the collector's folio

Giotto di Bondone Most Popular Paintings

The 25 artworks by Giotto di Bondone our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Giotto di Bondone · 1267 – 1337

Last Judgment (detail 3) (Cappella Scrovegni (Arena Chapel), Padua)

1305

Explore Giotto’s 'Last Judgment' masterpiece! A pivotal Proto-Renaissance fresco from Padua’s Scrovegni Chapel. Witness divine artistry & profound symbolism.

View the artwork

No. 25 Scenes from the Life of Christ: 9. Raising of Lazarus

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18133 × 31 cm Commission this artwork

Same size as the original$1260200 × 185 cm Commission at original size

Stigmatization of St Francis

1300 · The Louvre, Paris · original 314 x 162 cm

Witness Giotto's masterpiece: 'Stigmatization of St Francis.' This 1300 tempera painting depicts the profound moment, housed in the Louvre.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18123 × 43 cm Commission this artwork

Madonna in Maest (Ognissanti Madonna)

1310 · original 325 x 204 cm

Admire Giotto’s revolutionary Madonna Enthroned masterpiece! Explore its Byzantine influences and groundbreaking naturalism—a pivotal moment in Renaissance art history housed in Florence's Uffizi Gallery.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18125 × 40 cm Commission this artwork

No. 19 Scenes from the Life of Christ: 3. Presentation of Christ at the Temple

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Discover Giotto’s masterpiece: ‘Presentation of Christ at the Temple’ in Padua’s Scrovegni Chapel. Explore this Proto-Renaissance fresco's innovative perspective & symbolic depth.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$33131 × 32 cm Commission this artwork

Same size as the original$1410185 × 200 cm Commission at original size

Navicella (mosaic fragment)

1305 · Vatican Grotto, Rome

Explore Giotto's 'Navicella (mosaic fragment)' - a stunning early Renaissance masterpiece from the Vatican Grotto! Witness its intricate details & profound symbolism.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18132 × 31 cm Commission this artwork

Madonna and Child

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18127 × 37 cm Commission this artwork

Ognissanti Madonna (detail)

1310 · Galleria degli Uffizi, Florence

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18125 × 41 cm Commission this artwork

Descent into Limbo

1320 · Alte Pinakothek, Munich · original 45 x 44 cm

Witness Jesus' descent into Limbo in Giotto di Bondone’s masterpiece (c.1320). Explore the symbolism & artistry of this pivotal Proto-Renaissance painting at the Alte Pinakothek.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18131 × 32 cm Commission this artwork

Same size as the original$21144 × 45 cm Commission at original size

View of the Church of San Francesco

Convent of San Francesco, Assisi

Discover Giotto’s "View of San Francesco" – a pivotal Proto-Renaissance masterpiece! Explore its innovative perspective & serene depiction of Florentine life. #Giotto #ArtHistory #ItalianArt

View the artwork

Ognissanti Madonna (Madonna in Maestà)

1310 · Galleria degli Uffizi, Florence · original 325 x 204 cm

Explore Giotto’s ‘Ognissanti Madonna,’ a pivotal Renaissance masterpiece! Admire its naturalism & innovative techniques in this iconic 1310 panel painting from Florence.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$40625 × 39 cm Commission this artwork

No. 32 Scenes from the Life of Christ: 16. Christ before Caiaphas

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Explore Giotto’s masterpiece, ‘Christ before Caiaphas’ (1304). Innovative perspective & emotional depth in this early Renaissance fresco – a must-see!

View the artwork

Scrovegni - [05] - Joachim's Dream

Witness Giotto's masterpiece, 'Joachim’s Dream,' from the Scrovegni Chapel! This pivotal fresco showcases divine intervention & marks a shift towards Renaissance art with its emotive realism and masterful technique.

View the artwork

No. 31 Scenes from the Life of Christ: 15. The Arrest of Christ (Kiss of Judas)

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Explore Giotto’s masterpiece, ‘The Arrest of Christ.’ A pivotal 1304 fresco showcasing early Renaissance perspective & emotion in the Scrovegni Chapel. #Giotto #RenaissanceArt

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$58132 × 31 cm Commission this artwork

Same size as the original$1660200 × 185 cm Commission at original size

No. 27 Scenes from the Life of Christ: 11. Expulsion of the Money-changers from the Temple

View the most popular artwork of Giotto di Bondone ranked #15: No. 27 Scenes from the Life of Christ: 11. Expulsion of the Money-changers from the Temple

