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Nicolas Poussin Most Popular Paintings

The 25 artworks by Nicolas Poussin our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Nicolas Poussin · 1594 – 1665

The Rape of the Sabine Women

1637 · The Louvre, Paris · original 159 x 206 cm

Explore Nicolas Poussin’s dramatic 'Rape of the Sabine Women.' A Baroque masterpiece featuring intense emotion & classical beauty. High-quality reproduction available.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$28136 × 27 cm Commission this artwork

Same size as the original$1234206 × 159 cm Commission at original size

A Roman Road

1648 · Dulwich Picture Gallery, London · original 78 x 99 cm

Discover Nicolas Poussin’s ‘A Roman Road’! A classical Baroque landscape masterpiece featuring earthy tones & serene beauty. Perfect for art lovers & collectors.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$23138 × 27 cm Commission this artwork

Same size as the original$43599 × 78 cm Commission at original size

The Poet's Inspiration

1630 · The Louvre, Paris · original 182 x 213 cm

Discover Nicolas Poussin’s ‘The Poet’s Inspiration,’ a masterpiece of Classical Baroque art. Explore its mythic beauty, masterful technique & historical significance.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$23134 × 29 cm Commission this artwork

Same size as the original$1363213 × 182 cm Commission at original size

The Adoration of the Golden Calf

1634 · National Gallery, London · original 154 x 214 cm

Explore Nicolas Poussin’s ‘The Adoration of the Golden Calf’! A Baroque masterpiece brimming with symbolism & drama. Discover its rich history, technique & timeless appeal.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$40637 × 27 cm Commission this artwork

Same size as the original$1365214 × 154 cm Commission at original size

St Cecilia

1627 · Museo del Prado, Madrid · original 118 x 88 cm

Nicolas Poussin's St Cecilia is a masterful baroque painting housed at Museo del Prado, depicting St. Cecilia playing the organ amidst classical columns and children – a testament to his artistic legacy.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18127 × 37 cm Commission this artwork

Same size as the original$46688 × 118 cm Commission at original size

Landscape with Polyphemus

1648 · Hermitage Museum, Saint Petersburg · original 150 x 199 cm

Nicolas Poussin's Landscape with Polyphemus (1648) blends mythological themes with serene landscapes at The Hermitage Museum, showcasing classical style and masterful composition.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Same size as the original$1048199 × 150 cm Commission at original size

Et in Arcadia Ego

1637 · The Louvre, Paris · original 185 x 121 cm

Nicolas Poussin's 'Et in Arcadia Ego' (1637) blends classical and contemporary themes, depicting shepherds contemplating a tomb & the inevitability of death within idyllic Arcadia. A masterpiece of Baroque art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Same size as the original$825185 × 121 cm Commission at original size

Selene and Endymion

Detroit Institute of Arts, Detroit

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Selene and Endymion

1630 · Detroit Institute of Arts, Detroit · original 122 x 169 cm

"Selene and Endymion," by Nicolas Poussin (1630), showcases classical mythology with serene beauty—a masterpiece housed at Detroit Institute of Arts, influenced by Raphael & celebrated for its balanced composition."

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Same size as the original$772169 × 122 cm Commission at original size

Echo and Narcissus

1628 · The Louvre, Paris · original 74 x 100 cm

Featured in Jacques Thuillier’s seminal biography on Poussin.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18138 × 27 cm Commission this artwork

Same size as the original$376100 × 74 cm Commission at original size

Landscape with Diogenes

1647 · The Louvre, Paris · original 160 x 221 cm

Discover Nicolas Poussin (1594-1665), a master of French Baroque painting. Explore his classical compositions, historical scenes & serene landscapes – influencing artists like David & Cézanne. #Poussin #BaroqueArt

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Same size as the original$1211221 × 160 cm Commission at original size

The Miracle of St. Francis Xavier

1641 · The Louvre, Paris

Nicolas Poussin's "The Miracle of St. Francis Xavier" (1641) depicts a pivotal moment in the saint’s life, showcasing faith & spirituality through classicism. Explore this Louvre masterpiece and Poussin’s legacy.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18123 × 44 cm Commission this artwork

