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Δομήνικος Θεοτοκόπουλος 1541–1614
Ελληνική Ισπανική Born in Ηράκλειο Μανερισμός Βαρόκκο Wikipedia in 31/32 languages
Mannerist μάστορες της ζωγραφικής, ranked
The most famous Mannerist μάστορας is Δομήνικος Θεοτοκόπουλος (1541–1614), known for Η Κουβαρισμός του Μεγάλου Οργάζ και Το Ένεκρινε Κρήτης. Next come Τιντορέττο, Τζουζέπε Αρτσιμπόλντο, Άνιολο Μπροντσίνο και Σοφονίσμπα Ανγκουίσσολα. This ranking of the 71 most famous Mannerist μάστορες της ζωγραφικής runs from Αμίκο Ασπέρτινι (born 1475) to Κριστόφανο Αλλόρι (born 1577), across 15 countries.
How this list is ranked. Artists whose works our catalogue files under Mannerist, in the order of our fame ranking of artists. Artists without a Wikidata identifier born after 1955 are left out until verified. The Wikipedia figure next to each name is the number of our 32 languages in which Wikipedia has an article on the artist.
The essentials
Ranked, with their masterpieces
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Ελληνική Ισπανική Born in Ηράκλειο Μανερισμός Βαρόκκο Wikipedia in 31/32 languages
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Ιταλιάνος Born in Βενετία Μανιερισμός, Βενετσιανή σχολή Wikipedia in 31/32 languages
In his large-scale religious works, such as the Crucifixion at the Scuola Grande di San Rocco, the light does not merely fall upon the subjects but seems to collide with them, emphasizing the spiritual and physical weight of the moment. The Origin of the Milky Way (Scuola Grande di San Rocco, Venice). His approach to composition and psychological intensity left a mark on several major figures of later movements, including El Greco, Caravaggio, Rembrandt, and Delacroix.
Where to see The Scuola Grande di San Rocco remains the most concentrated repository of his output, housing over sixty canvases that transform the building's halls into a cinematic experience of biblical narratives.
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Ιταλός Born in Μιλάνο Μανιερισμός, Σουρεαλισμός Wikipedia in 30/32 languages
These works were often viewed as curiosities, yet they required a sophisticated understanding of how to merge the organic with the artificial to create a recognizable human form. His technical precision allowed him to transform the mundane into the anatomical. Painters such as Salvador Dalí and Pablo Picasso found a kindred spirit in his ability to manipulate perception, drawing from his habit of assembling disparate objects into a singular, recognizable identity.
Where to see The physical remnants of Arcimboldo’s imagination are scattered across Europe, preserved within the halls of institutions that once served the very courts he once entertained.
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Ιταλός Born in Φλωρεντία Μανιερισμός Wikipedia in 29/32 languages
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Ιταλία Born in Κρεμόνα Ρενάσαンス Wikipedia in 29/32 languages
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Ιταλός Born in Αρέτσο Μανιερισμός Wikipedia in 31/32 languages
This groundbreaking text wasn’t merely a collection of biographies; it established a narrative framework for the development of Italian Renaissance art, tracing its evolution from the early masters like Cimabue and Giotto to his contemporaries Michelangelo and Raphael.
Teacher of Jacopo Zucchi #54, Federico Zuccari #41
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Ιταλός Born in Βενετία Ραινοσαβιονισμός Wikipedia in 23/32 languages
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Ολλανδός Born in Βραunschβουργ Νότια Μανιεριστική τέχνη Wikipedia in 19/32 languages
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Ιταλία Born in Καστελνουόβο Μπεραρντένγκα Μανιερισμός Wikipedia in 21/32 languages
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Ολλανδός Born in Άμστερνταμ Νότια Μανιερισμός Wikipedia in 28/32 languages
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Φλαμάνκος Born in Αντβέρπη Βόρειος Μανιερισμός Wikipedia in 18/32 languages
His paintings are distinguished by their smooth modeling, meticulous detail, and a subtle use of color. He skillfully blended Netherlandish realism with Italian mannerist influences, particularly the Roman tradition of depicting classical mythology. Crucially, his travels extended into Italy, where he spent eight months in Milan and three months in Parma, assisting Bernardino Gatti on the ambitious fresco project for the dome of Santa Maria della Steccata.