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Witness the dramatic expulsion of money-changers from the Temple in Giotto's masterpiece, 'No. 27 Scenes from the Life of Christ.' Explore its rich detail and historical significance within the Cappella Scrovegni.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18133 × 31 cm Commission this artwork

Same size as the original$1260200 × 185 cm Commission at original size

No. 20 Scenes from the Life of Christ: 4. Flight into Egypt

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Explore Giotto’s ‘Flight into Egypt’ fresco! A pivotal Proto-Renaissance masterpiece from the Scrovegni Chapel. Witness innovative art & biblical storytelling.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$30631 × 32 cm Commission this artwork

Same size as the original$1385185 × 200 cm Commission at original size

View of the Peruzzi and Bardi Chapels (from right)

Santa Croce, Florence

Witness Giotto's genius in "View of the Peruzzi & Bardi Chapels"! Explore the intricate interior of Santa Croce, Florence, through this masterpiece showcasing perspective and human emotion.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18128 × 35 cm Commission this artwork

Daedalus

Museo dell'Opera del Duomo, Florence

View the artwork

No. 38 Scenes from the Life of Christ: 22. Ascension

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Explore Giotto’s ‘Ascension’ fresco – a masterpiece of early Renaissance art! Witness Christ’s journey into heaven in Padua's Cappella Scrovegni. Stunning detail & religious significance.

View the artwork

The Stefaneschi Triptych (recto)

1330 · Vatican Pinacoteca, Vatican City · original 220 x 245 cm

Experience the profound emotional depth and revolutionary naturalism of Giotto di Bondone's The Stefaneschi Triptych, a Proto-Renaissance masterpiece that invites you to bring this divine history into your own collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18134 × 30 cm Commission this artwork

Same size as the original$1761245 × 220 cm Commission at original size

Scrovegni - Last Judgment (detail) [03]

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18133 × 30 cm Commission this artwork

No. 6 Scenes from the Life of Joachim: 6. Meeting at the Golden Gate, detail

1304 · Cappella Scrovegni, Padua

Discover Giotto's 1304 masterpiece, 'Scenes from the Life of Joachim: Meeting at the Golden Gate,' a stunning medieval icon with rich colors, symbolic halos, and emotional depth. Perfect for art collectors.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18130 × 34 cm Commission this artwork

St. Paul

1300 · Treasure Museum of the Basilica of Saint Francis in Assisi, Assisi

Discover Giotto's captivating 'St. Paul,' c.1300. This Proto-Renaissance fresco showcases the artist’s revolutionary naturalism and emotional depth, hinting at a divine presence with its striking composition.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18132 × 31 cm Commission this artwork

Crucifix (11)

1290 · Santa Maria Novella, Florence · original 578 x 406 cm

Explore Giotto di Bondone (1267-1337), the revolutionary Italian painter! Discover his proto-Renaissance frescoes, naturalism & emotional depth in works like the Scrovegni Chapel. A key figure in art history.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18128 × 36 cm Commission this artwork

No. 37 Scenes from the Life of Christ: 21. Resurrection (Noli me tangere)

1304 · Cappella Scrovegni, Padua · original 200 x 185 cm

Experience the profound emotion of Giotto's 'Resurrection (Noli me tangere)' fresco from the Cappella Scrovegni. A masterpiece showcasing early Renaissance realism, spiritual depth, and innovative techniques – now available as a stunning hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 485 artworks by Giotto di Bondone
Delivery: Worldwide, about 5 weeks

from$18133 × 31 cm Commission this artwork

Same size as the original$1260200 × 185 cm Commission at original size

The artist

Giotto di Bondone

1267 – 1337

Quick facts

Died1337
NationalityItaly
Museums on APSThe Louvre, Alte Pinakothek, Treasure Museum of the Basilica of Saint Francis in Assisi, Santa Maria Novella, Galleria degli Uffizi
Emotional tonespiritual
Vibedramatic, serene
Top-ranked workLast Judgment (detail 3) (Cappella Scrovegni (Arena Chapel), Padua)
Lifespan70 years
Movementsproto-renaissance, early renaissance

Biography

The Life and Origins of Giotto di Bondone

Giotto di Bondone emerged from the rolling hills near Florence, Italy, around 1267. He was a painter and architect who spent his life working through the transition from the medieval period toward the Renaissance. While his full name carries the weight of his lineage, he was often known simply as Giotto. His presence in the Florentine landscape was marked by a shift in how figures occupied space, moving away from the flat, gold-backed icons of the Byzantine tradition toward a more tangible sense of weight and human presence.

