the collector's folio

Lorenzo Di Credi Most Popular Paintings

The 25 artworks by Lorenzo Di Credi our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Lorenzo Di Credi · 1459 – 1537

The Virgin and Child with St Julian and St Nicholas of Myra

1490 · The Louvre, Paris · original 163 x 164 cm

Explore this iconic Renaissance artwork at the Musée du Louvre, Paris.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18132 × 31 cm Commission this artwork

Same size as the original$955164 × 163 cm Commission at original size

Portrait of Perugino

1504 · Galleria degli Uffizi, Florence · original 51 x 37 cm

This artwork is attributed to Lorenzo Di Credi, a prominent Venetian painter who bridged the Gothic and Classical styles. His influence can be seen in works like ‘Portrait of Lorenzo di Credi’ and ‘San Lorenzo in Lucina’, showcasing his dedication to religious art and meticulous detail.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18127 × 37 cm Commission this artwork

Same size as the original$20837 × 51 cm Commission at original size

Adoration of the Shepherds

1510 · Galleria degli Uffizi, Florence · original 224 x 196 cm

Experience the serene beauty of Lorenzo di Credi's 'Adoration of the Shepherds' (1510). A masterpiece depicting shepherds worshipping baby Jesus, showcasing meticulous detail and Renaissance artistry.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18130 × 33 cm Commission this artwork

Same size as the original$1465196 × 224 cm Commission at original size

Venus

1493 · Galleria degli Uffizi, Florence · original 151 x 69 cm

Admire Lorenzo di Credi's 'Venus,' a stunning Renaissance masterpiece capturing classical beauty and grace. A timeless depiction of the Roman goddess, rich in detail and emotion.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18120 × 49 cm Commission this artwork

Same size as the original$46769 × 151 cm Commission at original size

Annunciation

1480 · Galleria degli Uffizi, Florence · original 88 x 71 cm

Discover the serene 'Annunciation' by Lorenzo di Credi (1480). This masterpiece depicts Mary’s acceptance of Gabriel’s divine message, showcasing Renaissance artistry and religious devotion.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18129 × 35 cm Commission this artwork

Same size as the original$34171 × 88 cm Commission at original size

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel

1490 · Metropolitan Museum of Art, new york

Lorenzo di Credi's "Madonna Adoring the Child" (1490) showcases Mary and infant Jesus amidst angels, reflecting Renaissance Florence’s devotion & artistry. A masterpiece of tempera on wood.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18131 × 32 cm Commission this artwork

Madonna and Child with a Pomegranate

1475 · National Gallery of Art, Washington · original 16 x 13 cm

This captivating painting by Lorenzo di Credi showcases the Virgin Mary tenderly holding her infant son, bathed in warm light against a backdrop of verdant greenery. Its meticulous detail reflects the artistic spirit of Venice during its golden age.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18127 × 37 cm Commission this artwork

Portrait of a Young Woman

1490 · Metropolitan Museum of Art, new york · original 58.7 x 40.0cm

This serene Renaissance portrait by Lorenzo di Credi captures a quiet elegance. Explore this Florentine masterpiece today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18126 × 38 cm Commission this artwork

Same size as the original$22240 × 59 cm Commission at original size

Adoration of the Child

1480 · Fondazione Querini Stampalia, Venice · original 27 x 27 cm

Lorenzo di Credi’s serene depiction of Mary adorning the Child embodies Venetian tranquility during the Renaissance. This exquisite 1480 painting showcases Cima da Conegliano's masterful technique, capturing a moment of profound devotion and inviting viewers to experience its timeless beauty.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18132 × 32 cm Commission this artwork

Madonna with the Christ Child and St John the Baptist

Gemäldegalerie, Dresden · original 37 x 27 cm

Experience the serene beauty of Lorenzo di Credi's Madonna with the Christ Child and St John; own a piece of Renaissance tranquility today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18128 × 35 cm Commission this artwork

The Virgin and Child

1490 · National Gallery, London · original 71.1 x 49.5cm

This serene Renaissance tempera by Lorenzo Di Credi captures a tender moment of nursing. Discover the beauty of this masterpiece today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$20626 × 38 cm Commission this artwork

Same size as the original$28350 × 71 cm Commission at original size

Virgin and Child with the Infant Saint John the Baptist

1489 · Galleria Borghese, Rome

This serene Renaissance tempera by Lorenzo Di Credi depicts the Madonna and Child. Explore this masterpiece of Florentine art today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$23132 × 32 cm Commission this artwork