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Ιταλίδα Born in Μπολόνια Μανιερισμός, Μπαρόκκο Wikipedia in 26/32 languages
Key works · The 100 most famous works
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Γερμανός Born in Κολωνία Μανιεριστική Ζωγραφική Wikipedia in 26/32 languages
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Ιταλός Born in Φλωρεντία Μανιερισμός Wikipedia in 23/32 languages
In the twilight of the Renaissance, as the balanced harmonies of the previous century gave way to the restless energy of Mannerism, Cristofano Allori emerged as a vital voice in the Florentine school. Born in 1577 into a city steeped in artistic prestige, Allori was destined for the brush.
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Ιταλός Born in Φλωρεντία Μανιερισμός Wikipedia in 24/32 languages
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Ιταλός Born in Μόντα Μανιερισμός Wikipedia in 25/32 languages
His landscapes are not simply scenic backgrounds; they are meticulously crafted environments imbued with a sense of depth, atmosphere, and psychological resonance. These landscapes frequently served as the setting for dramatic scenes featuring figures from classical mythology – tales of Orpheus and Eurydice, Proserpine’s abduction, and the Judgment of Paris. Dell’Abbate’s work at Fontainebleau also contributed significantly to the development of French Mannerism, introducing Italian Renaissance principles to the French court and shaping the artistic tastes of a nation.
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Ιταλός Born in Φλωρεντία Μανιερlισμός Wikipedia in 17/32 languages
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Φλαμίνγος Born in Μιούλεμπεκε Βόρειος Μανιερισμός Wikipedia in 20/32 languages
The biographical sketch mentions him as the "discoverer of caves," possibly referring to the catacombs. This experience exposed him further to Mannerist influences. Influence on Dutch Art: He significantly influenced artists in Haarlem and beyond, shaping the artistic landscape of the Dutch Republic.
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Ιταλός Born in Βολτέρρα Μανιερισμός Wikipedia in 17/32 languages
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Italian Born in Bologna Late Renaissance & Mannerism Wikipedia in 18/32 languages
Beyond the Adoration, Fontana's contributions are visible in the frescoes at the Palazzo Vecchio in Florence (1563-65), where he skillfully integrated architectural elements into his paintings. Fontana’s legacy endures through his surviving works, which are housed in prestigious collections such as the Pinacoteca di Vicenza and the La collezione Bonello (Malta).
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Ολλανδός Born in Ουτρέχτη Μανιερισμός Wikipedia in 14/32 languages
A pivotal period arrived when he embarked on travels through Italy and France starting in 1586. Yet, despite these influences, Wtewael possessed a unique internal compass.
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Italian Born in Μπολόνια Mannerism Wikipedia in 22/32 languages
Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.
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Ολλανδός Born in Λέιντεν Μαναρισμός Wikipedia in 15/32 languages
Pupil of Federico Zuccari #41
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Ιταλός Born in Μονέλια Γενουέζια Σχολή, Μανιερές Wikipedia in 15/32 languages
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Ιταλός Born in Μπάσσανο ντελ Γκράππα Βενεττανική Αναγέννηση Wikipedia in 12/32 languages
Within the bustling, cosmopolitan atmosphere of the Venetian Republic, he ascended rapidly through the ranks of the city's elite artistic circles. He was not merely a painter but a vital administrator of the family’s legacy, taking on significant responsibilities for the Bassano branch in Venice. This collaborative environment, guided by the meticulous instruction of his father, Jacopo Bassano, allowed him to absorb the nuances of Venetian Mannerism and the burgeoning influences of the Baroque style.
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Flemish Late Mannerism
Brussels Court Painter: In 1594, De Clerck ascended to the prestigious role of court painter to Archduke Ernest I of Habsburg Austria, securing patronage that afforded him considerable freedom and resources. The Iconoclastic Crisis & Altarpiece Commissions: The Protestant iconoclasm of 1566 profoundly impacted the religious landscape of Flanders, prompting a dramatic shift towards more restrained artistic expression. Collaborations with Jan Brueghel the Elder on landscapes such as “ Paradise ” further cemented De Clerck’s reputation as a visionary artist who skillfully blended tradition and innovation.