Orpheus and Eurydice (Landscape with Orpheus and Eurydice)

1650 · The Louvre, Paris · original 124 x 200 cm

Explore Nicolas Poussin’s ‘Landscape with Orpheus & Eurydice’! A stunning 1650 Baroque masterpiece depicting a poignant myth. Discover its classical style and rich details at the Louvre.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$30640 × 25 cm Commission this artwork

Same size as the original$1022200 × 124 cm Commission at original size

Mars and Venus

1628 · Museum of Fine Arts, Boston · original 154 x 213 cm

Nicolas Poussin's 'Mars and Venus,' completed in 1628, embodies Neoclassical ideals with its harmonious landscape and luminous chiaroscuro technique. Inspired by Greco-Roman antiquity and Venetian masters, this MFA Boston artwork portrays Mars and Venus’s allegorical romance amidst a tranquil setting, symbolizing love conquering war. Explore iconic mythological painting at WikiArt.org.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Same size as the original$1135213 × 154 cm Commission at original size

Dance to the Music of Time

1638 · Wallace Collection, London · original 82 x 104 cm

Experience Nicolas Poussin's 'Dance to the Music of Time,' a captivating masterpiece depicting four figures embodying life’s stages, set against a serene landscape. A timeless exploration of human existence.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Same size as the original$410104 × 82 cm Commission at original size

The Holy Family with Saint John the Baptist

1627 · Metropolitan Museum of Art, new york · original 76 x 64 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18129 × 35 cm Commission this artwork

Same size as the original$29964 × 76 cm Commission at original size

The Infant Jupiter Nurtured by the Goat Amalthea

1638 · Staatliche Museen zu Berlin, Berlin · original 97 x 133 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18137 × 27 cm Commission this artwork

Same size as the original$541133 × 97 cm Commission at original size

The Inspiration of the Poet

1630 · The Louvre, Paris · original 182 x 213 cm

Explore Nicolas Poussin's 'The Inspiration of the Poet,' a stunning 1630 oil painting from the Louvre, depicting Apollo and a poet. Discover its classical beauty & historical context.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18135 × 29 cm Commission this artwork

Same size as the original$1313213 × 182 cm Commission at original size

Victory of Joshua over the Amorites

1625 · Pushkin State Museum, Moscow · original 97 x 134 cm

Explore Nicolas Poussin's "Victory of Joshua over the Amorites" (1625). This Baroque masterpiece features a dynamic battle scene, dramatic chiaroscuro, and classical figures. A stunning hand-painted reproduction for art lovers & collectors.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18134 × 29 cm Commission this artwork

Same size as the original$544134 × 97 cm Commission at original size

St. Cecilia

1628 · Museo del Prado, Madrid · original 118 x 88 cm

Explore Nicolas Poussin’s ‘St. Cecilia,’ a Baroque masterpiece depicting Mary & Jesus amidst angelic music & Roman architecture. Oil on canvas, 1628. #Poussin #BaroqueArt

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$25627 × 37 cm Commission this artwork

Same size as the original$54188 × 118 cm Commission at original size

The Triumph of Neptune

1634 · Philadelphia Museum of Art, Philadelphia · original 114 x 146 cm

Nicolas Poussin

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18136 × 28 cm Commission this artwork

Same size as the original$653146 × 114 cm Commission at original size

Sleeping Venus Surprised by Satyrs

1625 · Kunsthaus Zürich, Zurich · original 77 x 100 cm

Nicolas Poussin’s "Sleeping Venus" – a Baroque masterpiece! Explore this sensual myth, rich colors & masterful technique. Discover art history at Kunsthaus Zürich.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$33136 × 28 cm Commission this artwork

Same size as the original$535100 × 77 cm Commission at original size

The Companions of Rinaldo

1633 · Metropolitan Museum of Art, new york · original 118 x 102 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18129 × 34 cm Commission this artwork