His life was rooted in the Tuscan landscape, and he remained a central figure in the artistic life of Florence until his death on January 8, 1337. He moved through the cities of Italy, leaving behind traces of his hand in various chapels and public works. His work was not a sudden break from what came before, but a steady, observant evolution of how light and shadow might define a form. He looked at the world and sought to capture its physical reality, giving his subjects a sense of gravity and a place within a believable, three-dimensional environment.

Early Life, Family and Training

Born in Florence, Italy, he was the son of a blacksmith named Bondone. His early years are often described through a story of a shepherd boy. In this account, he spent his time sketching the likeness of sheep onto flat rocks. This habit caught the attention of the master Cimabue, who took the boy on as an apprentice. Whether this story is a literal truth or a way to explain his natural talent, it points to a childhood spent observing the movement and weight of living things.

His training under Cimabue provided the technical foundation for his later work. He moved away from the rigid, flattened styles that defined the era, focusing instead on how figures occupy space. He learned to look at the world directly, seeking to capture the way a body carries its own weight. This focus on the physical reality of his subjects became a hallmark of his approach. He did not merely copy the icons of his time; he sought to understand the anatomy and the presence of the people he painted.

Work in Rome and Assisi

By the end of the thirteenth century, Giotto’s presence moved beyond the Florentine sphere. Between 1297 and 1300, he worked in Rome, a period that saw him engaging with the monumental scale of the city's religious centers. One of the most significant tasks from this time was the production of a massive mosaic for the Navicella, which decorated the façade of Old St. Peter's basilica. This work required a different kind of precision than the frescoes of his youth, dealing with the permanence of stone and glass to shape a sacred space.

His influence also reached the hills of Assisi. While the exact nature of his involvement remains a subject of scholarly discussion, many recognize his hand in the frescoes of the Upper Basilica of Saint Francis. In these spaces, he worked alongside the religious fervor of the era, a time when he was a contemporary of figures like Dante Alighieri and Duccio di Buoninsegna. His work in Assisi helped move religious imagery away from the flat, stylized patterns of the past, focusing instead on a sense of weight and human presence within the chapel walls.

The Masterpiece of the Scrovegni Chapel

In Padua, the Scrovegni Chapel—often called the Arena Chapel—holds the work Giotto completed around 1305. Enrico Scrovegni commissioned the space, and the resulting frescoes cover the walls in a continuous narrative. The scenes follow the Life of the Virgin and the Life of Christ. Instead of the flat, gold-heavy backgrounds common to the era, the figures here occupy a space that feels heavy and real. You can see the weight in their bodies and the way they react to one another through simple, direct gestures.

The walls move through the stories of the Bible with a sense of human drama. In the scenes of the Life of Christ, the figures do not simply exist as symbols; they carry the physical presence of people experiencing grief or quiet observation. The use of light and shadow helps to shape the drapery of their clothing and the contours of their faces. This approach makes the sacred events feel like they are happening within a tangible, three-dimensional environment rather than a distant, spiritual void.

The scale of the work is immense, covering the interior of the chapel from floor to ceiling. The *Last Judgment* occupies a large portion of the wall, presenting a stark view of the end of days. The figures are grounded, their feet resting on solid ground, and their expressions reflect a range of human emotions. It is a place where the divine is brought down to a human scale through the careful application of color and form.

Architectural Contributions and Florence

In 1334, the Commune of Florence made a choice regarding the future of the cathedral's silhouette. Following the death of Arnolfo di Cambio, Giotto was nominated as his successor. He focused much of his later energy on the design and construction of a new campanile for the cathedral. This bell tower was intended to rise beside the Basilica of Santa Maria del Fiore, and the first stone was laid on 19 July 1334.

His approach to the tower moved away from a simple, skeletal gothic frame. Instead, he applied a surface of colored marble in geometric patterns, using white marble from Carrara, green marble from Prato, and red marble from Siena. He used chiaroscuro and a form of perspective in his design, treating the structure as if it were a painted object. The tower is a square plan, standing 84.7 metres tall, and is divided into five horizontal stages. While he died before the work reached its full height, his design for the lower floor remains a part of the Florentine skyline.