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Ιταλός Born in Μπασσάνο ντελ Γκράππα Μανιερlισμός Wikipedia in 13/32 languages
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Italian Born in Florence Mannerist Painting Wikipedia in 15/32 languages
Beyond the walls of Rome, Perino’s influence stretched into the maritime strength of Genoa and the historic centers of Pistoia.
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Flemish Born in Bruges Renaissance, 16th Century Painting Wikipedia in 15/32 languages
His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari. The Metropolitan Museum of Art’s collection features a significant drawing by Stradanus – “ Allegory of America” – offering valuable insight into his artistic vision and providing a tangible connection to this remarkable Florentine master.
Teacher of Antonio Tempesta #56
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Ιταλός Born in Πορντενόνε Καλλιτεχνικό κίνημα ή στυλ Wikipedia in 16/32 languages
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Italian Born in Sant'Angelo in Vado Mannerism Wikipedia in 18/32 languages
One cannot discuss the brilliance of Federico Zuccaro without acknowledging the profound influence of his brother, Taddeo Zuccaro. While Taddeo’s mastery of sculpture provided a structural strength to their shared visions, Federico’s painting prowess brought them to life with ethereal light and movement. Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.
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Dutch Born in Gouda Mannerism Wikipedia in 13/32 languages
He spent time in Paris with Jean de la Hame, a glass-painter serving King Charles IX, before securing a position at Fontainebleau during the twilight years of the School of Fontainebleau.
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Flemish Born in Hulst Mannerism, Renaissance Wikipedia in 8/32 languages
His artistic style was deeply rooted in the Mannerist aesthetic, characterized by a naturalistic portrayal of nature alongside carefully constructed compositions. The influence of Hieronymus Bosch is also readily apparent in Mostaert’s oeuvre, particularly in compositions derived from tapestries based on Bosch's fantastical creations. Gillis Mostaert died in Antwerp in 1598, reportedly burdened by debt, which led to the dispersal of his workshop’s contents among creditors following his death.
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Italian Born in Φλωρεντία Florentine Mannerism Wikipedia in 11/32 languages
Unlike the balanced compositions favored by his contemporaries, Bacchiacca often employed asymmetrical arrangements, creating a feeling of instability and tension. He was particularly adept at portraying women, imbuing them with a captivating blend of vulnerability and strength. John the Baptist,” now housed in Berlin, and “Ghismonda with Heart of Guiscardo,” a dramatic portrayal of a tragic love story displayed at the Lowe Art Museum in Miami.
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Born in Γκαέτα Wikipedia in 11/32 languages
He developed a refined and detailed approach, characterized by precise rendering and a focus on naturalism. He skillfully balanced Renaissance ideals with emerging Baroque sensibilities.
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Italian Born in Florence Proto-Baroque & Counter-Maniera Wikipedia in 14/32 languages
His prolific output, including monumental altarpieces such as The Resurrection for Santa Croce, demonstrated that art could be both profoundly beautiful and deeply communicative.
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Ιταλός Born in Καραβάζιο Μανιερισμός Wikipedia in 10/32 languages
Partnering with Maturino, he pioneered a technique known as sgraffito, where layers of contrasting plaster were scratched away to reveal underlying designs—a method that allowed for large-scale narrative scenes and architectural motifs directly onto building exteriors. These weren’t merely decorative embellishments; they were public displays of art, accessible to all who traversed the streets of Rome. Though many of his Roman frescoes are lost to time, Polidoro da Caravaggio remains an important and compelling figure in Italian Renaissance history—a testament to the power of artistic innovation and the enduring impact of personal experience on creative expression.
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Ιταλός Born in Κρεμόνα Φλαμανδική Στυλ / Λομπαρδικός Φυσικισμός Wikipedia in 13/32 languages
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Italian Born in Zadar Baroque Sculpture; Mannerism Wikipedia in 14/32 languages
The career of Andrea Schiavone was one of prolific achievement, leaving behind a body of work that includes everything from intimate etchings to monumental religious narratives.