Same size as the original$515102 × 118 cm Commission at original size

The Martyrdom of St Erasmus

1628 · Vatican Pinacoteca, Vatican City · original 320 x 186 cm

Nicolas Poussin's 'Martyrdom of St Erasmus' depicts a poignant scene of faith and suffering. Explore the drama, classical elements, and historical context of this iconic masterpiece from the Vatican Pinacoteca.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18124 × 42 cm Commission this artwork

The Assumption of the Virgin

1650 · The Louvre, Paris · original 57 x 40 cm

Nicolas Poussin (1594-1665) was a French Baroque painter renowned for his masterful blend of classical ideals with religious themes. His formative years in Le Havre instilled a deep appreciation for artistic tradition, culminating in a transformative journey to Rome where he embraced the influence of antiquity and established himself as one of the foremost artists of his era.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 413 artworks by Nicolas Poussin
Delivery: Worldwide, about 5 weeks

from$18128 × 36 cm Commission this artwork

Same size as the original$22040 × 57 cm Commission at original size

The artist

Nicolas Poussin

1594 – 1665

Quick facts

Room fitliving room
Top 3 worksThe Rape of the Sabine Women, A Roman Road, The Poet's Inspiration
Movementsbaroque
Works on APS413
Best occasionsaccent, statement
Born1594, Le Havre, France
Lifespan71 years
Also known asNicholas Poussin

Biography

Early Life, Family and Training

To understand the rigid discipline of Nicolas Poussin, one must look to his origins in Les Andelys, Normandy. Born in June 1594, his early development was not a product of sudden inspiration but of structured, methodical training. He began his technical education in Rouen, a start that provided the foundational mechanics necessary for his later, more complex compositions. This early period established a pattern of rigorous preparation that would define his entire career.

By 1612, Nicolas Poussin had moved to Paris, where he remained until 1623. This decade in the French capital was a period of significant growth, moving him beyond the initial instruction of his youth. His education was not limited to the visual; he received instruction in Latin, a fact that provided the linguistic tools required to engage directly with the classical texts he would later translate into imagery. This literacy in ancient language and structure ensured his work was built on a foundation of logic rather than mere visual sensation.

The Roman Years and Artistic Development

Poussin arrived in Rome in 1624, having traveled via Venice. At this stage, he was an unformed painter, lacking the definitive direction that would later define his career. He did not stay in France to find his voice; instead, he spent most of his working life in Rome, a city that provided the necessary intellectual and physical landscape for his evolution. This was not a period of mere residence, but a fundamental shift in his artistic trajectory. He moved away from the sensuous, Venetian-influenced style of his youth toward a more disciplined, structured approach. This transition was driven by a deep engagement with the classical ruins and the scholarly circles of the Eternal City.

His development in Rome was marked by a rejection of the flamboyant, theatrical Baroque tastes prevalent in his time. Instead of prioritizing immediate sensory impact or dramatic gesture, he sought a sense of order and logic. He studied antique remains and the works of Raphael to build a visual language rooted in clarity and balance. This period saw him move from the experimental, almost unformed works of his arrival to a highly controlled method of composition. He eventually established a style that favored line over color, focusing on the intellectual weight of his subjects rather than superficial spectacle. He remained in Rome until his death in 1665, having transformed from an unformed immigrant into a central figure of the classical tradition.

Patrons, Workshop and Commissions

Poussin’s career was defined by a selective, intellectual circle of patrons rather than the broad, theatrical demands of the Counter-Reformation. In Rome, his primary connection was Cassiano dal Pozzo, a scholar and archaeologist whose influence anchored Poussin within a specific, high-minded social stratum. This relationship secured Poussin his only papal commission in 1628. Such work required a departure from the flamboyant, emotive style popular in the city at the time, favoring instead the structured clarity that his patrons demanded. His ability to satisfy these discerning collectors established his reputation as a painter of substance.

