a rigorous, scientific lens. His 1886 work, Boulevard de Clichy, captures a winter scene in Paris, where the snowy boulevard is rendered through the meticulous application of small dots of pure color. This approach allowed him to translate the urban landscape into a rhythmic arrangement of light and shadow. By 1887, his focus shifted toward the quietude of domestic life. In Breakfast (The Dining Room), he applied thousands of tiny, distinct points of color to a scene of Belle Époque elegance, where sunlight streams through a window to illuminate a breakfast table with a vibrating energy.

As his life moved toward the sea, his brushwork began to change, finding a new freedom in the light of the south. The 1895 painting The Red Buoy, Saint-Tropez demonstrates this evolution, using his mastery of Pointillism to catch the dynamic energy of the Mediterranean coast. The colors in these maritime scenes became more fluid and expressive, moving away from the strict, tiny dots of his earlier years toward a broader, more mosaic-like touch. Even when turning his attention to the people around him, his technique remained precise. His 1890 Portrait of Felix Feneon used this meticulous construction to explore light and color, presenting the subject with a clarity born from his revolutionary method.

Boulevard de Clichy, 1886
Breakfast (The Dining Room), 1887
Portrait of Felix Feneon, 1890
The Red Buoy, Saint-Tropez, 1895

Leadership and the Avant-Garde

Beyond the quietude of his coastal studies, Signac moved through the social circles of Paris with a firm sense of purpose. He was a well known Anarchist, a conviction that mirrored his desire to break away from the rigid, established structures of the art world. This spirit of rebellion found a practical outlet through his leadership within the Société des Artistes Indépendants. He held the presidency of this influential group from 1908 until his death in 1935, ensuring that the spirit of independence remained a guiding force for those who sought to challenge the status quo.

His influence extended far beyond his own canvases, as he acted as a patron for those who dared to experiment. He possessed a keen eye for the new, recognizing the potential in the radical shifts of the coming century. By providing a platform for emerging talents, he helped foster the rise of movements that would change the course of modern art. He was among the first to offer his support to the pioneers of Fauvism and Cubism, welcoming their departures from tradition. Through his guidance, artists like Henri Matisse and André Derain found the space necessary to develop their own unique visions.

Legacy and Influence on Modern Art

The ripples of Signac’s experiments with light and color reached far beyond the quiet harbors of the Mediterranean. He acted as a bridge between the structured theories of the late nineteenth century and the explosive freedom of the next. By championing the idea that color could be applied with a rhythmic, almost musical intensity, he provided a foundation for those who sought to break away from traditional representation. His presence in the art world was felt not only through his brush but through his intellect, as he became a leading figure who helped define the direction of modern expression.

This influence was particularly evident in the emergence of Fauvism. Signac’s approach to the canvas inspired artists like Henri Matisse and André Derain, who would later push the boundaries of color even further. He showed that the way an artist handles pigment can change the very way a viewer perceives reality. His commitment to the evolution of new styles ensured that his ideas remained a vital part of the artistic conversation, influencing a whole generation of painters who looked to his work to understand the potential of pure hue and light.

Where to See the Works Today

To witness the light that Signac so carefully studied, one must travel to the great halls of Paris. The Musée d'Orsay holds nine of his works, offering a significant gathering of his vision. It is there that the meticulous application of color becomes most apparent to the observer. In the same city, other treasures can be found, though the largest concentration remains in the French capital.

Across the Atlantic, the Metropolitan Museum of Art in New York preserves five of his paintings, allowing those in the Americas to encounter his specific method of optical mixing. The reach of his influence extends even further, finding its way to the Kröller-Müller Museum in Otterlo, which maintains four of his pieces. These works allow us to see how his style evolved from the strict dots of his early years toward a more fluid touch.

The presence of his art is truly global, reaching as far as the National Gallery of Victoria in Melbourne, where two of his works reside. These scattered collections ensure that his experiments with light and color remain accessible to those seeking to understand the science of his brushwork. Some of the specific pieces held in these various institutions include:

Boulevard de Clichy 1886
The Red Buoy, Saint-Tropez (1895)
Portrait of Felix Feneon (1890)
Breakfast (The Dining Room) (1887)
The Jetty, Cassis, Opus 198

Questions & Answers

In which historical period did Paul Signac work?

Paul Signac worked in the 19th-Century period. The period situates the artist's activity in history.

How do I find all works by Paul Signac in a given medium?

To find all works by Paul Signac in a given medium, use the artist's All Medium page.

How popular are Paul Signac's artworks?

A Stats page exists for Paul Signac, presenting statistics about the artist's artworks on this website.

By the WahooArt.com Editorial Team Updated Oct. 12, 2026

Collector's quiz

Which artistic technique did Paul Signac help develop alongside Georges Seurat?
In which city was Paul Signac born?
Which organization did Signac serve as president from 1908 until 1935?
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