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Ιταλός Born in Βερόνα Ύστερη Αναγέννηση & Μανιερισμός Wikipedia in 11/32 languages
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Italian Born in Bologna Mannerism Wikipedia in 10/32 languages
His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.
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Italian Born in Vicenza Late Renaissance/Mannerist Wikipedia in 5/32 languages
Through his work, the halls of the palace—including the Sala del Senato and Sala dello Scrutinio—were transformed into theatrical stages where history and myth converged.
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Italian Born in Florence Mannerist Painting Wikipedia in 11/32 languages
His works often serve as windows into the complex allegories of the 16th century: Religious Devotion: In pieces such as Allegory of the Creation, Zucchi captures profound moments of divine connection, utilizing dramatic lighting and celestial figures to evoke a sense of awe and religious fervor.
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Ιταλός Born in Βενετία Μανιερισμός Wikipedia in 9/32 languages
The historical significance of Domenico Robusti lies in his role as a bridge between the high drama of the late Renaissance and the more refined, poised sensibilities of the following era. His work remains a vital testament to the enduring legacy of the Robusti name and the intricate layers of influence that shaped the artistic identity of Venice. In the golden, sun-drenched era of the Venetian Renaissance, names often echoed through the marble halls of history with a thunderous intensity.
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Italian Born in Florence Mannerism Wikipedia in 11/32 languages
As a fresco painter, he contributed significantly to some of the most celebrated decorative programs of the age, including works for Villa Lante and Palazzo Farnese. Narrative Allegories: Utilizing complex symbolism to communicate religious and political themes, such as in his evocative work The Expulsion of Heliodorus from the Temple. While his roots remained firmly planted in the disciplined Mannerism of Florence, his work anticipated the emotional intensity and theatricality of the Baroque.
Pupil of Stradanus #39
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German Born in Vienna Northern Mannerism
This rigorous training instilled in him a profound understanding of goldsmithing techniques—a craft that demanded precision, artistry, and meticulous attention to detail. Notably, he studied alongside Euclid's Elements and Plato’s Timaeus, texts considered foundational for geometric reasoning and philosophical contemplation – influences that would profoundly shape his later artistic pursuits. Born in Vienna, Italy, Wenzel was the son of Hans Jamnitzer the Elder, a goldsmith who established a tradition of excellence that would continue through subsequent generations.
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Italian Born in Vicenza
His monumental two-volume treatise, L'idea dell'architettura universale, published in Venice in 1615, stands as one of the final great works of the Renaissance.
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Italian Born in Melide Late Renaissance
He honed his skills in Rome before the death of Michelangelo, immersing himself in the architectural principles of the past while simultaneously embracing new approaches. His initial commissions were modest – designing villas for wealthy patrons like Cardinal Montalto – but these early projects laid the groundwork for a career defined by ambition and technical mastery. The Fontana dell'Acqua Felice (Fountain of Moses), built for Pope Sixtus V, stands as a prime example.
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Born in Antwerp Antwerp Mannerism Wikipedia in 9/32 languages
He was a contemporary of other great figures like Quentin Matsys and may have even collaborated with landscape innovators such as Joachim Patinir.
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Italian Born in Mazzo di Valtellina Mannerist Wikipedia in 10/32 languages
His most celebrated achievement remains the scaled oil copy of the Last Judgment, commissioned by Cardinal Alessandro Farnese.
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Γάλλος Born in Παρίσι Δευτεροφωντενάουα Σχολή Φοντένμπλουα Wikipedia in 8/32 languages
Toussaint Dubreuil (c. 1561 – 1602), a French painter born in Paris, stands as a pivotal figure within the Second School of Fontainebleau—a movement that skillfully blended the stylistic grandeur of Mannerism with the vibrant aesthetics of Italian Renaissance art.