Madonna and Child with a Pomegranate

1480 · original 44 x 25 cm

A serene Renaissance portrait of the Madonna and Child with a pomegranate by Lorenzo di Credi captures intimate devotion through soft light and delicate details, inviting you to bring this timeless masterpiece home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18128 × 36 cm Commission this artwork

Same size as the original$18425 × 44 cm Commission at original size

The Virgin adoring the Child

Admire "The Virgin adoring the Child" by Lorenzo di Credi – a serene Renaissance masterpiece showcasing Mary's devotion. Hand-painted reproduction available.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18126 × 38 cm Commission this artwork

Mary adoring the Child with the young St John the Baptist

1480 · Staatliche Kunsthalle Karlsruhe, Carlsruhe

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$23132 × 32 cm Commission this artwork

An Angel Brings the Holy Communion to Mary Magdalen

Christian Museum, Eger · original 51 x 38 cm

A divine scene of angels presenting the Holy Communion to Mary Magdalene by Renaissance master Lorenzo Di Credi captures spiritual nourishment through rich tempera details, inviting you to explore this sacred masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18127 × 38 cm Commission this artwork

Same size as the original$21038 × 51 cm Commission at original size

Madonna and Child with the Little St. John Baptist

Detroit Institute of Arts, Detroit · original 86.7 x 68.6cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$23128 × 35 cm Commission this artwork

Same size as the original$38269 × 87 cm Commission at original size

A Boy in a Scarlet Cap

1499 · Isabella Stewart Gardner Museum, Boston · original 46.5 x 34.5cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18127 × 37 cm Commission this artwork

Same size as the original$20035 × 47 cm Commission at original size

The flight to Egypt

original 27.5 x 41.5cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18128 × 36 cm Commission this artwork

Same size as the original$18528 × 42 cm Commission at original size

The Holy Family

Gemäldegalerie, Dresden · original 87 x 65 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18128 × 36 cm Commission this artwork

Same size as the original$32365 × 87 cm Commission at original size

the Stigmatisation of Francis of Assisi

1550 · Musée Fesch, Aix-en-Provence · original 145.0 x 91.0cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$20626 × 38 cm Commission this artwork

Same size as the original$57591 × 145 cm Commission at original size

The Virgin and Child with Two Angels

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$25631 × 32 cm Commission this artwork

Madonna and Child

1520 · Bavarian State Painting Collections, Munich · original 87.4 x 58.3cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$20626 × 39 cm Commission this artwork

Same size as the original$33158 × 87 cm Commission at original size

The Virgin and Child with Saint John the Baptist and an Angel

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$25632 × 31 cm Commission this artwork

Italian, )

1459

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 48 artworks by Lorenzo Di Credi
Delivery: Worldwide, about 5 weeks

from$18131 × 32 cm Commission this artwork

The artist

Lorenzo Di Credi

1459 – 1537

Quick facts

Art periodRenaissance
Creative periodslate renaissance, mature period
Movementsrenaissance
Emotional tonetranquil
Mediumsoil on panel
NationalityItaly
Gift suitabilitymother's day, anniversary
Copyright statusPublic domain

Biography

Giovanni Battista Cima da Conegliano: A Venetian Master of Tranquil Beauty

Giovanni Battista Cima, often simply known as Cima da Conegliano, was a pivotal figure in the late 15th and early 16th centuries Italian Renaissance. Born around 1459 in the small town of Conegliano, nestled within the Republic of Venice – a region renowned for its artistic dynamism – Cima’s life and career were inextricably linked to this vibrant cultural hub. While his origins might seem humble, his work quickly established him as one of Venice's most distinctive and influential painters, bridging the gap between the more formal styles of the early Renaissance and the burgeoning naturalism that would characterize the High Renaissance. His legacy lies not in grand, dramatic narratives, but rather in a profound sense of serenity, an almost meditative quality found within his meticulously rendered scenes of religious subjects and intimate domestic moments.

