John Mare, 1739 – 1803

John Mares malerier: De 3 mest berømte værker, rangeret

John Mare's mest berømte maleri er Dr. Benjamin Youngs Prime (1733-1791) (1774) i New York Historical Society, New York City. Sammen med John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767) udgør de de tre værker, som alle kender. Vores katalog indeholder 3 værker af John Mare; de 3 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af John Mare
John Mare · 1739 – 1803
Født · død
1739 – 1803, New York City
Værker i vores katalog
3
Mest kendte
Dr. Benjamin Youngs Prime (1733-1791) (1774)
Flest værker hos
New York Historical Society

De 10 mest berømte John Mare malerier

Dr. Benjamin Youngs Prime (1733-1791) (1774) af John Mare
1

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, New York City

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

Håndmalet oliereproduktion fra $181 27 × 37 cm
John Keteltas (1739-1766) (1767) af John Mare
2

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, New York City

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

Håndmalet oliereproduktion fra $181 29 × 35 cm
Jeremiah Platt (1767) af John Mare
3

Jeremiah Platt

1767 · Metropolitan Museum of Art, New York

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

Håndmalet oliereproduktion fra $181 28 × 36 cm Samme størrelse som originalen $516 98 × 123 cm Bestil i original størrelse →

De motiver John Mare malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Hvor kan man se John Mare's malerier

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Mare Malerier fra denne liste
New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

John Mares mest berømte malerier, år for år

John Mare malede i knap 8 år, fra 1767 til 1774: følg årtiet år for år gennem de malerier, der skabte navnet.

  1. 1767
    John Keteltas (1739-1766) (1767) af John Mare
    #2 ud af 3

    John Keteltas (1739-1766)

    Alder 28 · New York Historical Society

    A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

  2. 1767
    Jeremiah Platt (1767) af John Mare
    Nr. 3 ud af 3

    Jeremiah Platt

    Alder 28 · Metropolitan Museum of Art

    Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

  3. 1774
    Dr. Benjamin Youngs Prime (1733-1791) (1774) af John Mare
    Nr. 1 ud af 3

    Dr. Benjamin Youngs Prime (1733-1791)

    Alder 35 · New York Historical Society

    The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

Spørgsmål om John Mares malerier

Hvad er John Mares mest berømte maleri?Vis svaret

Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Derefter følger John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767).

Hvor gammel var John Mare, da Dr. Benjamin Youngs Prime (1733-1791) blev malet?Vis svaret

35 år gammel: Dr. Benjamin Youngs Prime (1733-1791) er fra 1774, og John Mare blev født i 1739.

Hvor mange malerier har John Mare lavet?Vis svaret

Vores katalog indeholder 3 værker af John Mare, dateret fra 1767 til 1774.

Hvor findes John Mares mest berømte malerier?Vis svaret

De fleste af dem findes i New York Historical Society (New York City) og Metropolitan Museum of Art (New York). Tabellen ovenfor lister museerne enkeltvis.

Hvornår malede John Mare sine mest berømte værker?Vis svaret

I 1767: 2 af de 3 værker på denne side stammer fra denne periode, herunder John Keteltas (1739-1766).

Hvad er John Mare's tidligste og seneste berømte malerier?Vis svaret

Det tidligste på denne side er John Keteltas (1739-1766) (1767), det seneste Dr. Benjamin Youngs Prime (1733-1791) (1774).

Hvad malede John Mare oftest?Vis svaret

Man (2), Wig (2) og Cravat (2), blandt de 3 værker på denne side.

Hvilke John Mare-malerier kan jeg se på New York Historical Society?Vis svaret

Dr. Benjamin Youngs Prime (1733-1791) og John Keteltas (1739-1766) er blandt de 2 værker på denne side, som er i New York Historical Society, New York City's samling.

Kan jeg købe en reproduktion af et maleri af John Mare?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Om John Mare

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.