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Italian Born in Florence Mannerist Wikipedia in 10/32 languages
Beyond his fresco cycles, Conte also produced a series of individual portraits, most notably his portrait of Michelangelo (c. 1540). The portrait is characterized by its dramatic lighting, intense gaze, and subtle gestures—elements that reflect Conte's growing mastery of chiaroscuro and his increasing interest in psychological realism. Conte's career took a significant turn in 1547-48 when he joined forces with Siciolante da Sermoneta on the ambitious fresco decoration of the chapel of San Remigio in San Luigi dei Francesi.
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Flemish Born in Antwerp Landscape with mythological and allegorical Wikipedia in 8/32 languages
In 1580, Fiammingo was tasked with creating extensive series of paintings to adorn Castle Kirchheim in Württemberg.
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French Born in Bassigny Northern Mannerism Wikipedia in 9/32 languages
Though his life was cut short in 1616, Bellange’s influence endured far beyond the borders of Lorraine.
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Italian Born in Parma Mannerist Painting Wikipedia in 8/32 languages
His contributions to the decoration of landmarks like the Santa Maria della Steccata underscore his role as a cornerstone of Parma’s artistic golden age.
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Italian Born in Novellara Mannerist Wikipedia in 7/32 languages
Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.
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Italian Born in Florence Renaissance and Mannerism Wikipedia in 5/32 languages
The historical significance of Michele Tosini lies in his role as a bridge between eras. Whether depicting the tender intimacy of a Holy Family or the rustic devotion found in an Adoration of the Shepherds, Tosini possessed the rare ability to capture the profound intersection of the divine and the human. His early training under Lorenzo di Credi and Antonio del Ceraiolo anchored him in the refined traditions of the High Renaissance.
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Spanish Born in Mascaraque Renaissance, Mannerism Wikipedia in 6/32 languages
Correa's early commissions, such as the altarpiece for the monastery of Santa María de Guadalupe in Mascaraque (circa 1532-1534), demonstrate a clear adherence to Raphael’s principles – elegant figures, balanced compositions, and harmonious color palettes.
The paintings behind the names
Through time
In figures
| Ιταλία | 34 |
|---|---|
| Italy | 15 |
| Γαλλία | 3 |
| Belgium | 3 |
| Γερμανία | 2 |
| Ολλανδία | 2 |
| Βέλγιο | 2 |
| Netherlands | 2 |
| 1470s | 2 |
|---|---|
| 1480s | 3 |
| 1490s | 5 |
| 1500s | 11 |
| 1510s | 10 |
| 1520s | 8 |
| 1530s | 7 |
| 1540s | 11 |
| 1550s | 7 |
| 1560s | 4 |
| 1570s | 3 |
| Kunsthistorisches Museum | 18 |
|---|---|
| Ερμιτάζ | 10 |
| Bavarian State Painting Collections | 9 |
| Εθνική Πινακοθήκη Λονδίνου | 8 |