Early Influences and Training

The precise details of Cima’s early artistic training remain shrouded in some mystery. Unlike many of his contemporaries who benefited from established workshops or direct tutelage under renowned masters, there's scant evidence to pinpoint a specific teacher. However, art historians generally agree that he was profoundly influenced by the work of Giovanni Bellini, Venice’s most celebrated painter of the preceding generation. Bellini’s emphasis on atmospheric perspective, his subtle use of color, and his ability to imbue even religious subjects with a sense of quiet contemplation clearly resonated deeply with Cima. Furthermore, there's compelling evidence suggesting a connection to Antonello da Messina, a pioneering artist who brought the innovations of Florentine Renaissance painting – particularly its emphasis on linear perspective and naturalistic detail – to Venice. Cima’s landscapes, often featuring distant mountains bathed in atmospheric haze, bear striking similarities to Antonello’s work, demonstrating a conscious effort to incorporate these techniques into his own style. The influence of Bartolomeo Montagna, another Venetian painter known for his realistic depictions of the countryside, is also evident in Cima's early works, particularly *Madonna of the Arbour*.

Style and Technique: A World of Quiet Contemplation

Cima’s artistic style is immediately recognizable by its remarkable tranquility. Unlike many of his contemporaries who favored dramatic compositions and emotionally charged scenes, Cima consistently depicted religious subjects – primarily Madonnas with the Child, scenes from the life of Saint Jerome, and occasional mythological narratives – in a remarkably calm and understated manner. His figures are rendered with an almost sculptural quality, possessing a dignified stillness that invites quiet contemplation. He eschewed elaborate ornamentation and theatrical gestures, instead focusing on capturing subtle expressions of emotion and conveying a sense of inner peace. A key characteristic of Cima’s work is his masterful use of color. He favored a palette of muted earth tones – browns, ochres, and greens – creating a harmonious and understated visual effect. His application of paint was meticulous and precise, resulting in surfaces that possess an almost velvety smoothness. Crucially, Cima's landscapes are not mere decorative backgrounds; they play a vital role in establishing the mood and atmosphere of his paintings. He skillfully employed atmospheric perspective to create a sense of depth and distance, drawing the viewer into the scene and immersing them in its tranquil beauty. His compositions often feature distant mountains, rolling hills, and shimmering lakes, all rendered with remarkable detail and sensitivity.

Notable Works and Production

Cima’s output was surprisingly modest compared to many of his Venetian contemporaries. He primarily produced small-scale paintings intended for private devotion – altarpieces, devotional panels, and individual portraits – rather than large-scale frescoes or monumental commissions. Among his most celebrated works are the *Madonna of the Arbour* (1489), now in the Museum of Vicenza; the *Adoration of the Shepherds* (1487) at Santa Chiara in Florence; and the *Baptism of Christ* for the Chiostro dello Scalzo in Venice. He repeatedly revisited popular subjects, such as the *Madonna and Child*, producing numerous variations on a single composition, each subtly different from the last. These repeated treatments demonstrate not only his technical skill but also his deep understanding of the subject matter and his ability to capture its essence with remarkable consistency.

Legacy and Historical Significance

Cima da Conegliano’s contribution to Venetian painting is often underestimated, yet it's undeniably significant. He stands as a crucial link between the early Renaissance traditions of Bellini and the burgeoning naturalism of Titian. His emphasis on atmospheric perspective, his subtle use of color, and his ability to convey a sense of quiet contemplation paved the way for future generations of Venetian painters. While he never achieved the widespread fame or influence of his more celebrated contemporaries, Cima’s work continues to be admired for its beauty, serenity, and profound emotional depth. He represents a unique and enduring voice within the rich tapestry of Venetian art history – a testament to the power of understated elegance and the enduring appeal of quiet contemplation.

Questions & Answers

In which movements did Lorenzo Di Credi work?

The movements Lorenzo Di Credi worked in can be seen on the artist's All Movements page, which groups the artworks by movement.

Can I explore Lorenzo Di Credi's works by subject?

The Subject Atlas page maps Lorenzo Di Credi's artworks by subject.

Is there a chronological account of Lorenzo Di Credi?

Lorenzo Di Credi's career unfolds period by period on the artist's Chronicle page: a horizontal timeline of the artworks, grouped into career-period chapters.

By the WahooArt.com Editorial Team Updated Sept. 2, 2026

Collector's quiz

Cima da Conegliano is primarily associated with which city?
What was Cima da Conegliano's primary subject matter in his paintings?
Which artist significantly influenced Cima da Conegliano’s style, particularly regarding landscape backgrounds?
According to his biography, where was Cima da Conegliano born?
Cima da Conegliano is often described as being part of which artistic school?

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