His professional standing eventually reached the highest levels of the French state. During his brief return to Paris, he was appointed First Painter to the King under Louis XIII and Cardinal Richelieu. This position carried significant weight, yet the administrative and courtly pressures proved incompatible with his working methods. He held the title of First Painter of the King, but the demands of the court led him to abandon the position and return to Rome. His preference for the company of scholars over the intrigues of the palace highlights the disciplined, almost reclusive nature of his professional life.

The Martyrdom of Saint Erasmus (1628)

Technique and Style

Poussin’s approach to composition was a disciplined exercise in geometry and logic. He rejected the chaotic, emotional spontaneity of the Baroque in favor of clarity and order. To achieve this, he functioned more like an architect than a mere painter. He utilized a specialized box lit through openings in its walls to plan his canvases, allowing him to study light and shadow before a single brushstroke was applied to the final surface. This methodical preparation ensured that every figure and landscape element occupied a precise, rational space.

His process involved a physical, almost theatrical staging of his subjects. He used small stages with wax figures and arranged draperies to work out complex arrangements. This tactile method allowed him to master the interplay of light and form. He employed chiaroscuro to sculpt his figures, using light and shadow to provide depth and emotional weight without relying on the superficial drama of his contemporaries. His preference for line over color defined his aesthetic; he prioritized the structural integrity of a scene, ensuring that the underlying logic of the composition remained the primary focus for the viewer.

Key Works and Themes

Poussin’s output was defined by a rigorous commitment to structure, often using historical and mythological narratives to explore human morality. He frequently depicted scenes from ancient history, treating the canvas as a stage for stoic dignity. This intellectual approach is evident in his religious works, such as the Martyrdom of Saint Erasmus, which he painted for the Church of Saint Peter. Even in his earlier, more sensuous period, works like The Nurture of Bacchus show a transition from Venetian-inspired color toward the disciplined linearity that would define his mature style.

His thematic range extended into deep philosophical territory, most notably in Et in Arcadia Ego. This work uses a landscape setting to prompt contemplation on mortality. In the late 1630s, he turned his attention to the sacred through the Seven Sacraments series. These paintings demonstrate his ability to maintain classical restraint even when handling heavy theological subjects. He did not rely on emotional excess; instead, he used clear, logical arrangements to convey spiritual meaning.

The Martyrdom of Saint Erasmus
The Nurture of Bacchus
Et in Arcadia Ego
The Seven Sacraments

Legacy and Influence

Poussin’s impact on French art was structural rather than merely stylistic. By establishing a standard for order and clarity, he became a cornerstone of French Classicism. His presence in the Académie Royale de Peinture et de Sculpture solidified a rigorous approach to composition that defined the era. He did not merely paint; he provided a framework for how history and myth should be organized on a canvas. This discipline ensured his influence persisted long after his death in Rome.

The reach of his method extended into the next century, shaping the direction of major movements. Artists such as Jacques-Louis David and Paul Cézanne acknowledged their debt to his intellectual depth and his preference for line over color. While David applied these principles to Neoclassicism, Cézanne found a different resonance in Poussin's structured landscapes. His ability to impose logic onto a scene remains a primary reference point for anyone studying the evolution of Western composition.

Et in Arcadia Ego
The Seven Sacraments
The Death of Germanicus
Orion Blinded Searching for the Sun

Questions & Answers

Where can I see Nicolas Poussin's artworks in a 3D gallery?

Nicolas Poussin's artworks can be seen in a 3D gallery on the artist's 3D Museum page.

What are the birth city and country of Nicolas Poussin?

Nicolas Poussin was born in Le Havre, in France.

Is there a complete list of Nicolas Poussin's artworks?

Every work by Nicolas Poussin on this website can be browsed from the artist's All Artworks page.

By the WahooArt.com Editorial Team Updated Oct. 12, 2026

Collector's quiz

Where was Nicolas Poussin born?
In which year did Poussin travel to Rome?
Which artist's works did Poussin study and absorb during his time in Rome?
To whom was Poussin appointed as First Painter to the King during his brief return to Paris?
Which of these is listed as one of Poussin's notable works?

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All artworks by Nicolas Poussin