| Rijksmuseum | 6 |
| Μουσείο του Πράδο | 6 |
| Μετροπολιτικό Μουσείο Τέχνης | 5 |
| Galleria degli Uffizi | 5 |
All of them, in order
Δομήνικος ΘεοτοκόπουλοςΕλληνική Ισπανική · 1541–1614ΤιντορέττοΙταλιάνος · 1519–1594Τζουζέπε ΑρτσιμπόλντοΙταλός · 1527–1593Άνιολο ΜπροντσίνοΙταλός · 1503–1572Σοφονίσμπα ΑνγκουίσσολαΙταλία · 1532–1625
Τζάκοπο ΠοντόρμοΙταλός · 1494–1556
Παρμιτζιάννο1503–1540Τζόρτζιο ΒαζάριΙταλός · 1511–1574
Τζούλιο ΡομάνοΙταλός · 1499–1546
Ρόσσο ΦιορεντίνοΙταλός · 1494–1540Σεμπαστιάνο ντελ ΠιόμποΙταλός · 1485–1547Χέντρικ ΧόλτσιουςΟλλανδός · 1558–1617Ντομένικο ΜπεκκαφούμιΙταλία · 1484–1551Πίτερ ΆρτσενΟλλανδός · 1508–1575Μπαρτολομέους ΣπράνγκερΦλαμάνκος · 1546–1611Λαβίνια ΦοντάναΙταλίδα · 1552–1614
Φεντερίκο Μπαρότσι1535–1612Χανς Φον ΆαχενΓερμανός · 1552–1615Κριστόφανο ΑλλόριΙταλός · 1577–1621Αλεσσάντρο ΑλλόριΙταλός · 1535–1607Νικολό Ντελ' ΑμπάτεΙταλός · 1512–1571
Τζοβάννι Μπαττίστα Μορόνι1525–1578
Μπενβένουτο Τσελίνι1500–1571Φραντσεσκο ΣαλβιάτιΙταλός · 1510–1563
ΤζιαμπολόνιαΦλαμανδός · 1529–1608Καρέλ Φαν Μάντερ Ο ΠαλαιότεροςΦλαμίνγος · 1548–1606Ντανιέλε ντα ΒολτέρραΙταλός · 1509–1566
Jean GoujonΓάλλος · 1510–1567Prospero FontanaItalian · 1512–1597Γιόαχιμ ΓκτεβέλΟλλανδός · 1566–1638Φραντσέσκο ΠριματίτσοItalian · 1504–1570Όττο φαν ΦέινΟλλανδός · 1556–1629Λούκα ΚαμπιάσοΙταλός · 1527–1585
Τζουζέπε ΤσεσάριΙταλός · 1568–1640Φραντσέσκο Μπασσάνο Ο ΝεότεροςΙταλός · 1549–1592Hendrick De ClerckFlemish · 1570–1630Λεάντρο ΜπασσάνοΙταλός · 1557–1622Perino del VagaItalian · 1501–1547StradanusFlemish · 1523–1605Ιλ ΠορντενόνεΙταλός · 1484–1539Federico ZuccariItalian · 1539–1609
Τσέκκινο Ντελ ΣαλβιάτιΙταλός · 1510–1563Cornelis KetelDutch · 1548–1616Gillis MostaertFlemish · 1528–1598Φραντσέσκο ΜπακιάκκαItalian · 1494–1557Σκιπιόνε Πουλτσόνε1550–1598Santi di TitoItalian · 1536–1603Πολιντόρο Ντα ΚαραβάζιοΙταλός · 1499–1543Βιντσέντσο ΚάμπιΙταλός · 1536–1591Andrea SchiavoneItalian · 1522–1563Ιάκοπος ΛιγότσιΙταλός · 1547–1627Bartolomeo PassarottiItalian · 1529–1592Andrea VicentinoItalian · 1542–1617Jacopo ZucchiItalian · 1542–1596Ντομένικο ΤιντορέτοΙταλός · 1560–1635Antonio TempestaItalian · 1555–1630
Αμίκο ΑσπέρτινιΙταλός · 1475–1552Wenzel JamnitzerGerman · 1507–1585Vincenzo ScamozziItalian · 1548–1616Domenico FontanaItalian · 1543–1607Jan De Beer1475–1528Marcello VenustiItalian · 1510–1579Τουσαίν ΝτυμπρέιγΓάλλος · 1561–1602
Τομπίας ΣτίμερSwiss · 1539–1584Jacopino del ConteItalian · 1510–1598Paolo FiammingoFlemish · 1540–1596Jacques BellangeFrench · 1575–1616Girolamo Mazzola BedoliItalian · 1500–1569Lelio OrsiItalian · 1508–1587Michele TosiniItalian · 1503–1577Juan Correa De VivarSpanish · 1510–1566Your questions, answered
First place goes to Δομήνικος Θεοτοκόπουλος (#1); Τιντορέττο (#2) and Τζουζέπε Αρτσιμπόλντο (#3) complete the podium.
Δομήνικος Θεοτοκόπουλος (#1), Τιντορέττο (#2), Τζουζέπε Αρτσιμπόλντο (#3), Άνιολο Μπροντσίνο (#4) και Σοφονίσμπα Ανγκουίσσολα (#5).
Most μάστορες της ζωγραφικής in this list were born in the 1540s (11 of 71), between 1475 and 1577 overall.