Technique and Artistic Style

Giotto moved away from the rigid, flattened stylization that defined much of medieval art. Instead of the distant, symbolic figures common in the Byzantine tradition, he focused on a clear and simple structure. He sought to depict the world as it appeared to the eye, introducing the practice of drawing accurately from life. This shift brought a sense of weight and volume to his subjects, making them occupy a tangible, three-dimensional space rather than floating against a gold background.

There is a quiet psychological penetration in the way he handles his figures. He used light and shadow to sculpt form, giving the body a sense of physical presence and gravity. This attention to the human condition allowed him to convey a range of emotions through gesture and expression. In his work, the divine is not a distant abstraction but something that feels grounded and real. His approach pointed toward the innovations of the Renaissance style, moving art toward a more naturalistic representation of the human experience.

Key Works and Religious Paintings

In the nave of Santa Maria Novella in Florence, a large wooden crucifix hangs, painted in tempera and gold. Created around 1290-1295, the work shows Christ's body in a vertical, naturalistic pose. The weight of the figure pulls downward, with the head bowed and the ribs visible. At the base, the cross rests upon arid rocks that suggest Mount Golgotha, where Christ's blood trickles into a cavity containing the bones of Adam.

The Badia Polyptych, now held in the Uffizi in Florence, shows a different side of his ability to handle sacred subjects. His work often focused on the human experience within religious narratives. This is seen in the Ognissanti Madonna, also known as the Madonna in Maesta, painted circa 1310. In this piece, the figures possess a sense of weight and volume, moving away from the flat, gold-heavy styles of the past. He also painted the Descent Into Limbo, a scene that continues this focus on psychological depth and physical presence.

Crucifix (Santa Maria Novella)
Badia Polyptych
Ognissanti Madonna
Descent Into Limbo

Legacy and Influence on Art History

The shift in how painters approached the human form began with his hands. By moving away from the flat, gold-backed figures of the Byzantine tradition, he changed the direction of Italian painting. He introduced a way of seeing that focused on weight and the way light settles on a surface. This change allowed art to move toward the Renaissance, providing a foundation for the naturalism that later artists would build upon. He is often called the father of European painting because he helped move art from symbolic icons toward a more tangible reality.

His influence can be traced through the works of those who followed him. The way he used space and human emotion provided a blueprint for Masaccio and Michelangelo. He showed that a figure could have volume and occupy a real, three-dimensional space. This approach turned religious scenes into lived experiences, where characters possessed a psychological depth that had been missing in earlier, more rigid styles. His work bridged the gap between the medieval era and the early Renaissance, setting a standard for how stories could be told through visual weight and gesture.

Crucifix (1290)
The Stefaneschi Triptych (1330)
Baroncelli Polyptych (1334)

Where to See the Works Today

To see his hand in person, one must travel to Padua, Italy. The Scrovegni Chapel holds the large fresco cycles that changed how stories were told on walls. The colors and the way the figures occupy the space are best understood by standing within that chapel. It is a quiet place where the weight of the painted bodies feels real against the architecture.

In Florence, several of his works remain. The Crucifix at Santa Maria Novella is kept in the center of the nave. It shows a body that sinks under its own weight, a departure from the more rigid shapes of the past. Nearby, the Uffizi holds the Badia Polyptych. Seeing these pieces in their respective Italian settings allows for a sense of the scale he worked with.

Other pieces have moved to different collections. The Stefaneschi Triptych is held in the Vatican Pinacoteca in Vatican City. Looking at these works in their current locations provides a way to trace how his style moved through different religious spaces.

Questions & Answers

What are the birth city and country of Giotto di Bondone?

Giotto di Bondone was born in Vicchio, in Italy.

How can I see every artwork made by Giotto di Bondone?

Every work by Giotto di Bondone on this website can be browsed from the artist's All Artworks page.

Is there a chronological account of Giotto di Bondone?

Giotto di Bondone's career unfolds period by period on the artist's Chronicle page: a horizontal timeline of the artworks, grouped into career-period chapters.

By the WahooArt.com Editorial Team Updated Oct. 12, 2026

Collector's quiz

In which city was Giotto di Bondone born?
According to legend, what was Giotto sketching on rocks as a shepherd boy?
Who was the Florentine master who took Giotto as an apprentice?
The Scrovegni Chapel is also known as which of the following?
Which architectural project did Giotto design for the Florence Cathedral?

one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

Commission your Giotto di Bondone

Every artwork by Giotto di Bondone in our catalog can be painted to order, in the size that suits the room.

All artworks by Giotto di Bondone