The highest-ranked μάστορες της ζωγραφικής born in Italy are Prospero Fontana (#29), Perino del Vaga (#38), Federico Zuccari (#41), Santi di Tito (#47) και Bartolomeo Passarotti (#52).
The museums holding the most key works of this list are Kunsthistorisches Museum (18), Ερμιτάζ (10) και Bavarian State Painting Collections (9).
Τζόρτζιο Βαζάρι (#8) taught Jacopo Zucchi (#54) και Federico Zuccari (#41); Stradanus (#39) taught Antonio Tempesta (#56).
The highest-ranked μάστορες της ζωγραφικής born in Ιταλία are Τιντορέττο (#2), Τζουζέπε Αρτσιμπόλντο (#3), Άνιολο Μπροντσίνο (#4), Σοφονίσμπα Ανγκουίσσολα (#5) και Τζάκοπο Ποντόρμο (#6).
Φλωρεντία: 8 of the μάστορες της ζωγραφικής in this list were born there.
The earliest-born μάστορας in this list is Αμίκο Ασπέρτινι (#57), born in 1475.
Ιταλία: 34 of the 71 μάστορες της ζωγραφικής in this list were born there, then Italy (15) και Γαλλία (3).
The women of this list (2): Σοφονίσμπα Ανγκουίσσολα (#5) και Λαβίνια Φοντάνα (#16).
Our catalogue holds 5,179 works by these μάστορες της ζωγραφικής. Each one can be ordered as a hand-painted oil reproduction or a print.
Keep reading
Other movements
Σημαντοί καλλιτέχνες BaroqueRembrandt van Rijn · Ρέμπραντ
Σημαντοί καλλιτέχνες Contemporary RealistΟι Συλλέκτριες · Ζαν Φρανσουά Μιγέ
Σημαντοί καλλιτέχνες ImpressionistΗ Νύχτα Πλούσια Στα Άστρα (Νέα Υόρκη, MoMA) · Βίνσεντ Βαν Γκογκ
Σημαντοί καλλιτέχνες RomanticistΚρόνος να καταβροχθίζει τον Γιο του · Φρανθίσκο Γκόγια
Σημαντοί καλλιτέχνες NeoclassicistΗ Σταυροφόρος του Μαρά · Ζακ-Λουί Νταβίντ
Σημαντοί καλλιτέχνες RealistΗ Αρχή του Κόσμου · Γκυστάβ Κουρμπέ
Σημαντοί καλλιτέχνες RenaissanceΜόνα Λίζα (La Gioconda) · Λεονάρντο Ντα Βίντσι
Σημαντοί καλλιτέχνες Dutch Golden AgeΤο Κορίτσι με το Μαργαριτάρι · Γιοχάνες Βερμέερ
Σημαντοί καλλιτέχνες ExpressionistΣύνθεση Ζ · Βασίλι Καντίνσκι
Σημαντοί καλλιτέχνες RococoΗ Πρώτη Επίσκεψη στην Κύθηρα · Αντουάν ΒαττώOther periods
Σημαντοί καλλιτέχνες Early MedievalSnowy River · Wáng Wéi
Σημαντοί καλλιτέχνες High MedievalΜάδονα σε Μαέστα (Μάδονα Ογνιαντίνι) · Τζόττο
Σημαντοί καλλιτέχνες Late MedievalΗ Αναγγελία και οι Δύο Άγιοι · Σιμόνε Μαρτίνι
Σημαντοί καλλιτέχνες RenaissanceΗ Δημιουργία του Αδάμ · Μιχαήλ Άγγελος
Σημαντοί καλλιτέχνες Early ModernΗ Κλήση του Ματθαίου · Καραβάτζο
Σημαντοί καλλιτέχνες 19th CenturyΝυφάδες του Νερού (ή Λιλιές του Νερού) · Κλόντ Μονέ
Σημαντοί καλλιτέχνες ModernΓκουέρνικα · Πάμπλο Πικάσο
Σημαντοί καλλιτέχνες ContemporaryWind Sculpture III (one in a series of nine) · Yinka ShonibareMore rankings
